A Nice Change of Scenery: Margaret Pole in The White Princess

Margaret Pole TWQ Tudors WH

While The White Queen has taken many liberties and has been advertised as an accurate portrayal of fifteenth century courts, it has done a good job bringing attention to Margaret’s story –something that other shows have failed to do. The Tudors and Wolf Hall tried but were unsuccessful. The first only focused on a minor part of her later story and the latter depicted her as an active conspirator, making it seem as if she deserved her later fate.

Meg Pole being separated from Edward

There is a scene where she is with her brother and he is suddenly being taken away by Henry VII’s solders. The scene is absolutely heart-wrenching and it was done in such a way that you really feel for the poor girl.

Margaret is one of the most tragic figures of the wars of the roses and the Tudor era. She survived her father’s downfall and afterwards the fall of the fall of the York dynasty. The same cannot be said for her little brother, Edward Plantagenet, Earl of Warwick. After Richard III usurped the throne, the throne should have passed to him instead but due to their father having been executed as a traitor, he and Margaret were excluded from the line of succession.

Following Richard III’s defeat at the battle of Bosworth, Henry began the proceedings to overturn parliament’s ruling regarding his future bride and her remaining royal siblings. Richard III’s claim rested on the invalidity of Elizabeth and her sisters, which rested on the argument that Elizabeth Woodville and Edward IV were never truly married because he had previously been pre-contracted to another noblewoman. Shaky as it may seem, given that the two people involved were dead and the Woodvilles were unpopular among many aristocrats, this stuck. But now that he was gone, it was time for Henry to validate his own claim and the only way he was going to do that was by saying it stemmed by right of conquest, his mother’s Lancastrian ancestry, and his union with Elizabeth.

While he didn’t marry Margaret’s cousin right away, he was quick to secure the last legitimate male Plantagenet. At only ten years old, Edward was moved to the Tower of London where he lasted until 1499. By that time he was described as simple and for lack of another better word, insane. He was easily tricked into conspiring with the pretender, Perkin Warbeck, and before long the two were charged with treason and hung.

Margaret Pole was twenty four at the time, having been born two years before him. We do not know what was going through Margaret’s head at the time, but given everything she suffered, we can only imagine that it must have been a terrible –but not so unusual- ordeal for her.

In The White Queen, there is a scene where she is with her husband, shortly after the two are married and she tells him that rejects her last name ‘Plantagenet’ because it has brought her nothing but sadness. Philippa Gregory’s last book in the cousins’ war series is titled The King’s Curse and it deals with events from the first two Tudor monarchs’ reigns from Margaret’s point of view. For those of you who haven’t read the book, I recommend it. It has some memorable scenes, some that were very touching and others that seemed repetitive. While it focuses on Melusina’s curse, an invention of Philippa Gregory to account for Prince Arthur and many other Tudor princes’ deaths, the book’s title can also be seen as an apt description for Margaret, a woman whose life must have seemed like a curse.

Margaret Pole Portrait
By an unknown artist, this sitter is believed to be Margaret Pole due to her clothing and jewelry.

A portrait by an unknown artist that has been identified as Margaret Pole shows that she never forgot about her roots and personal tragedies. She wears a bracelet with a butt malmsey hanging from it, a clear reference to her father who was executed during her uncle, Edward IV’s reign, for treason.

The eldest daughter of George Plantagenet, Duke of Clarence and Isabel Neville, eldest daughter of Richard Neville “the Kingmaker”, Earl of Warwick and Salisbury among other titles, and Anne Beauchamp; sought to survive by seeking favor with the royal family, especially the future queen of England, the Spanish Infanta, Katherine of Aragon.

COA and Meg Pole historical and fictional portrayals
Catherine of Aragon in the Spanish series Isabel (left), Margaret Pole in The White Princess (right).

It was this friendship that earned her the title of Countess of Salisbury. This was a big deal since not many women were title holders in their own right. As suo jure, Margaret became one of the richest landowners and influential courtiers in England. She also became Princess Mary, Katherine and Henry VIII’s only surviving child, governess and the two forged a strong friendship that would last a lifetime.

But not all was well in paradise. In spite of her friendship with the Queen, and the Queen’s patronage of Humanists and popularity with the people, her influence with the King was waning and following her last miscarriage, Henry’s eye began to wander again and it wasn’t only before it was set on her lady-in-waiting and former mistress’ sister, Anne Boleyn. After his marriage to Katherine was annulled, his daughter was bastardized and his union with Anne as well as her pregnancy became public, Margaret’s life was turned upside down. She chose to stay loyal to her best friend and former charge and unfortunately, this along with her royal blood and her son Reginald’s outburst against the King, became her undoing.

A book that I highly recommend that gives a hauntingly beautiful description of Margaret Pole’s ordeals is Dan Jones’ Wars of the Roses: The Fall of the Plantagenets and the Rise of the Tudors. Here is a small snippet from it:

“At seven o’clock in the morning on Friday, May 27, 1541, within the precincts of the Tower of London, an old woman walked out into the light of a spring day. Her name was Margaret Pole. By birth, blood and lineage she was one of the noblest women in England … Margaret’s life had long been exciting. For twenty-five years she had been the countess of Salisbury, one of only two women of her time to have held a peerage in her own right. She had until recently been one of the five wealthiest aristocrats of her generation, with lands in seventeen different counties. Now, at sixty-seven –ancient by Tudor standards- she appeared so advanced in age that intelligent observers took her to be eighty or ninety.
Like many inhabitants of the Tower of London, Margaret Pole was a prisoner. Two years previously she had been stripped of her lands and titles by an act of parliament which accused her of having “committed and perpetrated diverse and sundry other detestable and abominable treasons” against her cousin, King Henry VIII. What these treasons were was never fully evinced, because in truth Margaret’s offenses against the crown were more general than particular … As she walked out into the cool morning air, Margaret Pole could therefore have reflected that, although she was due to beheaded that morning, she would at least die wearing new shoes.” ~Dan Jones, The Wars of the  Roses: The Fall of the Plantagenets and the Rise of the Tudors

The Imperial Ambassador, Eustace Chapuys who’d become very attached to the late Queen, Katherine of Aragon and her daughter, the lady Mary, wrote that Margaret was confused about her sentence. She wasn’t sure what her crime was, or how was it possible that she was easily convicted when there was hardly any evidence of an alleged treason. During these hard times, Henry VIII’s queen, teenager Kitty Howard and ironically Anne Boleyn’s cousin, sought to make her stay at the tower more comfortable by appealing on her behalf to her husband and sending her tailor so he could take her measurements and Kitty could order new clothes for the Countess. She also convinced Henry to send her new shoes. But in the end, nothing could save her from the same inescapable faith of her father and brother.

“At first when the sentence of death was made known to her; she found the thing very strange, not knowing of what crime she was accused, nor what she had been sentenced; but at last, perceiving that there was no remedy; and that die she must … walked towards the midst of space from the Tower, where there was no scaffold erected nor anything except a small block. Arrived there, after commending her soul to her Creator, she asked those present to pray for the King, the Queen, the Prince and the Princess, to all of whom she wished to be particularly commended, and more especially to the latter, whose godmother she had been. She sent her blessings to her, and begged also for hers …”

Chapuys added after her bloody execution had been carried out, that he wished that “God in his high grace pardon her soul”. Her execution was carried out by an inexperienced and rough youth who hacked her to pieces. An apocryphal account has her running away from her executioner, pleading for help only for him to chase her down and butcher her. Margaret had no reason to run away. Her speech is an indicator that she was ready to die and like so many present, she had no idea that her fate would be so gruesome. Like almost every other secondary source, especially one written centuries later, it should not be taken seriously.

If you want to read a full length-biography of her, I recommend the one by Susan Higginbotham who has also written one on the Woodvilles and plenty of historical fiction. Her book really brings to light the woman, the courtier, the mother and most of all, the survivor. I highly recommend it.

Like Anne Boleyn and so many others, sensing the end, Margaret Pole began to contemplate her own mortality and when she finally made peace with her fate, it is believed that she etched this poem on the stone walls of her cell:

“For traitors on the block should die;
I am no traitor, no, not I!
My faithfulness stands fast and so,
Towards the block I shall not go!
Nor make one step, as you shall see;
Christ in Thy Mercy, save Thou me!”

It is a sad end for a woman who had prided herself in being a survivor for most of her life. Two years before, her son and his alleged co-conspirators were executed. It must have been a terrible experience for her and at one point she must have thought she was cursed or that she would never be free of family tragedy. As previously stated, Margaret had lost her mother in childbirth, her father was found guilty of treason and executed by being drowned in a butt of malmsey and to top it all off, after Henry VII became King, her little brother was moved to the tower of London and fourteen years later executed. Margaret must have felt like she had avoided such fates by currying favor with the monarchy through the Spanish Princess, Katherine of Aragon but after Henry split from Rome,and Reginald’s words against him, Margaret’s family once again became a target and the rest as they say … is history. She begins her journey in The White Princess as a young woman who has no choice but to follow those in power and curry favor with them to stay alive and as a result, she becomes the most interesting and complex character in the show.

Sources:

  • Ridgway, Claire. “The Execution of Margaret Pole, Countess of Salisbury.” The Anne Boleyn Files, 17 May, 2010, https://www.theanneboleynfiles.com/the-execution-of-margaret-pole-countess-of-salisbury/5592/
  • Gregory, Philippa. The White Princess. Touchstone. 2013.
  • —. The King’s Curse. Touchstone. 2015.
  • Jones, Dan. The Wars of the Roses: The Fall of the Plantagenets and the Rise of the Tudors. Penguin. 2014.
  • Higginbotham, Susan. Margaret Pole: The Countess in the Tower. Amberly. 2016.
  • Mackay, Lauren. Inside the Tudor Court: Henry VIII and his Six Wives through the writings of the Spanish Ambassador, Eustace Chapuys. Amberly. 2014.
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One thought on “A Nice Change of Scenery: Margaret Pole in The White Princess

  1. Charity May 28, 2017 / 12:56 pm

    Margaret is the only decent thing about The White Princess miniseries. The rest is a hatchet job both upon history and the books; she’s marvelous.

    Liked by 1 person

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