The Marriage of Henry VIII and Infanta Catalina: The Rose & the Pomegranate

KOA and Henry VIII 2

On June Eleventh 1509, Henry VIII married the Spanish Princess, Katherine of Aragon at the Friary Church at Greenwich. It was a modest ceremony. Katherine’s confessor wrote to her father that “His Highness loves her and she loves him”. Katherine of Aragon had been his brother’s widow. There was that issue of the papal dispensation which her mother had taken care of before her death, five years prior. But Isabella’s death split the country in two and Katherine was no longer a valuable asset. Henry VII made his son publicly repudiate his intended bride, yet Henry continued to be infatuated with her. Katherine always made sure she got to see him as much as she could so Henry’s interest in her would remain. People tend to forget how long the two waited to be married and furthermore, how long they were married.

Katherine of Aragon Magdalene

Nobody expected Katherine to become Queen. Henry had been kept from other people, except a select few. Henry VII wanted to make sure that his son would become the perfect Prince, one who would listen to his father and his advisers. Henry VIII however was determined to be his own man. David Loades said it himself, that Henry’s decision to marry Katherine echoes his maternal grandfather’s decision to marry an impoverished Lancastrian widow. As with the latter, Katherine did not have anything more to recommend her other than her name. Her credentials were impeccable (and she was also the first female Western European ambassador) but other than that, her country had been torn up by civil war, and she was no longer a bride who was considered desirable on that prospect. But more than that, Henry was determined to her. Like Edward IV, nobody was going to tell him what to do. The council wanted Henry to marry Katherine’s niece or someone else who would bring a larger dowry with her and who was younger, but Henry said no claiming that on his deathbed, his father made him swear that he would look after his late brother’s wife by marrying her.

HenryVIII_1509

In completely fairness, Henry was acting in the chivalric traditions where a knight rescues his fair maiden and protects her from all harm. His declaration does have some truth in that sense; but the part about his father making him promise to marry Katherine is unbelievable. It is true that Henry VII had grown into a very avaricious man towards the end of his reign; but much as he coveted Katherine’s dowry, he was more interested in his son marrying a bride who would bring more to the table.
The council didn’t believe his story either, but he was their King and they could do nothing to dissuade him.

Henry VIII and Katherine of Aragon in the Six Wives of Henry VIII (1970)

When Katherine was told of the news, no doubt she felt a sense of fulfillment, because at last her seven long years of waiting to wear the crown of Edith, was becoming a reality. And there was also another aspect to their union: Henry was attracted to her, not just because she was beautiful, but because she was intelligent and because despite Spain being in a tough situation, his alliance with Ferdinand fed into his ambitious to conquer France. Ferdinand like Henry was no friend of the Valois and he encouraged his son in law (through Katherine) to join him against France.
During the first years of their marriage, Katherine was extremely influential. The two were crowned together, and Katherine would oversee many things and as Queen she had her own household and she proved to be an excellent administrator, and also a great leader. When her husband left to aid her father in the war against France, she was left in charge of his realm. Under her Regency, the Scots were defeated and their king, James IV, was slain. And she became very loved by the people by striking a harmonious balance between her fashions, piety, and devotion to her husband.
At the same time, there is also one detail that many people forget and that is Katherine’s reaction to her husband’s infidelities. By the time Anne Boleyn came into the fold, Katherine had learned her ‘lesson’ and turned a blind eye to them. As long as her position was safe, she would not have to worry about the rest. But in the beginning Katherine was very upset of his affairs, and more than one occasion she voiced her displeasure. And on another, she made it very clear how she saw her husband’s illegitimate son as a threat to her daughter, the Princess Mary.
But whereas Anne was said to have been outspoken in front of many of her ladies and his closest friends; Katherine unleashed her anger when they were in private, and in other ways through cold looks and sarcastic remarks.

Sources:

  • Katherine of Aragon by Patrick Williams
  • Sister Queens: The Noble and Tragic Lives of Katherine of Aragon and Juana I of Castile by Julia Fox
  • The Wives of Henry VIII by Antonia Fraser
  • The Six Wives of Henry VIII by David Loades
  • Six Wives and the Many Mistresses of Henry VIII by Amy Licence
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Henry VI’s Mysterious Death: Where One War Ends, Another Begins

King Henry VI.
King Henry VI.

On the twenty first of May 1471, Henry VI died, probably by the hand of the Yorks. There are many versions of this. In some it is Richard who kills him while Henry VI bemoans his death and the destruction of his house, in others it is an unknown assailant sent by Richard.  The official story is something so outrageous and taken out of a fairy tale story that nobody believed it at the time. According to the Yorkists, Henry VI had taken the news of his son’s death “to so great despite, ire and indignation that of pure displeasure and melancholy he died”. Few believed this cock and bull story. Towards the end of his life, Henry VI had become paranoid. He railed about seeing a woman drowning a child and many other visions that his confessor and biographer, John Blacman, later recorded. Despite his delusions however, it is very hard to believe that he would just drop dead upon receiving the news of his dead son.
Everyone suspected of foul play. But regardless of the identity of his killer, whoever sent him would have been acting under the strict orders of Edward IV. It is illogical to think that someone would have just gone rogue and done away with the old King. Edward IV wanted Henry VI. Period. He didn’t spare his son in his battle and dragged Edmund Beaufort, Duke of Somerset and the others hiding at Tewkesbury Abbey for beheading two days later on May the sixth. His death marked the end of an era and the end of a threat. Or at least that is how it seemed.

Edward IV was too smart to know that killing Henry VI was the end of the Lancastrian threat. If history had taught him anything was that once one person was eradicated, another one could come to take his place. Especially if that someone came from the same House as he did. Henry Tudor was the descendant of John of Gaunt, 1st Duke of Lancaster’s eldest son by his third wife, Kathryn Swynford. Although King Richard II had legitimized their children, his successor, Henry IV had excluded them from the line of succession. But that was a minor concern for Edward IV. After all, he better than anyone, knew laws could be made or unmade. It was only a matter of power and money. So after Henry VI was murdered that morning between 11 and 12 0’clock, he began his next project: to capture Henry Tudor, the fourteen year old Earl of Richmond and his uncle Jasper Tudor who were hiding in Wales, at all costs.

Some historians view the destruction of the legitimate line of the House of Lancaster as the end of the wars of the roses; but the wars as we know now, was far more complex and far from over at this point. Where one war ended, another began.

Sources:

  • Tudor. Passion. Manipulation. Murder by Leanda de Lisle
  • Anne Neville: Richard III’s Tragic Queen by Amy Licence
  • Edward IV by Ross
  • Rise of the Tudors by Chris Skidmore
  • The Prince who did not become King: Edward of Westminster (1453-1471) by Susan Higginbotham
  • The Wars of the Roses: The Fall of the Plantagenets and the Rise of the Tudors by Jones
  • The Wars of the Roses by Alison Weir

King Henry VII’s Burial: Reassesing the first Tudor Monarch

Henry VII and Elizabeth of York, their effigies at the lady Chapel in Westminster and the symbol that their union created which has endured in the imaginations of historians and avid readers when they study the Tudors.
Henry VII and Elizabeth of York, their effigies at the lady Chapel in Westminster and the symbol that their union created which has endured in the imaginations of historians and avid readers when they study the Tudors.

On the 11th of May 1509 Henry VII was laid to rest in the Lady Chapel that he built for himself and his wife, at Westminster Abbey. Their effigies can be appreciated, as well as the effigies of his other descendants (also buried here). Westminster was no strange place to Henry. Three months after his coronation, he married the beautiful Elizabeth of York here. The wedding as Suzannah Lipscomb describes in her book A Journey Through Tudor England “was cause for celebration indeed. It marked the coming together of the warring houses of York and Lancaster: an end to the bloody Wars of the Roses that had torn England apart on and off for over thirty years. A strikingly attractive and intelligent woman, with long golden hair, Elizabeth wore her finest robes for the wedding –described as glowing ‘with gold and purple dye’- and a necklace ‘framed in fretted gold.’ She carried symbolic white and red roses.”

Their marriage also gave birth to a new symbol: The Tudor Rose. Yet the red rose of Lancaster and white rose of York joined together in matrimony was nothing more an illusion. The Yorks and Lancasters sported more devices than just one rose each. Their origins as Leanda de Lisle states:

“The simple five-petal design of the heraldic rose was inspired by the wild dog rose that grows in the English hedgerows. As a symbol it had a long associated with the Virgin Mary, who is sometimes called the Mystical Rose of Heaven. But Henry IV had once used red roses to decorate his pavilion at a joust, their use as a Lancastrian royal badge was not widespread before the advent of the Tudors.”

In the five hundred and sixteen years after his death, he remains a figure of controversy, everything from he was a miser, or not a good enough king, or his mother killed the princes in the tower, has been said about him, but the truth is we think this way of Henry because he spent more time behind a desk, overseeing his country’s development, and his family’s welfare for that matter, than in becoming popular. We usually remember the monarchs who were once young, energetic, and handsome and who despite causing so much trouble afterwards, still dressed splendidly and spent their money on huge frivolities. And it is because of that, that we tend to overlook the more serious and less romanticized monarchs. Henry’s life story however is just as interesting as all of these other monarchs. And the fact of the matter is that regarding the princes’ disappearance, is something we will never know. But just as Richard’s defenders say that you cannot condemn him based on little evidence, you can use the same argument for Henry and his mother. There are ‘perhaps’ ‘could haves’ but never any certainties. Just as kings were known to be pious, they were also known to be cruel and Richard was not any different. The facts don’t lie, to secure his power, he executed Lord Rivers (Elizabeth Woodville’s brother), Richard Woodville (hers on), and Hastings and imprisoned others that he considered were also a threat. His brother and father had been brutally killed when he was very young, and being exposed to violence at a very young era, no doubt, had an effect on him. The same can be said for Henry Tudor who saw from an early age the destruction of his mother’s house, the Beauforts, and his uncle’s, the Lancastrian. And when he became a target of Edward IV (who feared he would be perceived as the new hope for the lase Lancastrians) he and his uncle Jasper fled the country.

This alone makes his story one of the most amazing found in English medieval history.

“The reality of Henry Tudor’s ascent to the throne –his narrow escapes from death, his failures and anxieties, complete with constant uncertainty of his situation, and the compromises that he had been forced to make, including the support from France and hiss former Yorkist enemies in gaining the crown- was a far less welcome tale. It remains nonetheless nonetheless just as remarkable; against all the odds, at Bosworth Henry achieved victory that he should have not on” (Skidmore)

As the royal procession reached Westminster Abbey on that fateful day, people could see the massive wax tapers weighing over twelve hundred pounds. As his coffin was lowered down to be placed next to his wife, the choir sang ‘Libera me’: “Deliver me, O Lord, from death eternal on that fearful day … When thou shalt come to judge the world by fire.”

Despite his miserly attitude after the death of his son and wife, he kept corresponding with his eldest daughter whose affection for her was clearly evident as he consoled her in one of their first letters when she told him that she was feeling homesick. On his deathbed, Henry had made provisions so 10,000 masses would be said to aid his soul’s journey into the afterlife, and the other half to religious gifts and charities. When his son ascended to the throne he posed an important question which perhaps still resonates today when we hear debates about which Tudor King (of the first two) mattered the most. In the Dynasty portrait made in the last decade of his reign, Henry VIII had Holbein put him and his father on the right with their respective and favored wives, Elizabeth of York and Jane Seymour on the left. Separating them is this huge monument that reads “The former often overcame his enemies and the fires of his country and finally gave peace to its citizens but the son, born indeed for greater tasks, drives the unworthy from the altars and brings in men of integrity. The presumption of popes has yielded to unerring virtue and with Henry VIII bearing, the scepter in his hand, religion has been restored.” The message is clear, ‘my dad was great but I am greater.’

The Tudor Dynasty Portrait. Henry VIII is showing in his imposing self, below his father who is leaning towards the central altar, at the opposite side is his mother and Jane Seymour -the consort he asked to be buried with for the simple reason that he'd given him his long awaited for son.
The Tudor Dynasty Portrait. Henry VIII is showing in his imposing self, below his father who is leaning towards the central altar, at the opposite side is his mother and Jane Seymour -the consort he asked to be buried with for the simple reason that he’d given him his long awaited for son.

There is no doubt that Henry VIII did change the course of English history by separating from the Roman Catholic Church and commissioned a new bible in English by Miles Coverdale which made it easier for people to have access to; but his father (a man who triumphed against all odds) was just as great.

 

Sources:

  • Tudor. Passion. Manipulation. Murder by Leanda de Lisle
  • The Tudors by Peter Ackroyd
  • The Rise of the Tudors by Chris Skidmore
  • Henry VII by SB Chrimes
  • The Wars of the Roses: The Fall of the Plantagenets and the Rise of the Tudors by Dan Jones
  • Richard III: The Road to Leicester by Amy Licence
  • Tudor Treasury by Elizabeth Norton
  • Winter King by Thomas Penn

Henry VII Dies: The Death of the Red Dragon

Henry VII Bosworth

On Saturday 21st of April 1509, Henry VII died at Richmond Palace. He was the first monarch of the Tudor dynasty and while he has been eclipsed by his larger than life son, Henry remains one of the most fascinating figures of the modern era.

“The reality of Henry Tudor’s ascent to the throne –his narrow escapes from death, his failures and anxieties, complete with constant uncertainty of his situation … was a far less welcome tale. It remains nonetheless just as remarkable; against all the odds, at Bosworth Henry achieved victory that he should not have won.” (Skidmore)

He created a new symbol called the Tudor Rose which was nothing more than a device, an alternate tale to explain the roots of the conflict known today as the “wars of the roses”. The wars was a more complex conflict than what we are told and involved as many players as we can imagine. The warring Houses known as Lancaster and York, had many sigils. The white and the red rose where the emblems chosen by Henry Tudor to represent both Houses to give a new narrative of this conflict. It was an effective device that would become to represent not just the union of both Houses that came about with Henry VII’s marriage with Elizabeth of York, but of his descendants. On January 1559, fifty years after his death, his granddaughter, Elizabeth I rode from the Tower of London to Westminster on the eve of her coronation, and on her way she encountered five pageants, one of which showed “two personages representing King Henry the Seventh and Elizabeth his wife, daughter of King Edward the Fourth” seated together, above each head was the red rose and white rose respectively “out of which [these] two roses sprang two branches gathered into one, which were directed upward to a second stage wherein was placed one representing the valiant and noble prince King Henry [VIII]”.

Clearly, the Tudor rose was seen not just as a validation to his descendants’ right to the throne, but as something preordained by God, something that told the people that with them, the wars of the roses had come to a close, and peace had finally reigned in England. Whether this was true or not, and nobles believed it or not, is up to dispute. But nobody can deny that it was an effective piece of propaganda that convinced the people that war had come to an end, and that this new dynasty would bring them peace and prosperity. Tudor and Elizabethan literature helped a great deal when they continued to use this device to explain the reasons behind the conflict, reducing it to a dynastic conflict between two warring houses.

Tudor Rose 1

“The frontispiece was such a popular motif that it was repeated and reused on other, unconnected works: the same family tree appeared unmodified in John Stow’s 1550 and 1561 editions of Chaucer’s works, introducing the section on the Canterbury Tales. Just as John, Duke of Bedford, had plastered occupied France with genealogies advertising the legitimacy of the joint monarchy during the 1520s; just as Edward IV had obsessively compiled genealogies tracing his rightful royal descent from centuries long gone; so too did the Tudors drive home the message both of their right to rule and of their version of history. By Elizabeth’s reign the mere sight of red and white roses entwined was enough to evoke instantly the whole story of the fifteenth century: the Crown had been thrown into dispute and disarray by the Lancastrian deposition of Richard II in 1399; this had prompted nearly a century of warfare between two rival clans, which was a form of divine punishment for the overthrow of a rightful King; finally in 1485, the Tudors had reunited the families and saved the realm. It was that simple.” (Jones)

And yet all of Henry’s hard work, to maintain stability in his new realm, his marriage and his family, suffered a huge setback when his eldest son and beloved heir, Arthur Tudor, Prince of Wales and Lord of Snowdonia died as a result of the plague in early April 1502. He and his wife were utterly devastated. “The shadow cast by Arthur’s death” writes Dan Jones “was long and dark” but not as dark as historians Amy Licence and Alison Weir add, that of Elizabeth of York’s death a year later. Their deaths were too much for the aging King, who began to isolate himself from the public, coming out only for state occasions. When Henry’s condition worsened, his mother (Margaret Beaufort, Countess of Richmond) who was sick herself, ordered that her son be moved to Richmond that March.

Margaret Beaufort old

“Her hands, now cramped with arthritis, were so painful that she would sometimes cry out ‘Oh Blessed Jesus help me!’ But to watch her son suffer was so much worse. The dying King sobbed as he reflected on the lives he had ruined. His last agonies began at about 10 pm Friday 20 April.” (de Lisle)

Margaret brought her confessor, John Fisher, to hear his confession and give him his last rites. And then on the morning of April 21st, Henry died.

Margaret immediately began to make preparations for her grandson’s coronation and kept the King’s death a secret for three days. She organized a meeting with his councilors and co-executors at his will at Greenwich to discuss, among many things, her son’s burial and the upcoming regency during her son’s short minority. Henry VIII was not yet eighteen and Margaret wanted to make sure that he was safely installed in his throne, before he took on the reins of government. Margaret had great experience in this since she had been a child of nine attending the court of her cousin, Henry VI, to repudiate her betrothal to de la Pole. The meeting took place on the celebration of the Order of the Garter –an Order she was a member of. Her grandson was present and while he was anxious to start his new reign, he recognized his grandmother’s experience, and respected her authority. Later that night, Henry’s death was announced and sadly (at least to Margaret, it must have been) nobody mourned his death and according to contemporary chroniclers, they greeted his death with celebration. To many historians, Thomas Penn included, Henry VII is a miserly figure who was consumed by darkness of his own making and who will forever be remember as a somber and cold figure. But this, as Linda Porter in her recent biography of the Tudors and Stewarts points out, is “an unfair assessment”.

A young Henry Tudor.
A young Henry Tudor.

“He was comely personage, a little above just stature, well and straight-limbed, but slender. His countenance was revered, and a little like a churchman, and as it was not strange or dark so neither was it winning or pleasing, but as the face of one well disposed. But it was to the disadvantage of the painter, for it was best when he spoke.” (Bacon)

Although written over a century after his death, Francis Bacon’s description of the first Tudor King, is right on the spot. Linda Porter adds:

“[He was] A considered person, not given to great public displays of emotion, somewhat ascetic in appearance, not exactly handsome but with an interesting and by no means unattractive face, the whole man only at his most appealing when he was animated. His portraits show that he did, indeed, have something of the churchman about him: a calm and also inscrutability, a sense that you would never entirely know that he was thinking. It gave him an air of authority.” (Porter)

Henry VII was an energetic young man at the time of his exile, yet he was also controlled and cautious as the descriptions above, provide. He loved to laugh, joke and gamble but whereas some kings and leaders were known for their vices, Henry was not known to have any. Some of those who met him during his exile, were surprised how someone who had lived and survived through so much, could be so controlled and yet not bitter. When he became King, he kept some of the measures that King Edward IV had introduced, he kept the Star Chamber on a tight leash, terminated private liveries which meant that nobles could no longer have private armies, and defeated the pretender forces of Lambert Simnel who posed as Edward, Earl of Warwick (George, Duke of Clarence and Isabel Neville’s son) and Perkin Warbeck who posed as Richard of Shrewsbury, Duke of York.

Henry never forgot those who had helped him get to where he was and in his last will he names those “lords as well of our blood as other, and also knights, squires and divers our true loving subjects and servants’ who had ‘faithfully assisted us, and divers of them put themselves in extreme jeopardy of their lives, and losses of their lands and goods, in serving and assisting us, as well about the recovery of our Right and Realm of England.’ And in one final tribute to his victory in battle twenty four years before, the dying King requested that a wooden image, wrought with plate of fine gold, should be made, ‘representing our own person … in the manner of an armed man’, to be equipped with an enameled coat of the arms of England and France, together with a sword and spurs. The statue was to be placed kneeling on a silver table, ‘holding betwixt his hands the crown which it pleased God to give us, with the victory over our enemy at our first field.’ The statue was to be dedicated to St. Edward the Confessor, and set in the middle of his shrine, with detailed instructions as to the exact measurements of the statue, so that it would seem as if Henry was almost offering up his crown to St. Edward in thanks.” (Skidmore)

Henry VII and Elizabeth of York tomb at the Lady Chapel located in Westminster Abbey.
Henry VII and Elizabeth of York tomb at the Lady Chapel located in Westminster Abbey.

Henry’s body remained in Richmond for two weeks until it was finally laid to rest in Westminster Abbey, inside the Lady Chapel that Henry had ordered constructed for him, his wife and his descendants. He was buried right beside her. Above them, standing a massive golden effigy, representing both of them.

Sources:

  • Henry VII by SB Chrimes
  • The Winter King by Thomas Penn
  • Tudors vs Stewarts: The Fatal Inheritance of Mary, Queen of Scots by Linda Porter
  • The Wars of the Roses: The Fall of the Plantagenets and the Rise of the Tudors by Dan Jones
  • The Rise of the Tudors by Chris Skidmore
  • Tudor. Passion. Manipulation and Murder: The Story of England’s Most Notorious Family by Leanda de Lisle