Revenge is a dish best served cold, but for some people, it sets them off on a more dangerous path where they end up deceiving themselves to justify their actions. That is how I perceive Ellaria/Doran’s actions in the TV show, books and their historical counterpart, Margaret of York.
Dorne has similarities with other influential kingdoms in Western Europe from the middle ages and early modern era, but for the current events in game of thrones/ a song of ice and fire, it has taken on the role of Burgundy during the early Tudor era.
Margaret of York couldn’t accept her brother died in battle. He gambled, he lost and -I am sorry for Oberyn fans (I love him too but let’s be fair)- the same is said for the Red Viper.
Oberyn’s death was horrible, but he lost fair and square. Sorry for his widow (or lover, whatever you want to call her) and his daughters, but that’s life, especially in game of thrones.
But Ellaria can’t come to terms with it and what does she do? She goes down on a dangerous path where she is willing to make alliances with former enemies (the Tyrells and the Martells have always hated each other) and support people she doesn’t fully trust just so she can see the Lannisters burn.
She is determined to have her revenge through any means necessary -even if it means killing her family.
Like Game of Thrones’ Ellaria, Margaret was a ruthless woman. This is a strong comparison to Margaret of York, Duchess Dowager of Burgundy who became in charge of the duchy after her husband died and her stepdaughter became the new ruler. Mary of Burgundy grew very close to her stepmother and recognized her intellect early on -like her father. She trusted her stepmother to take care of business, doing her best to learn from her and as time went on, the two ensured the duchy’s independence and protection from France.
Though she never killed anyone, she did finance many plots led by Yorkist sympathizers to dethrone Henry VII, even though he was married to her niece and already had children with her.
Margaret had seen the ascension of her dynasty and heard of its fall. Like most in her family, she had high hopes for the future, she took Richard III’s death pretty heard. It didn’t matter if the people claiming to be her nephews were real or not, all that mattered was that Henry was out of that throne and if possible, his family pushed to the end of the food chain.
We can only imagine what would’ve become of Henry VII and Elizabeth of York’s offspring, if the last pretender, Perkin Warbeck, had succeeded. Would Margaret have gone along, as well as her supporters, that he was Richard of Shrewsbury for long before it came to bite her in the ass? Would she have disposed of him (not necessarily kill him but cast him aside after she ‘discovered’ the truth and pulled ‘I didn’t know I had been deceived so I have to do what is right and support someone else who descends from Richard, Duke of York to take on the mantle of King’)? It is possible that she would have because a woman as cunning and meticulous as Margaret would have wanted to cover all her bases. There were others supporting these pretenders who were also descendants of the Duke of York via her older sisters. The throne would have likely passed on to them.
But again, what about Henry and Elizabeth’s children? Would they have gone on to suffer a similar fate like the Princes in the tower? Or would they have been placed under protective custody like their cousin, the Earl of Warwick, during their father’s reign?
It is possible that the latter would come true for the boys while the girls would be raised in separate households with their paternal relatives.
In the show, Ellaria is murderous and not the careful planner that Doran is since Doran has become useless. She kills Doran, rules in her stepdaughters and daughters’ names, and sets the former to do her dirty work against her nephew, Prince Trystanne. While Margaret of York never went this far, she was willing to act against her own family to restore the Yorkist dynasty on the throne. It didn’t matter that Henry VII had married her niece or that they had children. She wanted him gone and supported an impostor and pretender to achieve her means. Both attempts failed but she never stopped plotting against him until her nobles basically went ‘enough is enough’ and she realized she had a good run acting as the all powerful mastermind but her time was up and if she continued to act like this, she was going to lose everything so she backed down.
Perkin confessed that he wasn’t the youngest prince in the tower, and later he and Edward Plantagenet, Earl of Warwick (whom the first rebellion Margaret supported, where Lambert Simnel claimed to be him) were sentenced to die. Both were hung and that was that.
“Elia Martell, raped and murdered and you did nothing. Oberyn Martell and you did nothing. You are not a Dornish man. You are not a Prince … Weak men will never rule Dorne again.” -Ellaria to Prince Doran Martell, ruler of Dorne after she stabs him.
Clearly, the show has taken many liberties but the storyline with Dorne remains the same, except that instead of supporting Young Griff (since they’ve written him out of the show), they are supporting Dany and whoever else that shares their agenda. Like Margaret of York, as long as Ellaria calls the shots, Dorne will continue to plot against the throne until someone comes and says enough is enough making her back down or someone else to take her place. As for the books, if Young Griff doesn’t win, it will be the end of Dorne. Not now or in a few years, but that principality’s days are numbered. It is sad since Dorne has many good tales of warrior princes and princesses, and conniving politicians who bested the Targaryens, not one but many times and even killed a dragon! But their last rulers’ gamble has not paid off.
Prine Doran tells Arianne in a sorrowful voice that he never hated her but wishes she would be cunning like him and knew how to win the people over like Ellaria with her smile and her cousin Tyene with her fake sweetness and apparent religious devotion. His tone changes as he remembers his siblings and tells Arianne that his first plan to put Viserys on the throne failed, and had it not, she would have been his Queen and manipulated events around her, so their final champion would have become King and restored Dorne to its former glory.
Throughout the entire series, it is not clear whether the Martells truly believe that Aegon, the supposed prince who escaped the Lannister and Baratheon purge is the real deal or he’s fake. Given that Martin has been inspired by medieval and early modern history, it’s safe to say that his Aegon is his version of Perkin Warbeck which like the real one, is often alluded to being fake.
In ‘A Clash of Kings’, when Daenerys goes into the house of the undying she is given a warning through her visions and before that by the Quaithe, who tell her that she will be betrayed three times, and she will be approached by cunning men. She should not trust either of them, and one of the men she is warned against is Varys and his pretender. She sees a vision of the mummer’s dragon, a young man acclaimed by the people whose strings are being pulled by a deceptive figure.
Martin has created his own version of Perkin Warbeck and just like his historical counterpart, no intelligent person believes his BS.
Aegon was rescued from the Mountain by some loyal servant who exchanged him with a servant’s baby (which nobody happened to notice) and has been in hiding all these years. And then, when the world is going to hell, he comes out of hiding to reclaim the throne and set things right.
Yeah … not buying it.
The first person to point this out is Tyrion Lannister who realizes who he is but doesn’t believe Young Griff (fake Aegon’s alias) story but knows that he does. Unlike Perkin though, Young Griff was raised from birth to be the perfect prince. He was taught how to sing and dance, act like a prince and that kingship was a responsibility and not a right. Naturally the poor young man believes what he has been fed all these years.
Similarly, Perkin was taught everything from philosophy, etiquette, and given new clothes that deceived many people and made them believe that he was one of the lost princes in the tower, youngest son of Edward IV and Elizabeth Woodville, and rightful king of England. But if there is one thing that history has taught us, is that things seldom go as planned.
Doran is eager to see his ‘nephew’ on the throne, but the last book gave clues that he might not be entirely sold on the idea that he is his nephew. It could be that like Margaret of York, he and Ellaria want to see their enemies suffer so badly, that they don’t care about who they are supporting anymore.
My advice to Doran and Ellaria is to hold on to their seats and be prepared to be disappointed (again) because not only did the Perkin Warbeck fiasco fail, it forced Margaret to withdraw her support and forget about the whole shameful ordeal lest she wanted to lose her hold over the duchy and it strengthened the Tudor Dynasty.
This is lamentable because Dorne has a rich history and I for one would love to see some of it being shown in the upcoming spin-offs, but as for now, it seems that their days are numbered. If Aegon doesn’t get to be King, then Dorne will lose whatever independence it has left. Its customs, riches, and authority will wither away in time until it becomes one of many other realms ruled by the Crown. If Ellaria has some common sense left, she will stop plotting now and tend to make Dorne, to make her principality great again before one of Oberyn’s daughters inherits a crippled state.
Martin, George R.R. A Song of Ice and Fire (1-5). Bantman. 2012.
Martin, George, et. al. World of Ice and Fire: The Untold History of Westeros. Bantam. 2014.
Henry VIII: Mind of a Tyrant presented by David Starkey, directed by David Sington, BBC, 2009.
Lisle, Leanda. Tudor. Passion. Manipulation. Murder. The Story of England’s Most Notorious Royal Family. Public. 2013.
Chrimes, S.B. Henry VII. Yale University Press. 1999.
Jones, Dan. The Wars of the Roses: The Fall of the Plantagenets and the Rise of the Tudors. Penguin. 2014.
Weiss, Daniel Brett and Benioff, David, creators. Game of Thrones. HBO. 2011-?
Gristwood, Sarah. Blood Sisters: The Women Behind the Wars of the Roses. Harper Collins. 2012.
A Song of Ice and Fire is rich with detail and characters that are as complex as the world they live in, and the faith they practice. The war of the five kings which was based on the wars of the roses is over. We have come to the Tudor period with strings of the last stages of the wars of the roses.
Henry Tudor failed to invade England in his first attempt. Buckingham’s Rebellion was supposed to destabilize the government but it did nothing of the sort. Henry didn’t give up and in his darkest hour he vowed that once he won, he’d marry Elizabeth of York, uniting the two houses of York and Lancaster and bringing peace to England.
It is unclear if the book series or the TV adaption will follow history but given that the latest trailer has made the similarities between the two more obvious, it is safe to say that it will come close.
We don’t know what Dany’s exact reaction is when she finally arrives to Westeros, specifically to Dragonstone. Dragonstone is the equivalent to Wales in the world of ice and fire.
Rhaegar was Daenerys’ older brother and thus, the crown heir and Prince of Dragonstone. Like his historical counterparts, the Princes of Wales, he was tasked with carrying out the King’s justice and ensuring that his subjects’ would stay loyal to the crown. Crown heirs as young as twelve would be sent here and like the princes of Wales, they would have their own household with a governor and tutors which would help them with the task of ruling and administering their principality.
After Rhaegar died at the battle of the Trident, many people saw his siblings as the sole heirs of the Targaryen dynasty. Like Henry Tudor, Daenerys was forced to flee along with her brother and seek refuge across the narrow sea. Her claim to the throne has been described as slim because of her gender and her father’s reputation as a tyrant, not to mention her older brother’s actions with Lyanna. But Daenerys insists that she, and only she, is the rightful heir to the throne and there is nothing she won’t do to get what she wants.
The Ones who were Promised
Daenerys is also seen as a savior by the followers of the red god. Coupled with the myriad of sell-swords, former slaves, hordes of Dothraki and disenfranchised aristocrats from her homeland, it is no surprise why she’s become the biggest contender.
The way Dany looks up in the latest trailer of season 7 after she lands in Dragonstone (way to make it obvious who these people are based on, am I right?) in an almost reverential manner is so similar to Henry’s reaction when he arrived to England after fourteen years in exile.
Besides claiming descent from the legendary Welsh King, Cadwallder, Henry also claimed to be a descendant of King Arthur, through his father, Edmund Tudor, who claimed to descend from Welsh Princes that went all the way back to ancient times. Henry Tudor adopted the symbol of the red dragon of Wales as his main banner, and as soon as the Welsh heard of his arrival, they began to sing songs about him, claiming that he was the one who had been promised.
According to the chronicler Robert Fabyan, upon arriving to Milford Haven in Pembrokeshire, Wales, on the 7th of August 1485, Henry “kneeled down upon the earth, and with meek countenance and pure devotion began this psalm: judica me deus, and discern causmam.” (Psalm 43: Judge me, Oh God, and distinguish my cause.) Then Henry kissed “the ground meekly, and reverently made the sign of the cross upon him.”
Daenerys hasn’t shown herself to be pious but like her historical counterpart she has a strong sense of purpose. She believes that it is her right to rule because of her bloodline and her actions towards the slavers at the former slaver’s bay (now renamed Dragon’s Bay). But will that be enough to vanquish the forces of evil and more importantly convince the people to join her cause?
Only time, and in this case, shorter time (since the clock is ticking) will tell. Henry’s defeat of Richard III didn’t end the dynastic conflict, though he made it seem when he married EOY as if it did. And assuming that the theory of Dany marrying Jon Snow is correct, that won’t guarantee Westeros any peace as there will still be plenty of factions looking for ways to undermine their reign and gain the upper hand.
Another thing I noticed is Dany’s new look which mirrors Henry in his later years. Contrary to popular opinion, Henry didn’t always dress so dour. In her latest book, historian Tracy Borman talks about how he closely guarded his money and his possessions but he still spent a significant amount on clothing.
“… he had a more light-hearted side. His household accounts reveal that he was fond of playing cards, even though he regularly suffered heavy losses … Physically fit from his years of campaigning, he held regular jousts and liked to play tennis. The latter was a particular favourite with the king and was commended by a contemporary expert on courtly refinement as a “noble sport which is very suitable for the courtier to lay … for this shows how well he is built physically, how quick and agile he is in every member” … Miserly he may have been, but Henry Tudor was shrewd enough not to repeat this mistake. A man’s clothes –far more than those of a woman –were of great symbolic importance … Henry spent the greatest sums on his apparel during the early years of his reign, when he felt most insecure on his newly won throne.” (Borman, The Private Lives of the Tudors)
Dany’s latest appearance mirrors that of Henry during the last years of his reign after he’d lost nearly all of his loved ones, including his wife and son.
Daenerys has this rich apparel with jewels and expensive fabrics, and she is finally wearing her house colors, but in contrast to previous seasons and other contenders, she appears more reserved. Even Cersei boasts of more jewelry and outlandish headgear than her! It could be that as Dany attempts to make her final claim at the Iron Throne, she wants to be seen more as a protector than a bejeweled tyrant.
Game Changers & Altering History
So after everything that I’ve written, you might be asking: Does this mean that Daenerys will end up as Henry Tudor? Beloved savior turned miserly female king who loses nearly all of her loved ones? As I previously stated, given that this is Game of Thrones, it is hard to figure out what the outcome will be but one thing is certain and that is that Daenerys as Henry Tudor have changed the rules of the game. As she told Tyrion in season four, she isn’t determined to be another spoke in the wheel, she wants to break it. “Lannister, Baratheon, Tyrell, Stark … they are all just spokes on a wheel … On and on it goes … I am not just going to change the wheel, I am going to break it.”
This is an allusion to the wheel of fortune. A medieval concept that can be simplified to good luck vs bad luck. Either you were favored by God, or you weren’t (in which case you were pushed to the bottom of the wheel). Henry’s candidacy as the last scion of the House of Lancaster changed all that. If we looked critically at this claim, and forget about the outlandish tales he and his descendants weaved about his dynasty, we see someone who rose to power thanks to the in-fighting that was going on at England at the time and the tragedy of the princes in the tower, and who through his wit and cunning, won many people over, and who in spite of living on the run for most of his teenage and young adult life, grew up to be a very determined and cautious individual.
Daenerys says that it is her destiny to rule. Henry swore before an audience of disaffected Edwardian Yorkists and staunch Lancastrian loyalists at Vannes Cathedral in Brittany that he would bring them victory and peace by defeating Richard III and marrying Elizabeth of York. The way he spoke and interacted with his new allies, convinced them that he was a man worthy to follow. Over a century later, William Shakespeare wrote the conclusion to his history plays on the wars of the roses, ‘Richard III’. Richard III is filled with Tudor propaganda where he drew from plenty of sources written during Henry’s reign and his successors, that painted Richard as a hunchback and a twisted individual. It is no different than what we see Tyrion or Cersei being depicted at. While Cersei borrows the worst qualities assigned to Queen Regents and Queen Regnants during the Tudor era, the role she is playing in Daenery’s story is similar to that of Richard III.
There have been many fan theories that speculate that while the book series are told from different characters’ point of view, and we see this being expanded on the show, the whole story might not be nothing more than a single person’s take on these events. Someone who has interpreted these events based on what his best friend has told him, or how he wishes them to be remembered. Of course, I am referring to Samwell Tarly. The season 6 finale closed the chapter on Samwell’s story with him and Gilly and her son arriving to Old Town where they meet one of the grand maesters. He is examining a document with a special lens and as he guides Sam to the main library, we see the astrolabe which is largely featured at the beginning of the credits. Could it be that this story is showing Jon Snow and Daenerys in such a light, because that is how Sam prefers the population to remember it?
Let’s recall what Varys told Tyrion in season 2: “A very small man can cast a big shadow.”
Indeed, he can. If there is one thing we have learned from history is that it is bias and whoever is victorious, gets to control the narrative. The pen is mightier than the sword, and it might be that Varys’ sermon about how power is nothing more than “a trick, a shadow in the wall” and the greatest trick of all is the one that changes people’s perception to the point that their view of the world is whatever you tell them.
This doesn’t undermine Daenerys and Henry VII’s respective rise to power. On the contrary, it only highlights their genius and their ambition. Henry’s claim rested on his mythical roots to King Arthur and Cadwallder, his right of conquest (which was valid and was also claimed by his and the Plantagenets’ ancestor, William the Conqueror), and finally from his mother who was a direct descendant from John of Gaunt, 1st. Duke of Lancaster, albeit from an illegitimate branch. While Richard II had legitimized John of Gaunt and his former mistress, Kathryn Swynford (who was his wife by then), his successor, John of Gaunt’s oldest son, had undermined their legitimacy by adding a new clause that barred them from the line of succession. Henry’s victory made many of his supporters forget this little detail, but not the Yorkist remnants who continued to wage war against the Tudors -a war that escalated when Henry VIII broke away from Rome and created his own church.
Without a doubt, Henry and Daenerys are two of the best examples that the people who start off as the most inconsequential can become the most important players of the game and through a number of misfortunes and strokes of luck, break the wheel, and true examples that destiny is what you make of it.
“The reality of Henry Tudor’s ascent to the throne –his narrow escapes from death, his failures and anxieties, complete with constant uncertainty of his situation and the compromises that he had been forced to make, including the support from France and his former Yorkist enemies in gaining the crown- was a far less welcome tale. It remains nonetheless just as remarkable; against all the odds, at Bosworth Henry achieved a victory that he should not have won.” (Skidmore, Rise of the Tudors)
Ironically, even when Henry VIII tried to outdo his father in the Tudor Dynasty Portrait that has him, Henry VII, leaning next to a monument while their respective wives, Elizabeth of York and Jane Seymour (who was dead at the time this was painted) are on the other side, claiming that his achievements were better than his father; he had to admit that without him, none of that would have been possible.
Decades later, during Elizabeth I’s coronation, Henry VII was featured once again, this time through the device he created after his union to Elizabeth, that symbolized the union of their two houses, the Tudor rose. Elizabeth I would often invoke the past to justify her actions and lend validity to her claim. Like her grandfather, she saw herself as the rightful heir to the throne, not just because of her father’s will, but because her mother had been an anointed queen and like her paternal grandmother and namesake, she viewed herself as a symbol of unity who was destined to pull England out of darkness and into the light.
“On Saturday, January 14, 1559, at about two o’clock, Henry VIII’s youngest daughter, Elizabeth, rode through London, from the Tower down to Westminster, on the eve of her coronation. As usual, a great series of pageants had been organized to illustrate the many ways in which the new queen’s majesty was righteous and worthy. At the corner of Fenchurch Street was Gracechurch Street a large stage was erected across the street, “vaulted with battlements” and built on three separated levels. The official record of the procession recorded that “on the lowest stage was made one seat royal, wherein were placed two personages representing king Henry the Seventh and Elizabeth his wife, daughter of king Edward the Fourth … [not] divided but that the one of them which was king Henry processing out of the house of Lancaster was enclosed in a red rose, and the other which was Queen Elizabeth being heir to the house of York enclosed with a white rose … Out of which two roses sprang two branches gathered into one, which were directed upward to the second stage … wherein was placed one, representing the valiant and noble prince king Henry [VIII].” … Buildings were decorated with the Tudor roses and other associated emblems of the dynasty. Great stained glass windows installed in churches during the sixteenth century blazed with red and white petals. Anyone who had been lucky enough to brose the books of the royal library would have found the exquisite illustrations on the pages decorated with roses red, white and Tudor –in many cases these were added to books that had been inherited from earlier kings- particularly Edward IV. Other books, too, were emblazoned with the simplified dynastic story of the Wars of the Roses … By Elizabeth’s reign, the mere sight of red and white roses entwined was enough to evoke instantly the whole story of the fifteenth century: the Crown had been thrown into dispute and disarray by the Lancastrian deposition of Richard II in 1399; this had prompted nearly a century of warfare between two rival clans, which was a form of divine punishment for the overthrow of a rightful king; finally in 1485, the Tudors had reunited the families and saved the realm. It was that simple.” (Jones, Wars of the Roses: Fall of the Plantagenets and the Rise of the Tudors)
Perception is everything and it is more effective when the person twisting historical events is full of conviction and if there was one thing the Tudors had was plenty of conviction -something their founder’s fantasy counterpart also has.
The last book in the series will be called ‘Dreams of Spring’ and given how Shakespeare’s Richard III ends with Henry Tudor being crowned and promising a new beginning for England, it can be inferred that the last book’s title refers to a bittersweet closure to the song of ice and fire, with the war ending, some form of peace being achieved but at a great cost. And perhaps it is revealed at the end, that this was nothing more than someone else’s view of these events, leaving many questions (as with the wars of the roses and the era after it) unanswered.
Martin, George, et. al. World of Ice and Fire: The Untold History of Westeros. Bantam. 2014.
Lisle, Leanda. Tudor: Passion, Manipulation, Murder. The Story of England’s Most Notorious Royal Family. Public Affairs. 2013.
Chrimes, S.B. Henry VII. Yale University Press. 1999.
Skidmore, Chris. The Rise of the Tudors. St. Martin Press. 2014.
Porter, Linda. Tudors vs Stewarts: The Fatal Inheritance of Mary, Queen of Scots. St. Martin’s Press. 2014.
Borman, Tracy. The Private Lives of the Tudors. Grove Press. 2016.
Jones, Dan. The Wars of the Roses: The Fall of the Plantagenets and the Rise of the Tudors. Penguin. 2014.
Shakespeare, William. The Tragedy of Richard III. 1592.
Weiss, Daniel Brett and Benioff, David, creators. Game of Thrones. HBO. 2011-?
I also recommend all the other books in the Song of Ice and Fire saga, including the latest spin off “Dunk and Egg” which expands on this world.
In the spring of 1536, Charles Brandon and other courtiers visited Anne’s chambers to tell her the news that they had arrested her brother and a handful of other guys, and they were going to take her to the Tower of London. Just three years before, she had lodged in the Tower to await her coronation. Henry VIII chose to crown her with St Edward the Confessor’s crown which was reserved for Kings. It was Anne’s greatest triumph, and it would have remain that way if she had given what Henry wanted (and needed) the most: A son.
The Tudor Dynasty was fairly new and England wasn’t used to the idea of women rulers so the thought of leaving the throne to little Princess Elizabeth after Henry had gone through great trouble to divorce his first wife for the same reason, would’ve been ludicrous. Anne was accused of incest and adultery and high treason and she lost her head on May 19th of that year.
In the show, Margaery (who coincidentally played Anne in ‘The Tudors’) is arrested after the High Septon (who’s like the pope in this world) accuses her f perjury, lying under oath which is a great sin since you swear to testify the truth and the whole truth under the gods. The equivalent to today’s ‘you swear to tell the truth, the whole truth, so help you God?’
In medieval times this was a great deal. And Game of Thrones is a show that prides itself to take inspiration from the middle ages, specifically from the wars of the roses and the Tudor periods.
Margaery’s arrest therefore must be seen within this religious context. However, Cersei was also responsible for her arrest because she knew how much the HIgh Septon hated Margaery, and her family because her family are traditional followers of the Seven and they hate everything that has to do with religious reformation.
This is a great departure from Anne Boleyn. Though she was described as “more Lutheran than Luther herself”, Anne was not a staunch Reformist, and neither was she a martyr for her cause. She favored a lot of Reformist authors and teachings, but it was her father and her brother who believed more in the cause than she did.
During her short tenure as Queen, she did a lot of good charitable works. One of the reasons why she and Cromwell hated each other was because Cromwell couldn’t afford to say ‘no’ to the king given his position, and also wanted to enrich him, while Anne believed that the money taken from the monasteries and other religious houses should be distributed among the people -to build hospitals, centers of education, and to the new churches that would make people more invested on the new church.
Margaery like so many of Martin’s characters is based on more than one person, and perhaps it is the author’s way of being ironic and sarcastic that he often mixes two or more characters who were rivals in real life to create unique characters..
Margaery’s family is a perfect example of that.
Highgarden is located on the Reach where there are constant border raids from their neighboring Dorne. This should sound family to history buffs, especially Spanish history aficionados who’ve read on the subject.
Spain at the time of Catherine of Aragon’s birth, was divided into three kingdoms, and though the two Catholic crowns were united thanks to her parents’ union, the third crown which represented the Taifa kingdom of Granada, remained separate. Granada was the last of the once great Taifa kingdoms in the Iberian Peninsula. And there were many border raids between the two peoples. They both believed in God but had different religions, and they borrowed from each other’s cultures (though they were hesitant to admit it).
Secondly, the two neighboring realms hated each other. Isabel never felt bad about lying under oath, and neither did her husband. They pretended to be on Boabdil’s side more than one time, and played both sides against one another, so it made taking their realm an easier enterprise. They finally achieved it on the 2nd of January 1492. She and Fernando stood in front of Boabdil, outside the gates of Granada. The King approached Fernando first and gave them the keys to the city then paid his respects to Isabel.
Isabel was a ruthless politician -not unlike the Queen of Thorns- and always dressed lavishly, while giving a lot of money to the church and keeping her clerics under a tight leash, raised her children well. Her husband was a skilled warrior who helped her maintain stability in her kingdom, and fight off her niece whom she always maintained wasn’t her brother’s real daughter; and he was also a cunning politician.
Catherine learned well from their example and from a young age she learned everything from the great literary works of the ancient world, to civic and canon law, dance, art, poetry, and most of all, her future role, not only as future Queen of England, but as a politician.
Catherine’s years after Prince Arthur died were anything but easy and her father was embroiled in a battle to control Castile and wrestle it from her sister and her husband. David Loades tells us how he wanted to send her money but couldn’t so instead he made her his ambassador. She was the first female ambassador to England and this increased her status but not as much as she hoped for, so she continued fighting and did what she could to get the next in line to the throne, Prince Henry Tudor of Wales’ attention.
When Henry VII died, his son did something unexpected (but not unprecedented) and chose to follow his heart instead of listening to the council. Fancying himself a knight in shining armor, he married his sweet sister in law and the two were crowned on the same day in June 24th 1509.
The books, including the World of Ice and Fire, make it clear just how traditional Margaery’s family is. And there have been a lot of inaccurate and crazy blogs that say that Catherine’s equivalent in the show is likely someone like Selyse or another religious fanatic. But let’s stop and think for a second: If we consider Anne super religious while also being a fashion icon, why can’t we think the same for Catherine? Or are we just too lazy to do research and prefer to believe what someone else tells us or what has become the norm after centuries of story-telling that have become the new history?
England and Castile and Aragon were highly religious yet they enjoyed many past-times. Castile was one of the richest courts in Western Europe, and Isabel loved everything that had to do with fashion, music and art, and she was passionate about her children learning about the latest educational trends such as Humanism and reading classical books.
She was referred by some as sweet, and by others said that she could also be cross.
Catherine had an idyllic childhood, much like the actress Natalie Dormer has said of her character in Game of Thrones.
The two also introduced fashions in their adoptive countries or realms. They loved gossip (Catherine’s mother especially) and they had fierce maternal relatives who never held their tongue. Isabel made sure her children dressed the best, were more educated tha other European princes. There was always music and dancing wherever they went. They also loved to watch plays while they celebrated, and they always surrounded themselves by bright colors. Not just in their clothing but in paintings that Isabel had commissioned for her family where they vibrantly appeared as saints or being blessed by God and the Holy Mother. And they were not afraid to speak against their religious leaders.
Catherine of Aragon wrote a strong letter in December 1531, subtly urging the pope to rule in her favor. And I say subtly because Catherine of Aragon was good at making threats that didn’t seem like threats but more like passive-aggressive rhetoric, the kind you get from a skilled politicians. Margaery does the same thing. When she is smiling, she isn’t really smiling. She is surviving by playing the game of thrones better than her opponents, bearing the same perseverance that Catherine did for seven years.
It should come as no surprise that Catherine’s first motto was ‘Not for my Crown’ and that her second ‘Humble and Loyal’ (which resembled her late mother in law’s) reflected her great understanding of politics. She could appear docile and sweet on the outside, but was a strong and skillful politician like her parents.
On the manner of Margaery’s arrest though, the Anne Boleyn persona takes over, especially when you take into account what happens in the book. In the book, Cersei firmly believes that her daughter in law is cheating, and that while her second marriage to her eldest son (Joffrey) wasn’t consummated, the first might have been. Like Catherine, it is a question that will likely haunt Margaery for ages (or less given than everyone dies far sooner in GOT). But instead of annulling her marriage, she wants to humiliate her and her family since she believes Margaery is the young, beautiful queen from the prophecy who will take everything from her.By book 5, is pretty clear that Cersei doesn’t really believe in all the charges, but she is so consumed by rage (after she too has been imprisoned) that she doesn’t care anymore. Margaery is accused of sleeping with her servants and her brother. Like Anne, she isn’t given the benefit of the doubt by the highest authority, which is her mother-in-law, and she seems doomed.
Like both Queens, Margaery’s mistake is not in being of one side or the other, but being politically active, and better at the game than her rival, and not giving the crown what it needs: an heir and complete obedience. The Baratheon dynasty is new and nobody really believes that Cersei’s bastard children are Robert’s, but they are in power and most of their enemies have died, so that doesn’t matter. Nonetheless, they need a male heir to continue the line. Margaery hasn’t delivered because she is way older than Tommen in the books who’s just a kid, and in the show although the two have consummated their marriage, there is no sign of her getting pregnant. And she isn’t one to bow down to Cersei. She is good at playing docile, but she is even better at convincing others to take her side and subtly get rid of Cersei -something the Queen Mother couldn’t forgive and now Margaery is paying the consequences
We will have to see what awaits her. And what awaits Highgarden. If Margaery and Loras die, they will have Willas to take over when their father dies as well, but in the show, it looks as if Highgarden’s golden age is about to end. Could it be a parallel to Spain or to the Trastamara dynasty? After the Catholic Kings lost their precious jewel, Don Juan, Prince of Asturias, they had no other choice but name their daughter Princess of Asturias and after she and her baby died, their second daughter, Dona Juana, Duchess of Burgundy whose strong temperament made them nervous, and whose reckless husband, made things worse.
Katharine of Aragon by Patrick Williams
The Wives of Henry VIII by Antonia Fraser
The Six Wives and the Many Mistresses of Henry VIII by Amy Licence
World of Ice and Fire by George R. R. Martin, Elio Garcia and Linda Antonsson
The Life and Death of Anne Boleyn: ‘The Most Happy’ by Eric Ives