Agatha Christie’s “Murder on the Orient Express” is one of her best novels, and the best in her Hercules Poirot series so it is with a heavy heart that I must express my deepest sympathies to those who feel that I am being unfair with my upcoming review of this latest adaptation.
I was eager to see this movie. As a big fan of police and crime dramas, I was excited to see one of the greateste detectives, as Kenneth Branagh who plays him in this film (which he also directs) boasted. But I was sorely disappointed. The movie feels extremely apologetic with the writers having tried so hard to make us like the characters. I ended up feeling that some of the theatrics were over the top and unnecessary. Indeed, some of the characters ended up being cartoonish, with Poirot not being played as the methodical, dapper, complex man that he is in the novels.
The end result is another one of Hollywood’s recent attempts to modernize a timeless classic. And I say classic despite the novel being less than a century old. Published in 1934, the story centers on a gruesome morder on the Orient Express. Poirot is the only qualified to take on the case. Whereas the film lacks some of the more comedic elements of the book, the latter doesn’t shy away from inserting light-hearted humor, balancing it with the darker overtones of the ‘victim’ (and I use that term lightly here for those who have already read the book or seen the film) and those involved in the murder.
The novel has a lot of heart. It is something unique, and as the other ones of Agatha’s detective novels, by making the characters flawed, and difficult to decipher they become subjects that we can all relato.
Poirot is not an easy man to interpret and I was hoping that if someone could outdo Finney and Suchet, it would be Kenneth Branagh. The man is not only a great director, he is a great actor. A Shakesperean actor at that! But the movie suffers from trying too hard.
The direction is good, the settings are wonderful, and it deserved to be at least nominated in those categories. But it cut through many important details and overdid it on others. Had it not left out the important details, then all of Poirot’s conclusions would have been easily understood. He is not just one of the world’s best detectives because of his intuition or passion to take on a big challenge such as this one, he is the best because he is highly methodical and nothing escapes his eye. In fact, Daisy Ridley’s character (the governess) points this out at the beginning of the film.
There is also some role reversals which I won’t complain about because it didn’t change the ending of the film, or undermine the plot; but I would have liked the movie to be longer so audiences would have become more invested on these characters and their grievances.
I will say this though. I do not hate this film. It is entertaining, but it is not as great as I thought it would be. Out of all the performances, the one that stood out the most was Michelle Pfeiffer.