It is no secret that the last Tudor monarch detested the idea of naming an heir. She did not want whomever was next-in-line to plot in the same fashion as she did during her half-sister reign. In this, she was like her grandfather, the first Tudor monarch who imprisoned or exiled any potential claimant to his throne.
But people couldn’t stop asking: Who would succeed her?
Towards the end of the reign, Elizabeth I tried to dismiss their worries and appear unperturbed by diverting people’s attention on her public image. The people did not have need to worry about the next regime when they already had a goddess watching over them and that goddess was Bess.
This is when we see a drastic change in Elizabeth I’s image. Not that she was not a fashion icon before. Monarchs were the ones who dictated their country’s fashions after all, but Elizabeth I went above and beyond by changing people’s perception of her through more flamboyant fashions and elaborate paintings.
Elizabeth’s mother did this with Henry VIII, when he was still courting her. Anne inscribed her name beneath a page of her illuminated prayer book, where the angel Gabriel informs Mary that she will be mother of the future savior. The meaning behind her name and her promise to Henry beneath this image was clear: Marry me and I will give you a male heir to save your country from chaos. While Anne didn’t give Henry the male heir she had promised, Elizabeth saw her birth as a fulfillment of that promise. On her coronation, she had holy images of the biblical heroines, saints and the Virgin Mary, mother of Christ to remind the people that she was their savior and like the old Testament Deborah, she would be a defender of the faith.
As she got older however, it became harder for her to hide her deteriorating health. Even the commons were beginning to sense that the sun was setting and soon a new dynasty would come to reign over them.
In her biography on the Tudor Dynasty, Leanda de Lisle says the following:
“Elizabeth feared the bond with her people was breaking. In June 1602 she was overheard complaining desperately to Robert Cecil about ‘the poverty of the state, the continuance of charge, the discontentment of all sorts of people’. She admitted to the French ambassador that she was weary of life, and wept over Essex’ death. He had been all she had left of the man she had loved as a young queen, yet he had betrayed her, and now he was being idolized, even despite the threat he had posed to her life. The last pageants held in Elizabeth’s honour that year venerated her as the ‘queen of love and beauty’, timeliness and unchanging; but as Elizabeth’s depression deepened, whispers about the succession became urgent once more.”
Despite that last part, Elizabeth refused to name a successor. After her death, it was said that Elizabeth did and that since she was unable to talk, she was asked to wave her finger in one direction or another, to signal whom she favored and she moved her finger in the direction of those supporting James. It is very unlikely that she favored James, given her discontentment with him in the last years of her reign, but what she wanted no longer mattered. Her councilors favored James and without the Queen drafting an official will, there was nobody to oppose them.
Elizabeth died on the 24th of March 1603. She was buried not long after and succeeded by her rival’s only surviving child, James VI of Scotland who became the First of England upon his coronation.
Following the people’s discontentment and the growing radical Protestant factions in England, people began to look back at the Tudor regime, especially at Elizabeth I’s reign, feeling nostalgic about those “good old days”. And before they knew it, the Tudor period and its last monarch became larger than life figures, separate from the real people who were feared, loved, despised, and whose actions caused great misfortune as well as good fortune for a select few. Like religious figures today, real and mythological, Elizabeth I and her predecessors have become legendary beings who are either ‘too good’ or ‘too bad’.
- Lisle, Leanda de. Tudor: Passion. Murder. Manipulation. The Story of England’s Most Notorious Royal Family. Public Affairs. 2013.
- Guy, John. Elizabeth: The Forgotten Years. Viking. 2016.
- Hilton, Lisa. Elizabeth: The Renaissance Prince. Houghton Miffin Harcourt. 2015.
- Norton, Elizabeth. The Boleyn Women: The Tudor Femme Fatales who Changed English History. Amberley Publishing. 2013.
- Weir, Alison. The Life of Elizabeth I. Ballantine Books. 1999.