Mean Royals: The Spanish Princess vs the Tudor Matriarch & Grand-Matriarch – Did Such a Rivalry Exist?

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Was Katharine of Aragon’s relationship with her mother and grandmother-in-law, Elizabeth of York and Margaret Beaufort respectively, tense and fraught with discord as shown in The Spanish Princess? The miniseries, a sequel to The White Queen and The White Princess hasn’t aired yet but the latest trailers has given us a taste of what we can expect.

Like its aforementioned predecessors, the miniseries will be using the common trope of other female lead costume dramas: Women vs women.

This is a trope that has been played to dead. And it is not bad, when well done. But that is the problem here. Did it really happen and if it didn’t, how will it play out?

Should we care?
No. If accuracy isn’t what you are looking for. If all you care is about storytelling, this shouldn’t bother you one bit. But if you are a historical purist, then I suggest you turn off the TV and switch to another channel.

As previously stated, the Mean Girls trope has been played to dead. Sometimes it works. Sometimes it doesn’t. Contrary to popular belief though, it wasn’t that common.

Women did fight each other for wealth and position, but these fights didn’t as long as they are depicted in these costume dramas. In fact, more often than not, women who started off as enemies, became allies if not friends in the end.

This was no different for Katharine of Aragon. Forget her rivalry with Anne Boleyn, let’s go further back to the start of the sixteenth century, when she landed on Plymouth, England.

Everyone who saw her was enchanted by her, this includes Elizabeth of York. Little is said about Margaret Beaufort’s opinion of her. Given the written records and what’s known about these figures thus far, there is no reason to think that she disliked her.

If anything, Margaret’s attitude towards Katharine had more to do with prioritizing her son and his dynasty’s interests first above her personal opinions. Unlike Elizabeth of York, Margaret was politically active. Following the death of her eldest grandchild, she would advised Henry VII and gone along with his final decision.

Margaret’s hold over her family is well known and much has been written about it, but Margaret’s actions were no different than other older grand-matriarchs. Elizabeth of York on the other hand, chose to take on a passive role. In this, she excelled tremendously, earning the love and admiration of the English people.

lambeth palace exterior
Lambeth Palace

Elizabeth was intrigued by her future daughter-in-law. There’s no proof of animosity between them. Days before her London entourage, she had stayed at Lambeth Palace. The day when her procession began, the King and Queen had sent their youngest son, Henry, Duke of York to accompany her. They had even offered her a carriage, which she politely reclined, opting for a humble mount instead.

Katharine displayed tremendous gratitude for all the work and effort that had been put into the celebrations, something that wasn’t lost on the royal family and her future subjects. When the ceremonies came to an end, she retired to the Bishop of London’s home at St. Paul’s (where she would be married to Arthur two days later on Sunday, November 14th). In her dual biography on Katharine and her older sister, Juana (I) of Castile, Julia Fox, notes:

“The royal family were delighted with everything and everyone. Queen Elizabeth had caught her first glimpse of Katherine, and the princess was due to visit her the next day.” (Fox)

st paul cathedral interior
Interior of St. Paul’s Cathedral

Arthur’s letters to Katharine had been passionate. This is a key factor that nearly all historians note in their multiple biographies on these notable historical figures. Neither Margaret Beaufort nor Elizabeth of York felt threatened by Katharine’s grace and humility. If anything, these virtues brought them relief.

England had endured a terrible period of dynastic civil war. The repercussions of these royal affairs served as a bitter reminder of what happened when women’s voices rang louder than those of the king’s trusted men. Women played an integral during the wars of the roses. Active or not, they became the object of controversy -real or created- and these controversies were used as weapons against their husbands and sons. After all this chaos, the people expected consorts who took more of a backstage role than a public one. Elizabeth of York had become that and more, to the point of becoming a quasi-religious icon immediately after her death.

koa 2

Katharine’s soft and apparent humble demeanor, mirrored those of Elizabeth of York, whom Katharine hoped to emulate in her coming years as Queen of England.

For her part, Elizabeth of York had communicated to Katharine’s mother, that both she and her husband were pleased with her daughter. Elizabeth’s correspondence to Isabella had begun some years before. Knowing that Katharine would have to communicate in something other than English with her son, she advised the Queen of Castile to take advantage of Margaret Habsburg, who’d recently married Katharine’s brother, Prince Juan of Asturias. Margaret like Katharine, was highly educated. One of the languages she had come to master was French. While Katharine and Arthur could continue to write to each other in Latin, Elizabeth felt it better if she started to learn and practice French too, since it was language that was still highly popular among the English upper class.
Isabella took Elizabeth’s advice to heart. When Katharine came to England, she committed herself to learning England and slowly but surely, becoming indistinguishable from any of the English ladies at court.

Katharine did succeed, but her success did not come until much later when she was Henry VIII’s queen. During these trying years of battling for dominance, standing her ground against Tudor legal forces and foreign interests that underestimated her intellectual capacity and perseverance, Katharine remained the Spanish Princess. The unfortunate widow whose virginity was often debated and contested, which also placed into doubt her eligibility as the next King of England’s future bride. The future seemed bleak for Katharine. Rather than being discouraged by these seemingly impossible odds, Katharine remained adamant. Her first motto as Princess of Wales had been “not for my crown.” She continued to push, finding other outlets to survive and remain in England, until she got what she wanted.

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Elizabeth of York had promised she’d look over her daughter-in-law and be there to guide her through the difficult adjustment into her new country. Following her son’s funeral, Elizabeth did what she could to provide the widowed Spanish Princess with moral support. It is not known what was her opinion of Katharine’s resolute affirmation of her virginity and her parents, especially her mother, pushing for a renewal of the Anglo-Spanish alliance by marrying her to the remaining crown prince, Henry (now) Prince of Wales. Elizabeth’s choice to take on a more conciliatory role as Queen Consort would have made her opinion -if she voiced it- irrelevant. Henry VII had the final say in this matter. Margaret Beaufort’s involvement in this matter seems to have been very minimal. Whatever Henry VII decided, it was for the good of the realm and she, like all his subjects, would follow his lead.

Coming back to the novels this miniseries is based on, from the moment Katharine of Aragon meets Margaret Pole, the two hit it off. This is historically accurate. The two women became best friends, with Margaret reaping the benefits of this friendship right after Katharine weds Henry VIII and is jointly crowned with him. The earldom of Salisbury that had been in her family was restored to her, becoming one of the few female title holders (femme sole) up until that point. But there is a dark history to Katharine and Arthur’s union, a condition which the miniseries will undoubtedly touch upon.

After Katharine and Margaret Pole become fast friends in The Constant Princess, she asks Margaret if she doesn’t blame her for her brother’s execution. Margaret brushes it off as one of many tragic moments in her life, and a reality that royals have to live with.

Is the miniseries going to have Elizabeth of York blame Katharine for what happened to her brother and cousin? The White Queen and The White Princess (based on the novels of the same name) follow the school of thought that Perkin Warbeck was who he claimed he was, the youngest of the lost princes in the tower, Richard of Shrewsbury, better known as Richard, Duke of York. “The White Princess” takes a lot of historical liberties (more so than its predecessor, also deviating from its source material), having Elizabeth of York being one of the plotters behind her brother and cousin’s downfall. Yet, to excuse her actions, she might reason that she was forced into these drastic measures because of Katharine of Aragon’s parents, the Catholic Kings who in real life DID pressure Elizabeth’s husband to secure his throne or else, their alliance was off.

Meg Beaufort

Notable biographer Sarah Gristwood, takes on a different approach from past historians, inferring in her multiple biography on the women of the wars of the roses, “Blood Sisters”, that Margaret never got along with Katharine and held back a gleeful smile when her granddaughter-in-law’s longed for triumph, was nearly ruined by pouring rain. Katharine had come to substitute her as her remaining grandson, Henry VIII, now an adult and the new King of England, trusted adviser.
The Spanish Princess, based off Philippa Gregory’s two novels The Constant Princess & The King’s Curse which protagonists are Katharine of Aragon and Margaret Pole respectively. Judging solely by the miniseries’ trailers, it looks like The Spanish Princess is taking this perspective. In the last chapters of “The Constant Princess”, Margaret Beaufort nearly explodes when Henry VIII begins to listen less and less to her and more to his charming new bride. The miniseries will no doubt recreate this season with Margaret realizing -as Sir Thomas More, Lord Mountjoy and countless others during her joint coronation with Henry VIII- that Katharine of Aragon is not just any Princess, but a woman who was born to be Queen.

In the trailer, Elizabeth reminds Henry VII of the importance of this alliance. “Spain and England unite against our enemies so our son is protected on his throne.”
It’s unknown whether she says this BEFORE or AFTER Arthur dies, and whether or not she is talking about Arthur or Harry. Judging solely from her tone of voice, this conversation could take place after Arthur’s death, when she starts to view Katharine more as a threat and a bitter reminder of the sacrifice they had to make to ensure this alliance. The next line is spoken by her husband in what can only be assumed is an earlier moment in the series, where he warns his Queen that until “that girl arrives, we are lost.”

“Elizabeth of York was glad that after so many delays, the Princess from Spain had finally reached England. In a month’s time, she and Arthur would be wed, and within a year –God willing- she would be a mother. But the Queen’s happiness had come at a price. Before his daughter could come to England, King Ferdinand had demanded the death of the hapless Earl of Warwick. The Young man, though he was a prisoner, was a continuing threat to the security of England, he believed. Until he was properly dealt with, Ferdinand declared, he would not allow his precious daughter to leave Spain. Henry VII complied. To secure the alliance, Warwick and Perkin Warbeck were put to death in 1499.” (Hui)

Taking all of this into account, it’s not far-fetched to say, that part of Elizabeth’s anger towards Katharine will stem from the the losses she and Henry had to endure and the heavy toll they had to pay for the sake of the Anglo-Spanish alliance. Elizabeth’s response to her cousin, Margaret Pole, when Margaret asks what will happen to the widowed Spanish Princess, may be confirmation of this.

Regardless of the historical liberties and deviation from the source material, this miniseries is set to have many historical buffs talking. Hopefully, it will make more people interested in finding out about the real people behind this costume drama, especially Katharine of Aragon, whose beginnings are often overshadowed by her tragic end.

Sources:

  • Penn, Thomas. Winter King and the Dawn of Tudor England. Simon & Schuster. 2012.
  • Chrimes, S.B. Henry VII. Yale University Press. 1999.
  • Fox, Julia. Sister Queens: The Noble, Tragic Lives of Katherine of Aragon and Juana, Queen of Castile. Ballantine. 2011.
  • Williams, Patrick. Katharine of Aragon: The Tragic Story of Henry VIII’s First Unfortunate Wife. Amberley. 2013.
  • Hui, Roland. The Turbulent Crown: The Story of the Tudor Queens. MadeGlobal. 2017.
  • Gristwood, Sarah. Blood Sisters: The Women Behind the Wars of the Roses. Harper. Collins. 2013.
  • Licence, Amy. Catherine of Aragon: An Intimate Life of Henry VIII’s True Wife. Amberley. 2017.
  • –. The Six Wives and the Many Mistresses of Henry VIII. Amberley. 2014.
  • –. Elizabeth of York: The Forgotten Tudor Queen. Amberley. 2013.
  • –. Red Roses: From Blanche of Gaunt to Margaret Beaufort. History Press. 2016.
  • Gregory, Philippa. The Constant Princess. Harper Collins. 2005.
  • –. The King’s Curse. Simon & Schuster. 2014.
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Book review: Falling Pomegranate Seeds: The Duty of Daughters by Wendy J. Dunn.

COA novel falling pomegranate

Falling Pomegranate Seeds: the Duty of Daughters is a fantastic novel written by Wendy J. Dunn, it is the first in her series on Katharine of Aragon. As a result, this focuses primarily on her formative years in Spain.  Without vilifying or whitewashing her, Wendy J. Dunn weaves an intricate tale of hope, passion, and self-growth as Katharine prepares for the epic journey that awaits her.

Katharine of Aragon was Henry VIII’s first wife, and before that, his brother’s wife, and the daughter of two of the most prestigious monarchs in Christendom. Born and raised to do her duty, she was also among the most learned women of her times. Wendy J. Dunn doesn’t brush past this fact; it is a key component of her book. The book opens up with Beatriz Galindo, known as “La Latina” for her scholarship, being questioned by the Queen of Castile about her youngest daughter’s education. Beatriz is delighted to be charged with such a task, and dedicates most of her time to Catalina, ensuring that she will grow up to be a learned queen.

It is refreshing to see a historical fiction devote so much time to Katharine’s formative year, and set the stage for the next books in her Katharine of Aragon series.

Her Katharine is how I picture she was in real life. She starts as an assertive and curious child who is determined to become Queen of England because she believes that is her destiny, and as the story progresses, even when we know how it is going to end, we are still rooting for her as she sets sail to her new home. The emotions run high near the end, it plays like a farewell scene but it is not. One chapter of her life has ended and another will begin and we are left eagerly waiting for that.

Wendy J. Dunn brings out the best and worst aspects of her character, something that is much needed in a figure that often gets put on a pedestal or easily disregarded as the ‘boring one.’ Katharine is mischievous, she plays, she is everything you would expect in a child, but she is also curious and intuitive with a mind of her own -which becomes more evident when she is in her teens- and like her mother, she is very proud and grounded in her beliefs that she’s unwilling to compromise when that compromise goes against her moral view of the world.

I recommend this book to all history buffs and those of you who like me, are very passionate about Tudor history.

Margaery Tyrell and Highgarden: Two sides of the same historical coin

 

Anne COA Highgarden

In the spring of 1536, Charles Brandon and other courtiers visited Anne’s chambers to tell her the news that they had arrested her brother and a handful of other guys, and they were going to take her to the Tower of London. Just three years before, she had lodged in the Tower to await her coronation. Henry VIII chose to crown her with St Edward the Confessor’s crown which was reserved for Kings. It was Anne’s greatest triumph, and it would have remain that way if she had given what Henry wanted (and needed) the most: A son.

The Tudor Dynasty was fairly new and England wasn’t used to the idea of women rulers so the thought of leaving the throne to little Princess Elizabeth after Henry had gone through great trouble to divorce his first wife for the same reason, would’ve been ludicrous. Anne was accused of incest and adultery and high treason and she lost her head on May 19th of that year.

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In the show, Margaery (who coincidentally played Anne in ‘The Tudors’) is arrested after the High Septon (who’s like the pope in this world) accuses her f perjury, lying under oath which is a great sin since you swear to testify the truth and the whole truth under the gods. The equivalent to today’s ‘you swear to tell the truth, the whole truth, so help you God?’

In medieval times this was a great deal. And Game of Thrones is a show that prides itself to take inspiration from the middle ages, specifically from the wars of the roses and the Tudor periods.

Margaery’s arrest therefore must be seen within this religious context. However, Cersei was also responsible for her arrest because she knew how much the HIgh Septon hated Margaery, and her family because her family are traditional followers of the Seven and they hate everything that has to do with religious reformation.

Anne Boleyn arrest

This is a great departure from Anne Boleyn. Though she was described as “more Lutheran than Luther herself”, Anne was not a staunch Reformist, and neither was she a martyr for her cause. She favored a lot of Reformist authors and teachings, but it was her father and her brother who believed more in the cause than she did.

During her short tenure as Queen, she did a lot of good charitable works. One of the reasons why she and Cromwell hated each other was because Cromwell couldn’t afford to say ‘no’ to the king given his position, and also wanted to enrich him, while Anne believed that the money taken from the monasteries and other religious houses should be distributed among the people -to build hospitals, centers of education, and to the new churches that would make people more invested on the new church.

COA and Margaery

Margaery like so many of Martin’s characters is based on more than one person, and perhaps it is the author’s way of being ironic and sarcastic that he often mixes two or more characters who were rivals in real life to create unique characters..

Margaery’s family is a perfect example of that.
Highgarden is located on the Reach where there are constant border raids from their neighboring Dorne. This should sound family to history buffs, especially Spanish history aficionados who’ve read on the subject.

Spain at the time of Catherine of Aragon’s birth, was divided into three kingdoms, and though the two Catholic crowns were united thanks to her parents’ union, the third crown which represented the Taifa kingdom of Granada, remained separate. Granada was the last of the once great Taifa kingdoms in the Iberian Peninsula. And there were many border raids between the two peoples. They both believed in God but had different religions, and they borrowed from each other’s cultures (though they were hesitant to admit it).

Secondly, the two neighboring realms hated each other. Isabel never felt bad about lying under oath, and neither did her husband. They pretended to be on Boabdil’s side more than one time, and played both sides against one another, so it made taking their realm an easier enterprise. They finally achieved it on the 2nd of January 1492. She and Fernando stood in front of Boabdil, outside the gates of Granada. The King approached Fernando first and gave them the keys to the city then paid his respects to Isabel.

Isabel y su esposo

Isabel was a ruthless politician -not unlike the Queen of Thorns- and always dressed lavishly, while giving a lot of money to the church and keeping her clerics under a tight leash, raised her children well. Her husband was a skilled warrior who helped her maintain stability in her kingdom, and fight off her niece whom she always maintained wasn’t her brother’s real daughter; and he was also a cunning politician.

Catherine learned well from their example and from a young age she learned everything from the great literary works of the ancient world, to civic and canon law, dance, art, poetry, and most of all, her future role, not only as future Queen of England, but as a politician.

Catherine’s years after Prince Arthur died were anything but easy and her father was embroiled in a battle to control Castile and wrestle it from her sister and her husband. David Loades tells us how he wanted to send her money but couldn’t so instead he made her his ambassador. She was the first female ambassador to England and this increased her status but not as much as she hoped for, so she continued fighting and did what she could to get the next in line to the throne, Prince Henry Tudor of Wales’ attention.

When Henry VII died, his son did something unexpected (but not unprecedented) and chose to follow his heart instead of listening to the council. Fancying himself a knight in shining armor, he married his sweet sister in law and the two were crowned on the same day in June 24th 1509.

Highgarden and Castilla

The books, including the World of Ice and Fire, make it clear just how traditional Margaery’s family is. And there have been a lot of inaccurate and crazy blogs that say that Catherine’s equivalent in the show is likely someone like Selyse or another religious fanatic. But let’s stop and think for a second: If we consider Anne super religious while also being a fashion icon, why can’t we think the same for Catherine? Or are we just too lazy to do research and prefer to believe what someone else tells us or what has become the norm after centuries of story-telling that have become the new history?

England and Castile and Aragon were highly religious yet they enjoyed many past-times. Castile was one of the richest courts in Western Europe, and Isabel loved everything that had to do with fashion, music and art, and she was passionate about her children learning about the latest educational trends such as Humanism and reading classical books.

She was referred by some as sweet, and by others said that she could also be cross.

Catherine had an idyllic childhood, much like the actress Natalie Dormer has said of her character in Game of Thrones.

The two also introduced fashions in their adoptive countries or realms. They loved gossip (Catherine’s mother especially) and they had fierce maternal relatives who never held their tongue. Isabel made sure her children dressed the best, were more educated tha other European princes. There was always music and dancing wherever they went. They also loved to watch plays while they celebrated, and they always surrounded themselves by bright colors. Not just in their clothing but in paintings that Isabel had commissioned for her family where they vibrantly appeared as saints or being blessed by God and the Holy Mother. And they were not afraid to speak against their religious leaders.

Catherine of Aragon wrote a strong letter in December 1531, subtly urging the pope to rule in her favor. And I say subtly because Catherine of Aragon was good at making threats that didn’t seem like threats but more like passive-aggressive rhetoric, the kind you get from a skilled politicians. Margaery does the same thing. When she is smiling, she isn’t really smiling. She is surviving by playing the game of thrones better than her opponents, bearing the same perseverance that Catherine did for seven years.

It should come as no surprise that Catherine’s first motto was ‘Not for my Crown’ and that her second ‘Humble and Loyal’ (which resembled her late mother in law’s) reflected her great understanding of politics. She could appear docile and sweet on the outside, but was a strong and skillful politician like her parents.

Anne Boleyn arrest 1

On the manner of Margaery’s arrest though, the Anne Boleyn persona takes over, especially when you take into account what happens in the book. In the book, Cersei firmly believes that her daughter in law is cheating, and that while her second marriage to her eldest son (Joffrey) wasn’t consummated, the first might have been. Like Catherine, it is a question that will likely haunt Margaery for ages (or less given than everyone dies far sooner in GOT). But instead of annulling her marriage, she wants to humiliate her and her family since she believes Margaery is the young, beautiful queen from the prophecy who will take everything from her.By book 5, is pretty clear that Cersei doesn’t really believe in all the charges, but she is so consumed by rage (after she too has been imprisoned) that she doesn’t care anymore. Margaery is accused of sleeping with her servants and her brother. Like Anne, she isn’t given the benefit of the doubt by the highest authority, which is her mother-in-law, and she seems doomed.

Like both Queens, Margaery’s mistake is not in being of one side or the other, but being politically active, and better at the game than her rival, and not giving the crown what it needs: an heir and complete obedience. The Baratheon dynasty is new and nobody really believes that Cersei’s bastard children are Robert’s, but they are in power and most of their enemies have died, so that doesn’t matter. Nonetheless, they need a male heir to continue the line. Margaery hasn’t delivered because she is way older than Tommen in the books who’s just a kid, and in the show although the two have consummated their marriage, there is no sign of her getting pregnant. And she isn’t one to bow down to Cersei. She is good at playing docile, but she is even better at convincing others to take her side and subtly get rid of Cersei -something the Queen Mother couldn’t forgive and now Margaery is paying the consequences

We will have to see what awaits her. And what awaits Highgarden. If Margaery and Loras die, they will have Willas to take over when their father dies as well, but in the show, it looks as if Highgarden’s golden age is about to end. Could it be a parallel to Spain or to the Trastamara dynasty? After the Catholic Kings lost their precious jewel, Don Juan, Prince of Asturias, they had no other choice but name their daughter Princess of Asturias and after she and her baby died, their second daughter, Dona Juana, Duchess of Burgundy whose strong temperament made them nervous, and whose reckless husband, made things worse.

Sources:

  • Katharine of Aragon by Patrick Williams
  • The Wives of Henry VIII by Antonia Fraser
  • The Six  Wives and the Many Mistresses of Henry VIII by Amy Licence
  • World of Ice and Fire by George R. R. Martin,  Elio Garcia and Linda Antonsson
  • The Life and Death of Anne Boleyn: ‘The Most Happy’ by Eric Ives
  • The Boleyn Women by Elizabeth Norton

London Welcomes the Spanish Princess

Katherine of Aragon by Sittow

On the 12th of November 1501, Katherine of Aragon arrived to the city of London. She had met her future brother in law, Henry Tudor Duke of York, days prior. He and his party escorted the Infanta to the city. The roads were sanded and graveled to prevent horses from sliding and everywhere she turned there was a new pageant. The city was joyous to see their new princess. The Spanish Infanta was everything they hoped for in a consort. She was shy, humble with her eyes cast downward, looking away whenever she was paid a compliment but most of all she was beautiful with red-golden hair, fair skin and blue eyes. “But appearances” as historian Julia Fox points out in her dual biography on her and her sister, “can be deceiving”. 

Katherine had her mother’s warrior spirit. The Lord Mayor, Sir John Shaa was in charge of the celebrations. According to the ‘Receyt of the Ladie Catheryne’, Katherine wore her hair loose “down to her back through a specially designed gap in her headdress” which consisted of a wide-brimmed hat that looked like a cardinal hat that was “held in place by a golden lace.”

Tudor Rose

There were twelve pageants in total and the first she came across was the one on the bridge where she and Arthur were marvelously represented by actors that also celebrated their future marriage. Laden with symbols, she would have recognized the Tudor rose, the Beaufort portcullises, the Welsh red dragon of King Cadwalldr that Henry VII had used as his main standard when he fought Richard III at Bosworth field (and was now part of the royal coat of arms), and last but not least the ostrich feathers which represented the Prince of Wales.

The other pageants consisted of historical and celestial figures which approached the Spanish Princess to talk of the joys of marriage. One of these was Saint Ursula who was a British saint and who had accompanied thousands of young girls on a pilgrimage to Rome. She was the epitome of virtue and piety as they hoped Katherine would be. Then there was her namesake, St. Catherine, who had also been a princess in addition to being a church scholar and highly revered. She told the Infanta that she would have two husbands, a celestial one in God and an earthly one in Prince Arthur. (Ironically, Katherine would have two husbands). The next one paid homage to her native ancestor, the revered King of Castile, Alfonso the Tenth better known as “El Sabio” (the wise) who stood next to the biblical figures of Raphael and Job and the philosopher Boethius. The Castilian King told her that a “princess young and tender” was fated to come to England to “marry a noble prince” and that from her many kings would follow.

When her party reached Cheapside for the fourth display, she saw an actor playing Arthur. This amused her as she saw him standing in between the pillars decorated with red and white roses that symbolized the dynastic conflict between the Houses of York and Lancaster. The penultimate pageant was the most important as its great structure depicted the Temple of God with heavenly figures giving their approval to the marriage and comparing the king and founder of the Tudor dynasty to God himself.

“The actors declaimed that while God has bestowed matrimony as a sign of the union between Himself and human beings, Henry had bestowed matrimony on Katherine and Arthur to bring peace and prosperity to the realm.” (Fox)

Last but not least, the final pageant was set up in the churchyard of Saint Paul where three golden thrones were erected representing Katherine and Arthur with Honor in the middle.

Arthur Tudor 2

Although she couldn’t see them, the King and Queen and her betrothed were nearby, watching everything unfold.

When the ceremonies ended she received gifts from the Lord Mayor and the Archbishop of Canterbury and made offerings to St. Erkenwalkd then retired to the Bishop’s Palace. The following day she would meet her mother and grandmother in law and entertain them at Baynard Castle and the day after that, she would marry Arthur becoming Princess of Wales.

Sources:

  • Sister Queens: The Noble and Tragic Lives of Katherine of Aragon and Juana I, Queen of Castile by Julia Fox
  • Tudor. Passion, Manipulation and Murder by Leanda de Lisle
  • Six Wives and the Many Mistresses of Henry VIII by Amy Licence