Dead Men tell no Tales: The black legend of Henry VIII

It is easy to see why people have a hard time differentiating from the jolly old monarch, bluff king Hal/good king Hall, or the murderous, lecherous psychopath that came centuries later, to the real Henry VIII, who was as complex as everyone else during this era.
I have been guilty of viewing him through a twenty first century lens.
This is not going to be some excuse-making post about him, Henry VIII did a lot of things that were atrocious but when you want to have a serious discussion about him, you have to look at his reign in the proper context and the proper context is looking at it from a 16th century standpoint.
Henry VIII was no saint but neither was he a mustache-twirling villain, what he was, was a Humanist Prince whom everyone started to adore, ignoring the people he executed because they happened to be people they hated (Empson and Dudley) until one day he overstepped his boundaries, broke away from the church, threatened the livelihood of farmers and traders who relied on the monastic system that people went ‘okay this is going too far.’ The fat that he also wanted to annul his marriage to his wife of many years who was beloved by the English people, also played a part in people rising up against him. But even as they rebelled, they always made sure to point out that it wasn’t against him directly but their ministers.

The Forgotten Monarch:

Henry VIII young and old
Henry VIII as a young man (left) and later in his reign (right).

It is easy to see why Henry VIII is seen as a villain. From a twenty-first century standpoint he does seem amoral, but we forget that the past is a different country and the Tudor era can’t easily be divided into good and evil. History is not a morality tale and if we want to have a serious discussion about the infamous monarch, we have to get to the heart of the story and see how the black legend of lecherous, murdering bluff king hall came to be.

 In the following paragraph from The Wives of Henry VIII, Antonia Fraser says the following about Henry regarding the judicial arrest and later murder of Anne Boleyn:

“It is true that the workings of the King’s conscience followed the dictates of his heart amazingly conveniently. But this did not mean that he did not have a conscience. On the contrary, it was a likely and important part of his nature. The coincidence between passion and conscience was more apparent to outsiders than it was to him, a useful capacity for her self deception being another of his attributes … This is not to absolve Henry VIII of guilt concerning his second wife’s destruction, let alone the deaths of the innocent courtiers, some of them his close friends. On a rational level, the sovereign who agreed on 24 April to sign the commission of investigation into unknown treasonable conspiracies must have had a fair idea of what was going on. And even if that signing could be regarded as a purely routine administrative matter, the King went on a few days later to sign the documents necessary for summoning parliament … It is merely to observe that Henry VIII found it easy enough to absolve himself.”

Fraser and several other historians have pointed out, Henry wasn’t a dastardly being.

Deep down, to quote historian Robert Hutchinson, “he believed that what he wanted was what God wanted.” And it will be easy to point out his hypocrisy, but before doing that, his religiosity must be addressed.

“Most people have seen the famous painting of the bloated, middle-aged King, standing with his fists anchored pugnaciously to his hips, wearing sumptuous cloths covered in embroidery and jewels. The force of his personality can still be felt, even more a two-dimensional depiction in oil … His appearance thoroughly matches his reputation as a brutal thug who murdered women when he tired of them … Henry is popularly remembered as a fat, covetous, and womanizing lout, but this image is less than half the story.  The aged King, with his cruel disdain for others and his harsh authoritarianism, is very different from his younger self.  When Henry ascended to the throne, he strove to bring harmony and chivalry to his court; he was not to contentious and brutal man he was to become …  As a young man, Henry was a handsome, genial, and a rational ruler. The youthful King was described, in the private letters of more than one foreign ambassador or other court contemporary, as having incredible physical beauty. His hair was red, he had very fair skin, and his face was as lovely as that of “a pretty woman” (Scarisbrick, 1970:13) … In addition to his physical accomplishments, the King had a brilliant mind. Henry’s intellect impressed many of the most famous thinkers of his day.”

In her book, Blood Will Tell, medical historian Kyra Cornelius Kramer illustrates Henry’s youth and background before she talks about the possible illnesses that affected him.
She also spends a good deal dispelling myths surrounding Henry, starting with the notion that he was a lecher whose mood changes were the result of venereal diseases from countless sex partners.

“Had it been suspected that Henry had syphilis, word of his condition would doubtlessly have circulated in European courts. The fact that he was the English monarch would not have stopped the doctors from reporting his disease, any more than it stopped royal physicians from making the King of France’s condition common knowledge.”

In her book, Six Wives and the Many Mistresses of Henry VIII, women’s historian Amy Licence, contests this notion, saying that there might be a bit of truth in legends, although she also maintains that in comparison to other kings, Henry was far more discreet and a prude.

Young Henry: The Man that Time Forgot

Henry VIII young
Henry VIII by the Venetian Ambassador who was impressed with the young King’s physique and pursuit of knowledge: “The handsomest potentate Ii ever set eyes on; above the usual height, with n extremely fine call to his leg, his complexion very fair and bright, with auburn hair combed straight and short, in the French fashion, and a round face so very beautiful, that it would become a pretty woman.”

Henry VIII grew up in a strict environment. It was all fun and games until his brother died and his father, worrying about his last remaining male heir, was forced to do some adjustments to his schooling and outdoor activities. Basically, he wasn’t allowed to go out much. His father enjoyed playing cards, joking with friends when he was abroad and watching jousting tournaments. Naturally, his son wanted to do all that and more but his father didn’t let him. Henry was allowed to have friends but he wasn’t allowed to engage in any sort of sports that might hurt him.
In the twelfth century, Louis VI of the Capetian Dynasty, aka Louis “the Fat”, of France lost his eldest son due to horse riding. And jousting was far more dangerous, especially for a young boy, so that was out of the question.

Courtiers thought that Henry would grow up to be someone they could easily control but he surprised them when he told them he’d choose his bride, concocting a sentimental lie how it was what his father asked of him before he died. Rescuing Katharine of Aragon from near penury, Henry VIII saw himself as Sir Lancelot to her Guinevere. At times the two engaged in elaborate masques where they would each play different roles, with Katharine as the damsel in distress and Henry as her knight in shining armor. In her documentary series, the Secrets of the Six Wives (Six Wives in the UK), Lucy Worsley spent the first half hour of the first episode showing how deeply in love Henry and Katharine were and that they were equal in looks, stubbornness, and their educational backgrounds.

I am not going to spend to be discussing Katharine’s background, I have done that already in other posts which I’ve linked down below. I will say that when it comes to Henry, his background is often ignored to the point that all people can think of -when they think of Henry- is this disgusting gluttonous lecherous idiot. That was not always the case and this perception is a perfect example of how the shifting religious landscape affected people’s views on a man who was once hailed by the Venetian ambassador as the true embodiment of Humanist principle.

The origins of the Black Legend & the truth about his childhood

In his biography on Henry VIII, the late David Loades had this to say on the Good King Hal:

Pro … defensione was the first round in the creation of that ‘black legend’ of Henry VIII which thereafter dominated all those records of English events which emanated either from Catholic Europe or from the English Catholic community. One of the most vitriolic was Nicholas Sander’s De origine ac progressu schismaticis Anglicani published at Cologne in 1585, which attributed Henry’s actions in the 1530s entirely to unbridled lust, both for Anne Boleyn and also for the wealth of the Church. This was a line also taken by Robert Parsons in his treatise of three conversions … which was issued at St Omer in 1603. Modern historians in the Catholic tradition have been far more judicious, not only because polemic no longer serves a useful purpose, but because the debate has broadened to embrace the King’s whole style of government. Cardinal Gasquet in 1888, while not abandoning the lust and greed interpretation, was more concerned to set the events in context and to admit that there might have been some justification for the King’s extreme reactions. In the twentieth century Philip Hughes, while pointing out that Henry had a tendency to alter the law to suit his own convenience, also proposed that there was much amiss with the late medieval Church, and particularly the monasteries, which invited the King’s intervention. This concession has been repudiated by more recent scholars, notably Jack Scarisbrick and Eamon Duffy, who have argued that the Church was in rude health and that Henry’s success was primarily the result of his exercise of crude force. It was by executing dissenters on both sides of the confessional divide that the King enforced his will, using fear and intimidation as his principal weapons. Meanwhile, for historians of a Protestant persuasion the reformation was a change waiting to happen. Without denying the importance of the King’s actions, they proposed a model of a Church corrupted from within by superstition and idolatry, a tottering edifice awaiting a decisive push. Unfortunately Henry’s push had been anything but decisive, as they admitted.
John Foxe, standing at the head of his tradition, was frankly puzzled by Henry, who seemed to blow both hot and cold on the reformers -often at the same time.”

David Loades’ assessment on the second Tudor monarch, is probably the fairest.

EOY and Henry VIII signatures
“Henry’s handwriting has always been a bit of a mystery. The ‘Y’s with that little back loop. The ‘R’s look much like ‘z’ in modern handwriting and the ‘H’s are quite unlike the handwriting of Henry’s known teachers. On the other hand, it is rather like this.’ David Starkey motions to show a book listing other primary sources that contains a letter written by none other than Henry’s mother, Elizabeth of York. ‘And this is one of the very few surviving specimens of the handwriting of Henry’s mother. ‘This book is mine. Elizabeth, the King’s daughter.’ It says. It is only eight words and thirty-nine letters. And yet it is characteristic enough in weight, rhythm and letter forms to prove conclusive (I think) that Elizabeth herself was the first teacher of her daughters and her second son, Henry. It’s a charming picture, Henry the little prince and a loving family.” He described this as unusual “for sixteenth century monarchs.” And it certainly is but I think that has to do with the simple fact that he was the second son, the “spare”. Given that Arthur was destined to be King and going to receive a top-notch education, Elizabeth of York probably felt her other children, including Henry, could be more carefree. It must have felt terrible for the young boy when he lost his mother and his father (with good reason) became paranoid. Henry VII felt he had to protect him at all cost and until his father died, there was little indication of what Henry wanted. What Henry VII said, his son did. When he became King, he realized the enormous power that he had and how quickly he could win the people over by showing them that he was the opposite of his father. Like his mother, he was amicable, surrounding himself with people of low and high stature. And like his maternal grandfather, he was eager to be loved.

In his documentary on Henry VIII, as well as in his biography on him, David Starkey stated that Henry had a deep connection with his mother. To prove his point, he showed viewers to copies, one of his mother and the other of Henry. The handwriting is similar and given that he was the spare, it makes sense why he and Elizabeth became close. Further proof of this lies in Henry’s words. He said to one of his colleagues that his mother’s death was one of the hardest moments of his life, and something he had never gotten over with.

But Henry’s idyllic childhood didn’t last. As previously stated, it ended when his brother died and his father became overprotective of him. In her recent biography on the Tudors, The Private Lives of the Tudors, Tracy Borman says that Henry VIII’s descent into madness can be traced back to his childhood. By the time he became King, he had grown into a “highly strung, impulsive and vain young man with a terrifying and unpredictable temper. Those who served him would soon learn how swiftly his favour could be lost.” She is referring to Empson and Dudley, his father’s dreaded tax-collectors whom he put in prison as soon as he came to the throne and less than a year later, had them executed. Some historians take this as proof that Henry was bloodthirsty from the beginning and people only turned against him when he attacked their privilege and their beloved church.

Henry VIII: The Politician & Trying to Solve the Puzzle

Henry VIII full body red and grey classic portrait
An older Henry VIII at the end of his reign. By this time, he had become obese, the ulcer in his leg had worsened and it is possible he was suffering from other illnesses. His over-eating and desire for glory, as well as his position as head of his church, wishing to secure his legacy, didn’t help. Yet, aware of the power of words and images, he made sure that he’d become immortal through them, especially with the latter. His pose is perfect and can be seen in other paintings where his expansive clothes help cover up his weight and give the impression that he is all-powerful. Portrait by Hans Holbein the Younger.

Certainly, Henry VIII was a good masker, but what monarch wasn’t a good liar. In his infamous book, The Prince, Machiavelli posed the question if it is better for a prince to be loved or feared. Machiavelli, like Henry VIII, gets taken out of context. He didn’t favor the monarchy and his other text on a Republican government better illustrates where he stood politically. Nevertheless, eager to win back the favor his masters, The Prince was a step-by-step manual on how to be an effective ruler. Machiavelli held that it was better for a monarch to be feared -since a good ruler had to be aware that he could never please everyone. But relying on fear alone, just as on love, didn’t work because eventually the people would rise up in anger and everything the ruler built -whether good or bad- could go down the drain. Therefore, he added another element to the equation: respect. Winning the people over was a good technique and for that a ruler had to be affable and seen as just -even when he wasn’t.
Henry was good at this.  And not just because he was an evil mastermind who relished in people’s suffering but because he truly believed that what he was doing, was in everyone’s best interest.

Call it delusion, or self-con, but that is how Henry’s mind worked -and how most monarchs’ minds worked, especially the ones the ones that are widely revered.

Of course, as Henry VIII’s behavior became erratic as he got older. If Kyra’s theory that he suffered from Kell Blood Positive syndrome, as well as Suzannah Lipscomb in her book, 1536, where she said that the fall from his joust in that year caused him head trauma that altered his personality, are true then this along with his leg ulcer, and his urgency to father another male heir to secure the Tudor Dynasty, can explain this.

Even though victors get to rewrite history -and Henry did rewrite many things about his reign- sometimes writers decide that the truth is not interesting enough and they spice things up. This is what has happened to Henry. Amidst the myths and legends, the real one gets pushed into the background in favor of a caricature.
It is true, dead men tell no tales, but facts do and even when firsthand accounts are bias, they paint a clearer picture of who this man was and what fueled his actions. While the puzzle will never be solve, the deeper we dig, the closer we come to discovering who the real Henry VIII was.

Sources:

  • Borman, Tracy. The Private Lives of the Tudors: Uncovering the Secrets of England’s Greatest Dynasty. Hodder & Stoughton. 2016.
  • Kramer, Kyra Cornelius. Blood Will Tell: A Medical Explanation of the Tyranny of Henry VIII. Ash Wood Press. 2012.
  • Henry VIII: Mind of a Tyrant presented by David Starkey, directed by David Sington, BBC, 2009.
  • Loades, David. Henry VIII. 2011.
  • “Divorced.” Six Wives with Lucy Worsley, written by Chloe Moss, directed by Russell England, BBC, 2016.
  • Katharine of Aragon’s education
  • Katherine and Henry VIII’s marriage & their joint coronation

 

A Nice Change of Scenery: Margaret Pole in The White Princess

Margaret Pole TWQ Tudors WH

While The White Queen has taken many liberties and has been advertised as an accurate portrayal of fifteenth century courts, it has done a good job bringing attention to Margaret’s story –something that other shows have failed to do. The Tudors and Wolf Hall tried but were unsuccessful. The first only focused on a minor part of her later story and the latter depicted her as an active conspirator, making it seem as if she deserved her later fate.

Meg Pole being separated from Edward

There is a scene where she is with her brother and he is suddenly being taken away by Henry VII’s solders. The scene is absolutely heart-wrenching and it was done in such a way that you really feel for the poor girl.

Margaret is one of the most tragic figures of the wars of the roses and the Tudor era. She survived her father’s downfall and afterwards the fall of the fall of the York dynasty. The same cannot be said for her little brother, Edward Plantagenet, Earl of Warwick. After Richard III usurped the throne, the throne should have passed to him instead but due to their father having been executed as a traitor, he and Margaret were excluded from the line of succession.

Following Richard III’s defeat at the battle of Bosworth, Henry began the proceedings to overturn parliament’s ruling regarding his future bride and her remaining royal siblings. Richard III’s claim rested on the invalidity of Elizabeth and her sisters, which rested on the argument that Elizabeth Woodville and Edward IV were never truly married because he had previously been pre-contracted to another noblewoman. Shaky as it may seem, given that the two people involved were dead and the Woodvilles were unpopular among many aristocrats, this stuck. But now that he was gone, it was time for Henry to validate his own claim and the only way he was going to do that was by saying it stemmed by right of conquest, his mother’s Lancastrian ancestry, and his union with Elizabeth.

While he didn’t marry Margaret’s cousin right away, he was quick to secure the last legitimate male Plantagenet. At only ten years old, Edward was moved to the Tower of London where he lasted until 1499. By that time he was described as simple and for lack of another better word, insane. He was easily tricked into conspiring with the pretender, Perkin Warbeck, and before long the two were charged with treason and hung.

Margaret Pole was twenty four at the time, having been born two years before him. We do not know what was going through Margaret’s head at the time, but given everything she suffered, we can only imagine that it must have been a terrible –but not so unusual- ordeal for her.

In The White Queen, there is a scene where she is with her husband, shortly after the two are married and she tells him that rejects her last name ‘Plantagenet’ because it has brought her nothing but sadness. Philippa Gregory’s last book in the cousins’ war series is titled The King’s Curse and it deals with events from the first two Tudor monarchs’ reigns from Margaret’s point of view. For those of you who haven’t read the book, I recommend it. It has some memorable scenes, some that were very touching and others that seemed repetitive. While it focuses on Melusina’s curse, an invention of Philippa Gregory to account for Prince Arthur and many other Tudor princes’ deaths, the book’s title can also be seen as an apt description for Margaret, a woman whose life must have seemed like a curse.

Margaret Pole Portrait
By an unknown artist, this sitter is believed to be Margaret Pole due to her clothing and jewelry.

A portrait by an unknown artist that has been identified as Margaret Pole shows that she never forgot about her roots and personal tragedies. She wears a bracelet with a butt malmsey hanging from it, a clear reference to her father who was executed during her uncle, Edward IV’s reign, for treason.

The eldest daughter of George Plantagenet, Duke of Clarence and Isabel Neville, eldest daughter of Richard Neville “the Kingmaker”, Earl of Warwick and Salisbury among other titles, and Anne Beauchamp; sought to survive by seeking favor with the royal family, especially the future queen of England, the Spanish Infanta, Katherine of Aragon.

COA and Meg Pole historical and fictional portrayals
Catherine of Aragon in the Spanish series Isabel (left), Margaret Pole in The White Princess (right).

It was this friendship that earned her the title of Countess of Salisbury. This was a big deal since not many women were title holders in their own right. As suo jure, Margaret became one of the richest landowners and influential courtiers in England. She also became Princess Mary, Katherine and Henry VIII’s only surviving child, governess and the two forged a strong friendship that would last a lifetime.

But not all was well in paradise. In spite of her friendship with the Queen, and the Queen’s patronage of Humanists and popularity with the people, her influence with the King was waning and following her last miscarriage, Henry’s eye began to wander again and it wasn’t only before it was set on her lady-in-waiting and former mistress’ sister, Anne Boleyn. After his marriage to Katherine was annulled, his daughter was bastardized and his union with Anne as well as her pregnancy became public, Margaret’s life was turned upside down. She chose to stay loyal to her best friend and former charge and unfortunately, this along with her royal blood and her son Reginald’s outburst against the King, became her undoing.

A book that I highly recommend that gives a hauntingly beautiful description of Margaret Pole’s ordeals is Dan Jones’ Wars of the Roses: The Fall of the Plantagenets and the Rise of the Tudors. Here is a small snippet from it:

“At seven o’clock in the morning on Friday, May 27, 1541, within the precincts of the Tower of London, an old woman walked out into the light of a spring day. Her name was Margaret Pole. By birth, blood and lineage she was one of the noblest women in England … Margaret’s life had long been exciting. For twenty-five years she had been the countess of Salisbury, one of only two women of her time to have held a peerage in her own right. She had until recently been one of the five wealthiest aristocrats of her generation, with lands in seventeen different counties. Now, at sixty-seven –ancient by Tudor standards- she appeared so advanced in age that intelligent observers took her to be eighty or ninety.
Like many inhabitants of the Tower of London, Margaret Pole was a prisoner. Two years previously she had been stripped of her lands and titles by an act of parliament which accused her of having “committed and perpetrated diverse and sundry other detestable and abominable treasons” against her cousin, King Henry VIII. What these treasons were was never fully evinced, because in truth Margaret’s offenses against the crown were more general than particular … As she walked out into the cool morning air, Margaret Pole could therefore have reflected that, although she was due to beheaded that morning, she would at least die wearing new shoes.” ~Dan Jones, The Wars of the  Roses: The Fall of the Plantagenets and the Rise of the Tudors

The Imperial Ambassador, Eustace Chapuys who’d become very attached to the late Queen, Katherine of Aragon and her daughter, the lady Mary, wrote that Margaret was confused about her sentence. She wasn’t sure what her crime was, or how was it possible that she was easily convicted when there was hardly any evidence of an alleged treason. During these hard times, Henry VIII’s queen, teenager Kitty Howard and ironically Anne Boleyn’s cousin, sought to make her stay at the tower more comfortable by appealing on her behalf to her husband and sending her tailor so he could take her measurements and Kitty could order new clothes for the Countess. She also convinced Henry to send her new shoes. But in the end, nothing could save her from the same inescapable faith of her father and brother.

“At first when the sentence of death was made known to her; she found the thing very strange, not knowing of what crime she was accused, nor what she had been sentenced; but at last, perceiving that there was no remedy; and that die she must … walked towards the midst of space from the Tower, where there was no scaffold erected nor anything except a small block. Arrived there, after commending her soul to her Creator, she asked those present to pray for the King, the Queen, the Prince and the Princess, to all of whom she wished to be particularly commended, and more especially to the latter, whose godmother she had been. She sent her blessings to her, and begged also for hers …”

Chapuys added after her bloody execution had been carried out, that he wished that “God in his high grace pardon her soul”. Her execution was carried out by an inexperienced and rough youth who hacked her to pieces. An apocryphal account has her running away from her executioner, pleading for help only for him to chase her down and butcher her. Margaret had no reason to run away. Her speech is an indicator that she was ready to die and like so many present, she had no idea that her fate would be so gruesome. Like almost every other secondary source, especially one written centuries later, it should not be taken seriously.

If you want to read a full length-biography of her, I recommend the one by Susan Higginbotham who has also written one on the Woodvilles and plenty of historical fiction. Her book really brings to light the woman, the courtier, the mother and most of all, the survivor. I highly recommend it.

Like Anne Boleyn and so many others, sensing the end, Margaret Pole began to contemplate her own mortality and when she finally made peace with her fate, it is believed that she etched this poem on the stone walls of her cell:

“For traitors on the block should die;
I am no traitor, no, not I!
My faithfulness stands fast and so,
Towards the block I shall not go!
Nor make one step, as you shall see;
Christ in Thy Mercy, save Thou me!”

It is a sad end for a woman who had prided herself in being a survivor for most of her life. Two years before, her son and his alleged co-conspirators were executed. It must have been a terrible experience for her and at one point she must have thought she was cursed or that she would never be free of family tragedy. As previously stated, Margaret had lost her mother in childbirth, her father was found guilty of treason and executed by being drowned in a butt of malmsey and to top it all off, after Henry VII became King, her little brother was moved to the tower of London and fourteen years later executed. Margaret must have felt like she had avoided such fates by currying favor with the monarchy through the Spanish Princess, Katherine of Aragon but after Henry split from Rome,and Reginald’s words against him, Margaret’s family once again became a target and the rest as they say … is history. She begins her journey in The White Princess as a young woman who has no choice but to follow those in power and curry favor with them to stay alive and as a result, she becomes the most interesting and complex character in the show.

Sources:

  • Ridgway, Claire. “The Execution of Margaret Pole, Countess of Salisbury.” The Anne Boleyn Files, 17 May, 2010, https://www.theanneboleynfiles.com/the-execution-of-margaret-pole-countess-of-salisbury/5592/
  • Gregory, Philippa. The White Princess. Touchstone. 2013.
  • —. The King’s Curse. Touchstone. 2015.
  • Jones, Dan. The Wars of the Roses: The Fall of the Plantagenets and the Rise of the Tudors. Penguin. 2014.
  • Higginbotham, Susan. Margaret Pole: The Countess in the Tower. Amberly. 2016.
  • Mackay, Lauren. Inside the Tudor Court: Henry VIII and his Six Wives through the writings of the Spanish Ambassador, Eustace Chapuys. Amberly. 2014.

Henry VII & Daenerys: Two Dragons of the same scale who’ve broken the wheel

Henry VII Daenerys comparisons

A Song of Ice and Fire is rich with detail and characters that are as complex as the world they live in, and the faith they practice. The war of the five kings which was based on the wars of the roses is over. We have come to the Tudor period with strings of the last stages of the wars of the roses.
Henry Tudor failed to invade England in his first attempt. Buckingham’s Rebellion was supposed to destabilize the government but it did nothing of the sort. Henry didn’t give up and in his darkest hour he vowed that once he won, he’d marry Elizabeth of York, uniting the two houses of York and Lancaster and bringing peace to England.
It is unclear if the book series or the TV adaption will follow history but given that the latest trailer has made the similarities between the two more obvious, it is safe to say that it will come close.
We don’t know what Dany’s exact reaction is when she finally arrives to Westeros, specifically to Dragonstone. Dragonstone is the equivalent to Wales in the world of ice and fire.
Rhaegar was Daenerys’ older brother and thus, the crown heir and Prince of Dragonstone. Like his historical counterparts, the Princes of Wales, he was tasked with carrying out the King’s justice and ensuring that his subjects’ would stay loyal to the crown. Crown heirs as young as twelve would be sent here and like the princes of Wales, they would have their own household with a governor and tutors which would help them with the task of ruling and administering their principality.
After Rhaegar died at the battle of the Trident, many people saw his siblings as the sole heirs of the Targaryen dynasty. Like Henry Tudor, Daenerys was forced to flee along with her brother and seek refuge across the narrow sea. Her claim to the throne has been described as slim because of her gender and her father’s reputation as a tyrant, not to mention her older brother’s actions with Lyanna. But Daenerys insists that she, and only she, is the rightful heir to the throne and there is nothing she won’t do to get what she wants.

The Ones who were Promised

Tudor banner and Targaryen banner

Daenerys is also seen as a savior by the followers of the red god. Coupled with the myriad of sell-swords, former slaves, hordes of Dothraki and disenfranchised aristocrats from her homeland, it is no surprise why she’s become the biggest contender.
The way Dany looks up in the latest trailer of season 7 after she lands in Dragonstone (way to make it obvious who these people are based on, am I right?) in an almost reverential manner is so similar to Henry’s reaction when he arrived to England after fourteen years in exile.
Besides claiming descent from the legendary Welsh King, Cadwallder, Henry also claimed to be a descendant of King Arthur, through his father, Edmund Tudor, who claimed to descend from Welsh Princes that went all the way back to ancient times. Henry Tudor adopted the symbol of the red dragon of Wales as his main banner, and as soon as the Welsh heard of his arrival, they began to sing songs about him, claiming that he was the one who had been promised.
According to the chronicler Robert Fabyan, upon arriving to Milford Haven in Pembrokeshire, Wales, on the 7th of August 1485, Henry “kneeled down upon the earth, and with meek countenance and pure devotion began this psalm: judica me deus, and discern causmam.” (Psalm 43: Judge me, Oh God, and distinguish my cause.) Then Henry kissed “the ground meekly, and reverently made the sign of the cross upon him.”

Daenerys hasn’t shown herself to be pious but like her historical counterpart she has a strong sense of purpose. She believes that it is her right to rule because of her bloodline and her actions towards the slavers at the former slaver’s bay (now renamed Dragon’s Bay). But will that be enough to vanquish the forces of evil and more importantly convince the people to join her cause?
Only time, and in this case, shorter time (since the clock is ticking) will tell. Henry’s defeat of Richard III didn’t end the dynastic conflict, though he made it seem when he married EOY as if it did. And assuming that the theory of Dany marrying Jon Snow is correct, that won’t guarantee Westeros any peace as there will still be plenty of factions looking for ways to undermine their reign and gain the upper hand.

Fashion Statement

Dany and Heny

Another thing I noticed is Dany’s new look which mirrors Henry in his later years. Contrary to popular opinion, Henry didn’t always dress so dour. In her latest book, historian Tracy Borman talks about how he closely guarded his money and his possessions but he still spent a significant amount on clothing.

 

 

“… he had a more light-hearted side. His household accounts reveal that he was fond of playing cards, even though he regularly suffered heavy losses … Physically fit from his years of campaigning, he held regular jousts and liked to play tennis. The latter was a particular favourite with the king and was commended by a contemporary expert on courtly refinement as a “noble sport which is very suitable for the courtier to lay … for this shows how well he is built physically, how quick and agile he is in every member” … Miserly he may have been, but Henry Tudor was shrewd enough not to repeat this mistake. A man’s clothes –far more than those of a woman –were of great symbolic importance … Henry spent the greatest sums on his apparel during the early years of his reign, when he felt most insecure on his newly won throne.” (Borman, The Private Lives of the Tudors)

Dany’s latest appearance mirrors that of Henry during the last years of his reign after he’d lost nearly all of his loved ones, including his wife and son.
Daenerys has this rich apparel with jewels and expensive fabrics, and she is finally wearing her house colors, but in contrast to previous seasons and other contenders, she appears more reserved. Even Cersei boasts of more jewelry and outlandish headgear than her! It could be that as Dany attempts to make her final claim at the Iron Throne, she wants to be seen more as a protector than a bejeweled tyrant.

Game Changers & Altering History

Richard III ASOIAF

So after everything that I’ve written, you might be asking: Does this mean that Daenerys will end up as Henry Tudor? Beloved savior turned miserly female king who loses nearly all of her loved ones? As I previously stated, given that this is Game of Thrones, it is hard to figure out what the outcome will be but one thing is certain and that is that Daenerys as Henry Tudor have changed the rules of the game. As she told Tyrion in season four, she isn’t determined to be another spoke in the wheel, she wants to break it.
“Lannister, Baratheon, Tyrell, Stark … they are all just spokes on a wheel … On and on it goes … I am not just going to change the wheel, I am going to break it.”

This is an allusion to the wheel of fortune. A medieval concept that can be simplified to good luck vs bad luck. Either you were favored by God, or you weren’t (in which case you were pushed to the bottom of the wheel). Henry’s candidacy as the last scion of the House of Lancaster changed all that. If we looked critically at this claim, and forget about the outlandish tales he and his descendants weaved about his dynasty, we see someone who rose to power thanks to the in-fighting that was going on at England at the time and the tragedy of the princes in the tower, and who through his wit and cunning, won many people over, and who in spite of living on the run for most of his teenage and young adult life, grew up to be a very determined and cautious individual.

Daenerys says that it is her destiny to rule. Henry swore before an audience of disaffected Edwardian Yorkists and staunch Lancastrian loyalists at Vannes Cathedral in Brittany that he would bring them victory and peace by defeating Richard III and marrying Elizabeth of York. The way he spoke and interacted with his new allies, convinced them that he was a man worthy to follow. Over a century later, William Shakespeare wrote the conclusion to his history plays on the wars of the roses, ‘Richard III’. Richard III is filled with Tudor propaganda where he drew from plenty of sources written during Henry’s reign and his successors, that painted Richard as a hunchback and a twisted individual. It is no different than what we see Tyrion or Cersei being depicted at. While Cersei borrows the worst qualities assigned to Queen Regents and Queen Regnants during the Tudor era, the role she is playing in Daenery’s story is similar to that of Richard III.

There have been many fan theories that speculate that while the book series are told from different characters’ point of view, and we see this being expanded on the show, the whole story might not be nothing more than a single person’s take on these events. Someone who has interpreted these events based on what his best friend has told him, or how he wishes them to be remembered. Of course, I am referring to Samwell Tarly. The season 6 finale closed the chapter on Samwell’s story with him and Gilly and her son arriving to Old Town where they meet one of the grand maesters. He is examining a document with a special lens and as he guides Sam to the main library, we see the astrolabe which is largely featured at the beginning of the credits. Could it be that this story is showing Jon Snow and Daenerys in such a light, because that is how Sam prefers the population to remember it?
Let’s recall what Varys told Tyrion in season 2: “A very small man can cast a big shadow.”

Indeed, he can. If there is one thing we have learned from history is that it is bias and whoever is victorious, gets to control the narrative. The pen is mightier than the sword, and it might be that Varys’ sermon about how power is nothing more than “a trick, a shadow in the wall” and the greatest trick of all is the one that changes people’s perception to the point that their view of the world is whatever you tell them.

This doesn’t undermine Daenerys and Henry VII’s respective rise to power. On the contrary, it only highlights their genius and their ambition. Henry’s claim rested on his mythical roots to King Arthur and Cadwallder, his right of conquest (which was valid and was also claimed by his and the Plantagenets’ ancestor, William the Conqueror), and finally from his mother who was a direct descendant from John of Gaunt, 1st. Duke of Lancaster, albeit from an illegitimate branch. While Richard II had legitimized John of Gaunt and his former mistress, Kathryn Swynford (who was his wife by then), his successor, John of Gaunt’s oldest son, had undermined their legitimacy by adding a new clause that barred them from the line of succession. Henry’s victory made many of his supporters forget this little detail, but not the Yorkist remnants who continued to wage war against the Tudors -a war that escalated when Henry VIII broke away from Rome and created his own church.

Without a doubt, Henry and Daenerys are two of the best examples that the people who start off as the most inconsequential can become the most important players of the game and through a number of misfortunes and strokes of luck, break the wheel, and true examples that destiny is what you make of it.

“The reality of Henry Tudor’s ascent to the throne –his narrow escapes from death, his failures and anxieties, complete with constant uncertainty of his situation and the compromises that he had been forced to make, including the support from France and his former Yorkist enemies in gaining the crown- was a far less welcome tale. It remains nonetheless just as remarkable; against all the odds, at Bosworth Henry achieved a victory that he should not have won.” (Skidmore, Rise of the Tudors)

Ironically, even when Henry VIII tried to outdo his father in the Tudor Dynasty Portrait that has him, Henry VII, leaning next to a monument while their respective wives, Elizabeth of York and Jane Seymour (who was dead at the time this was painted) are on the other side, claiming that his achievements were better than his father; he had to admit that without him, none of that would have been possible.

Decades later, during Elizabeth I’s coronation, Henry VII was featured once again, this time through the device he created after his union to Elizabeth, that symbolized the union of their two houses, the Tudor rose. Elizabeth I would often invoke the past to justify her actions and lend validity to her claim. Like her grandfather, she saw herself as the rightful heir to the throne, not just because of her father’s will, but because her mother had been an anointed queen and like her paternal grandmother and namesake, she viewed herself as a symbol of unity who was destined to pull England out of darkness and into the light.

“On Saturday, January 14, 1559, at about two o’clock, Henry VIII’s youngest daughter, Elizabeth, rode through London, from the Tower down to Westminster, on the eve of her coronation. As usual, a great series of pageants had been organized to illustrate the many ways in which the new queen’s majesty was righteous and worthy. At the corner of Fenchurch Street was Gracechurch Street a large stage was erected across the street, “vaulted with battlements” and built on three separated levels. The official record of the procession recorded that “on the lowest stage was made one seat royal, wherein were placed two personages representing king Henry the Seventh and Elizabeth his wife, daughter of king Edward the Fourth … [not] divided but that the one of them which was king Henry processing out of the house of Lancaster was enclosed in a red rose, and the other which was Queen Elizabeth being heir to the house of York enclosed with a white rose … Out of which two roses sprang two branches gathered into one, which were directed upward to the second stage … wherein was placed one, representing the valiant and noble prince king Henry [VIII].”
… Buildings were decorated with the Tudor roses and other associated emblems of the dynasty. Great stained glass windows installed in churches during the sixteenth century blazed with red and white petals. Anyone who had been lucky enough to brose the books of the royal library would have found the exquisite illustrations on the pages decorated with roses red, white and Tudor –in many cases these were added to books that had been inherited from earlier kings- particularly Edward IV. Other books, too, were emblazoned with the simplified dynastic story of the Wars of the Roses … By Elizabeth’s reign, the mere sight of red and white roses entwined was enough to evoke instantly the whole story of the fifteenth century: the Crown had been thrown into dispute and disarray by the Lancastrian deposition of Richard II in 1399; this had prompted nearly a century of warfare between two rival clans, which was a form of divine punishment for the overthrow of a rightful king; finally in 1485, the Tudors had reunited the families and saved the realm. It was that simple.” (Jones, Wars of the Roses: Fall of the Plantagenets and the Rise of the Tudors)

Perception is everything and it is more effective when the person twisting historical events is full of conviction and if there was one thing the Tudors had was plenty of conviction -something their founder’s fantasy counterpart also has.

Henry VII and EOY history posthumous portrait
“Now civil wounds are stopped peace lives again: That she may long live here, God say Amen!” ~The Tragedy of Richard III by  William Shakespeare (1592)

The last book in the series will be called ‘Dreams of Spring’ and given how Shakespeare’s Richard III ends with Henry Tudor being crowned and promising a new beginning for England, it can be inferred that the last book’s title refers to a bittersweet closure to the song of ice and fire, with the war ending, some form of peace being achieved but at a great cost. And perhaps it is revealed at the end, that this was nothing more than someone else’s view of these events, leaving many questions (as with the wars of the roses and the era after it) unanswered.

Sources:

  • Martin, George, et. al. World of Ice and Fire: The Untold History of Westeros. Bantam. 2014.
  • Lisle, Leanda. Tudor: Passion, Manipulation, Murder. The Story of England’s Most Notorious Royal Family. Public Affairs. 2013.
  • Chrimes, S.B. Henry VII. Yale University Press. 1999.
  • Skidmore, Chris. The Rise of the Tudors. St. Martin Press. 2014.
  • Porter,  Linda. Tudors vs Stewarts: The Fatal Inheritance of Mary, Queen of Scots. St. Martin’s Press. 2014.
  • Borman, Tracy. The Private Lives of the Tudors. Grove Press. 2016.
  • Jones, Dan. The Wars of the Roses: The Fall of the Plantagenets and the Rise of the Tudors. Penguin. 2014.
  • Shakespeare, William. The Tragedy of Richard III. 1592.
  • Weiss, Daniel Brett and Benioff, David, creators. Game of Thrones. HBO. 2011-?

I also recommend all the other books in the Song of Ice and Fire saga, including the latest spin off “Dunk and Egg” which expands on this world.

Elizabeth of York Gives Birth One Last Time

Elizabeth of York Tudor Consort

2 February 1503: Following the death of her eldest son, Prince Arthur (Katherine’s first husband) she and Henry conceived again. The child was a girl and Elizabeth named her after Mary I’s mother. But Elizabeth soon grew weak and died nine days later, on her thirty seventh birthday. The child died a day after.

“Most Tudor mothers did not die during childbirth. Surprisingly, the odds of survival were fairly good, providing there were no complications. Estimated figures have suggested a mortality rate of around one in fifty but difficult deliveries could lead to maternal and infant death without preventative action being taken. Many survived the experience only to succumb to infection or heavy bleeding afterwards. The more babies the mother wore the greater her risk of death and resulting illness, with the increased physical toll on her body.” (Licence)

Elizabeth was always physically strong, but with each child she bore, she became weaker and after she had given birth to Arthur, she had also been very weak and she didn’t give birth to another child until three years later when Princess Margaret was born. Alison Weir in her respective biography of Elizabeth of York, suggests that the Tudor Consort could have been suffering from anemia, due to her strict regiment of fasting or religious observance.
Elizabeth of York (left) and her mother Elizabeth Woodville (right)
Elizabeth of York (left) and her mother Elizabeth Woodville (right)
The Elizabeth of York we saw from recent fiction and the one from real life are two separate entities. Elizabeth was as her mother, a very religious person and everything she did revolved around religion. Proof of this, is that on the day she gave birth, she was supposed to be on confinement but she got out, preferring to spend her time attending the ceremony known as “Candlemas”.
Henry VII and Elizabeth of York tomb at the Lady Chapel located in Westminster Abbey.
Henry VII and Elizabeth of York tomb at the Lady Chapel located in Westminster Abbey.

She is buried at the Lady Chapel, next to her husband, Henry VII. The chapel was constructed by Henry, with specific instructions so the two of them would be remembered after their deaths. Buried next to them is Margaret Beaufort, Elizabeth’s mother in law. The chapel is located at Westminster Abbey, and if you ever get to see it, it is a magnificent site and the golden effigies of Elizabeth and Henry VII still stand.

Sources:

  • Elizabeth of York: The Forgotten Tudor Queen by Amy Licence
  • Elizabeth of York: A Tudor Queen and her World by Alison Weir
  • In Bed with the Tudors by Amy Licence
  • Tudor by Leanda de Lisle