Henry VII and King Arthur: Unifying and Divisive Figures

Henry VII, King of England, Lord of Ireland and first monarch of the Tudor Dynasty was a fan of medieval romances. Like most men of the era, he wanted to be seen as the embodiment of the chivalric virtues that his heroes displayed in these tales, primarily King Arthur.

At the time of his birth, a prophecy was made. Its origins lay with an older prophecy that foretold the coming of a king who would unite Britain under his banner and bring order to chaos.

Avid readers of fantasy probably know where this is going. Almost every fantasy writer has used this device. Their protagonists have no idea until they do.  They set out on a dangerous journey where they face every major obstacle known to man, until they fulfill their destiny.  Unlike modern fantasies where the hero almost always wins at the end, medieval romances paralleled Greek tragedies.

The heroes complete their tasks, but it comes at a great cost. Such is Mallory’s take on the Arthurian legend. Prior to its publication, the legend of King Arthur and his knights of the round table was made up of fragments. Storytellers tried to put their own spin on the legend by focusing on one or two characters (at the most). If such a man existed, he must have originated from Wales., where the tale was born. Like many popular folk tales and legends, the conquerors added their own spin to it. After England became united, the tale was absorbed into English lore and Arthur became more than just a Welsh folk tale, but an English hero.

Published fourteen years after his death, Le Morte deArthur remains to this day the definitive account of King Arthur’s reign and the template for many fantasy authors who have continued to add more to this Welsh-Anglicized myth.

Written during the wars of the roses, some scholars believe that it was a political critique meant to reflect the general sentiment towards both warring Houses, Lancaster and York; the disillusionment from the nobles regarding Edward IV’s union with the fair Elizabeth Woodville, widow of Sir John Grey of Groby, and rewarding her family by marrying them to the high aristocracy; and lastly, the author’s own regarding both Houses.

Henry Tudor was fourteen at the time of the author’s death. He would have cared very little about one more former Lancastrian’s death, except for a passing sorrow given that he had fought on their side during the Lancastrian Readeption. Sir Thomas Mallory’s claim to fame came with this mammoth novel. When it was published, the House of York was in shambles.

What was once seen as England’s greatest hope had now become a source of dread. People looked for an alternative and they found one in the form of Henry Tudor, the exiled Earl of Richmond.

Forced to flee England with his uncle following the defeat of his cousin’s armies and his uncle’s death, Henry and Jasper landed in Brittany where they remained for thirteen years before spending their last year of exile in France.

THE PRINCE WHO WAS PROMISED

Seeing a window of opportunity with the disappearance of the princes in the Tower, Henry changed his tune from fighting in their name, to fighting in his name. On Christmas of 1483, at Vannes Cathedral (other sources say Rennes), he swore that he would smite the usurper and marry his fair niece, Elizabeth of York, thus uniting both houses and putting an end to the terrible war.

Henry cast himself in the role of the knight in shining armor, the chosen one who had been chosen by God to rule over their realm. Drawing from other Welsh myths and legends, he had the red dragon that represented Cadwaladr on his main standard.

When he was born, Welsh bards sang songs about him. His father, uncle, and grandfather were beloved in Wales, and they saw Owen Tudor’s descendant as part of a prophecy which foretold the return of King Arthur and of another legendary King, which would rule over all the British Isles.

Henry capitalized on people’s superstitions to build his growing legend. He was the exile who crossed the narrow sea; the heir to a once great House, who had come with a ragtag team of soldiers, fledglings, and mercenaries, to fight a greater army led by a tyrant.

These elements were common in every medieval romance. Henry Tudor claimed descent from King Arthur. He was not the first nor the last to do this. His father-in-law, Elizabeth of York’s father, had done this as well. Out of all of them however, it was Henry who pushed the envelope further by portraying his reign as one of peace, unity, law, and order.

Mallory’s version of King Arthur is far from perfect. He remains a flawed character, with Camelot ending up as nothing more than a fair reminder that the road to hell is paved with good intentions. The entire story is bittersweet. And therein lies another sad comparison, one that Henry probably thought he could avoid.

Henry’s device -which became a national symbol of England and a representation of his dynasty- known as the ‘Tudor Rose’ told an alternative tale of the wars of the roses. As with Arthur who had proven his worth by taking the sword out of the stone, having Excalibur granted to him by the lady of the lake, and other magical tokens; Henry Tudor proved himself in the battlefield. He beat Richard, defeated the rebels, and every pretender that came his way. He was the first English King in hundreds of years to sign a peace with Scotland, remaining on good terms with his ancestral rival and neighbor until his death. Henry also financed the first maritime voyages to the new world. Though not successful like those sponsored by the Queen of Castile and King of Aragon, the Catholic Kings (Isabella I and Ferdinand II), they opened the door for future explorers.
Seeing how well the first Yorkist King’s economic policies had worked, he kept some of them, albeit making them better. Like him, he recognized he had to keep the nobles under a tight leash. Instead of marrying them to his wife’s family, he took their private liveries away. Private liveries gave them the right to a private army. Without one, they posed no serious threat.

THE END OF CAMELOT

But not all was well in paradise. Like his legendary hero, Henry lost most of his loved ones. His uncle Jasper, his firstborn, and his beloved wife and their infant daughter. This last loss broke him. He became a recluse, and like King Arthur, another bitter reminder of what once was and what could have yet might have been.

Survived by his mother, Henry passed away on April 1509. The last book of Le Morte dArthur has Arthur his illegitimate son to the death. Mordred is slain but Arthur is mortally wounded. Seeing the splatter of brains and other body parts, he weeps and laments his reign. One of his men takes him to a barge where he is watched over by three magical queens who take him to the land of Avalon, where he will rest for eternity. The novel ends with a promise. One day Arthur will rise from the grave and come in the form of a just man to make things right again.

Many English Kings did not see the tale of King Arthur as a cautionary tale. They saw Arthur as their role model. Due to his paternal family’s ties to Wales and his peculiar journeys, Henry believed he had more in common with him, and was worthier than his predecessors to take up his mantle.
Henry was right, the year the novel was printed, was the year his reign began. But rather than having celebrated the similarities, he should have been wary of them.

Henry VII’s crown was inherited by his remaining son, Henry VIII. Unlike the terrible state England had been left in by Arthur’s death, Tudor England did not have to worry about that because in our version of the tale, Merlin was still around to help the next generation before he too passed away. In this version, Merlin was not a wise old man but a woman. Henry VII’s mother ensured that her son had a peaceful transition of power. When he reached his age of majority, she retired and passed away quickly.

The age of Camelot had come to an end. Camelot had become a land of nightmares. After the Tudor dynasty died out and the crown was inherited by a Junior branch (that descended from his eldest daughter) chroniclers took a different view of Henry VII’s reign. Henry VII’s last years in power came to define him, with him being portrayed as the miser-king, a dastardly figure whose mother was equally terrible.

ONCE AND FUTURE KINGS

Like all the Tudors, Henry VII is a fascinating figure. Le Morte dArthur gives us an Arthur we can all root for and empathize with. He is flawed, and it is those flaws that make him relatable because he is human. Similarly, it is (ironically) thanks to all the bashing that Henry VII has received that has made him one of the more relatable monarchs of his dynasty.

They remain the once and future kings. Nobodies who beat the odds to become England’s celebrated figures, but who ultimately were helpless in the face of personal tragedy. Their dream of a perfect kingdom was inherited by their descendants but died with them. Ultimately though, despite his best efforts, his story took a tragic turn. Unlike his hero, he did not die at the hands of his son, nor see his kingdom descend into chaos. He had his Merlin (in the form of Margaret Beaufort) to thank for that; but he did lose many of his loved ones.Over a century later when the geo-political landscape of the British Isles changed, so did his appeal among chroniclers. Chroniclers began to see him in a negative light, painting him and his mother as a stain in English history and shifting the pendulum to the other side when it came to his rivals (primarily Richard).
In a way, this parallels with Arthur’s demise at the hands of his son, Mordred. At the end Mallory’s novel, Arthur regretfully tells two of his knights after he kills Mordred, that his glory has been snatched from him. Though Henry died of natural causes, recent efforts to vilify his name can be seen as a way of destroying his legacy.

Ironically though, novelists and chroniclers’ efforts to make him into a villain, only serve to make him more appealing. Who wants to be interested in a perfect character? Someone who has no flaws and you can’t relate to when you have a man who beat the odds and became King of England?

Subsequent Kings and Queens would delight themselves with tales of King Arthur and his knights of the round table but they were far wiser in how they approached this tale. Instead of seeing Arthur as a role model, they regarded him as a cautionary tale; the perfect example of what happens when someone lets himself be overpowered by his vices.

Sources:

• de Lisle, Leanda. Passion. Manipulation. Murder: The Story of England’s Most Notorious Royal Family. Public Affairs. 2013.
• Penn, Thomas. Winter King and the Dawn of Tudor England. Simon & Schuster. 2012.
• Chrimes, S.B. Henry VII. Yale University Press. 1999.
• Porter, Linda. Tudors vs Stewarts: The Fatal Inheritance of Mary, Queen of Scots. Martin’s Press. 2014.
• Skidmore, Chris. The Rise of the Tudors: The Family that Changed English History. Martin’s Press. 2014.
• Mallory, Thomas. Le Morte dArthur. 1485.

Richard III’s Thunderous Proclamation against Henry Tudor

On the 7th of December 1484, Richard III issued a thunderous proclamation against Henry Tudor (then) Earl of Richmond. Richard had sworn to protect his nieces and welcomed the eldest two (the once Princesses, now Ladies) Elizabeth and Cecily of York to court. Henry Tudor had been a nuisance to Richard ever since the Christmas of ’83 when he pledged to take the crown and marry Elizabeth of York, thus uniting both Houses. But for the first time during his reign, after the death of his son, Prince Edward of Wales, Henry had become a serious threat.
Those who criticize Elizabeth Woodville and her eldest daughters for accepting Richard III’s offer of peace, ignore the fact that when he did this, his son was still alive and as far as everyone knew, his reign could go on for many years. The death of his son changed all of this. With no heir and a sickly wife, the threat of Henry Tudor became greater. He had with him not only staunch Lancastrians but Edwardian Yorkists as well supporting his claim.

The proclamation not only attacked Henry but his allies, including Peter Courtenay (Bishop of Exeter), Jasper Tudor (Henry’s uncle), the notable Lancastrian loyalist John, Earl of Oxford (who was one of the greatest strategists of the age and ally Henry could count on), Thomas Grey (Marquis of Dorset), Sir Edward Woodville, and others as well, stating that “rebels and traitors disabled and attainted by authority of the high Court of parliament” also being accused of being “open murderers, adulterers, and extortioners contrary to truth, honour and nature” in addition to abusing “and blind the commons of this said realm of the said rebels and traitors have chosen to be their Captain one Henry late calling himself Earl of Richmond which of his ambitious and insatiable covetousness stirred and excited by the confederacy of the King’s said rebels and traitors encroacheth upon him the name and title of the Royal estate of this Realm of England. Whereunto he hath no manner, interest, righ or colour as every man well knoweth. And to the intent to achieve the same by the aid, support and assistance of the king’s said ancient enemies and of this his Council of France to give up and release in perpetuity all the title and claim that Kings of England have had and ought to have to the Crown and Realm of France.”

This last part is extremely serious because not only was Richard calling Henry ever nasty name in the book, but he was also accusing him of making a secret deal with the French of giving up England’s claim to the “the crown and realm of France” in order to have that country’s support.
The solution to Henry’s “insatiable covetousness” was supporting Richard who as “our sovereign lord” was a “well-willed, diligent, and courageous prince” who would put “his most royal person to all labour and pain necessary for the resistance and subduing of his enemies.”

Richard and Henry’s armies would meet the following year, not long after his wife’s death in that same year. The end result would be Richard dying battle and Henry becoming King of England, fulfilling his promise of marrying Elizabeth of York whose parents’ marriage was once again validated.

This is why history will always be a major triumph over every fantasy and sci-fi it inspires. It is way more violent and filled with more surprises than fiction can ever come up with. It shows us that the impossible can often become possible, and that as Varys told Tyrion in “Game of Thrones” a small man can cast a “very large shadow”. In the show’s seventh season, Cersei took on the role of Richard III when she issued a thunderous proclamation of her own against Daenerys Targaryen. Like Henry, she was exiled across the narrow sea and come to reclaim the Iron throne, but unlike the Welsh dragon, it is unknown whether she will ever achieve her goal given that the show and the books are amalgams of different eras. Nevertheless, it shows how the past continues to be relevant and serve as a major inspiration.
But whereas Cersei was posh and delicate before the lords, Richard III did not mince his words. As it was pointed out, he didn’t pull back any punches and continued to attack Henry’s character, reminding everyone that the last time someone had a Lancastrian king, England had lost all of its prized possessions in France, and that aside of that, Henry descended from a lowly branch of that house that albeit being legitimized, in the eyes of many, it was seen as a bastard branch of the Plantagenet dynasty.

Sources:

• Chrimes, S.B. Henry VII. Yale University Press. 1999.
• Penn, Thomas. Winter King and the Dawn of Tudor England. Simon & Schuster. 2012.
• Skidmore, Chris. The Rise of the Tudors: The Family that Changed English History. Martin’s Press. 2014.
• de Lisle, Leanda. Passion. Manipulation. Murder: The Story of England’s Most Notorious Royal Family. Public Affairs. 2013.
• Porter, Linda. Tudors vs Stewarts: The Fatal Inheritance of Mary, Queen of Scots. Martin’s Press. 2014.

Wheel of Fortune: The Coronation of Henry VII – From King to Villain

On the 30^th of October 1485, the Tudor Dynasty officially began. Henry Tudor, the former Earl of Richmond, son of the first Earl of Richmond, Edmund Tudor and Lady Margaret Beaufort (now Stanley), was crowned King of England at Westminster Abbey. His coronation progress began on the  28th when he took possession of the tower. On the 29^th where he processed to Westminster. Dressed for the occasion, he was followed by his prime courtiers, men who had fought with him at Bosworth and others who had recently sworn their loyalty to him.

“Heralds, sergeants-at-arms, trumpeters, esquires, the mayor, aldermen, and nobles, preceded the king dressed in their rich liveries, amongst them

Drawing from the royal chronicle and other observers, historian Dan Jones, describes how England’s new king displayed his power in one of the grandest events of the fifteenth century.

“Accounts of the coronation were drawn up by Sir Robert Willoughby, and they spoke of a flurry of activity among the goldsmith, cloth merchants, embroiders, silkwomen, tailors, laborers, boatmen and saddlers of London. Instruction went out for yards of velvet and silk in royal purple, crimson and black, which were then run up into beautiful jackets, hose, hats, robes, wall hangings, cushions and curtains. Henry’s henchmen were ordered hats plumed with ostrich feathers, boots made from fine Spanish leather and striking costumes of black and crimson” -Wars of the Roses: The End of the Plantagenets and Rise of the Tudors

Henry was a quarter Welsh -something that like his granddaughter, Mary I’s Spanish ancestry, has been used against him. But if we look at the royal bloodlines of other kings and queens, we find that all of them had different nationalities. There was no such thing as pure-English. Even Elizabeth of York and her siblings whose parents were both English were not pure-English. Elizabeth Woodville’s mother, Jacquetta of Luxembourg was French. Most of the English premier noblemen owed their fortunes to their Norman ancestors. They came to England with the Conqueror, William, Duke of Normandy, who (like Henry Tudor) challenged the English King for his crown and defeated him at battle.
And even the Anglo-Saxons were not native to England. Before them, there were the Celts and other tribes who they themselves

Yet, the concept is one that remains very popular and as centuries passed, and the geo-political situation of the British Isles continue to change, the pendulum swung in the other direction.  Henry was an usurper, a foreigner and a rogue whereas Richard, an angelic King, was a just man who had been unfairly robbed of his divine right.

Jane Austen is a perfect example of this new geo-political landscape. Before she became a published author, Jane wrote during her teenage years that Henry was “as great a villain as ever lived” who “made a great fuss about getting the crown and having killed the king at the battle of Bosworth.” Jane went on to add that the only good thing that came out of Henry VII (and his dynasty for that matter) was his eldest daughter whose descendants united both crowns, and Henry VIII whose reign saw the creation of the Anglican Church. Jane had plenty of bad things to say about Henry VIII too but thought he wasn’t “quite so bad as his daughter Elizabeth.”

Fast forward to a few decades later to the Victorian era and you see an increase in popularity for Richard III. This is not surprising. England’s national identity was more important than ever. Xenophobia was in the air and with the English queen being half-German married to her cousin who was German, it became more important than build on that national identity. As a result, countless writers began to rely on secondary sources that distorted most first-hand accounts, painting a picture about the Tudors -namely Henry VII and his mother, Margaret Beaufort- that was far removed from reality.

As the pendulum continued to swing in Richard’s direction, the real Henry faded into obscurity. What Shakespeare, Vergil, and countless others had done to Richard during the Tudor regime, now these chroniclers were doing the same to them. It looked as if karma had its due but in truth, it was nothing more than reactionary writing.

At the time that Henry VII became King of England, the country was in chaos. Everyone was holding their breath, eager to see their new king walking down the streets of London, hoping -begging the almighty- that his reign would last and usher in an era of peace and economic prosperity.

Henry VII achieved the former during the last years of his reign, though the chronicles would have everyone believed that he put an end to the wars of the roses the minute he defeated Richard’s forces. The latter was also achieved but it came at a high price. By the time of Henry VII’s death, the crown’s coffers were full but his subjects’ adoration for him had become almost non-existent. Henry levied excessive taxes on the rich and poor alike, and while he survived every rebellion against him, people’s animosity for him continued. Henry’s attitude is largely owed to his reasonable paranoia. Living fourteen years of exile had taught him that he would never be safe unless he rooted out all his enemies.
Few people comprehended this; those that did had died except for his mother whom he continued to rely on for emotional support.

Margaret Beaufort was an indomitable woman, someone who had more experience at court than Henry did. But he quickly learned how to navigate that world thanks to his stay at the Breton and French courts during his exile.

When Henry VII returned to his royal quarters that October 29^th, he prepared himself for the big day ahead of him on the morrow where all of his hardships and endeavors would finally pay off.

Besides his uncle Jasper Tudor, his stepfather, Sir Thomas Stanley and his brother, William Stanley, other men who had fought alongside him at Bosworth were also there.

The ceremony was performed by John Shirwood, Bishop of Durham, Robert Stillington, Bishop of Bath and Wells, Courtenay, Bishop of Exeter, and John Morton, Bishop of Ely. The archbishop of Canterbury, the head of the Catholic Church in England, did not play a prominent role but it still fell unto him to anoint the new king and place the crown upon his head.

Everything else also went according to protocol. After Henry had the holy oils placed on him and he was changed into parliamentary robes, the archbishop put the crown of St. Edward the Confessor on his head then turned to his ministry asking the crowd if they accepted their new monarch. Everyone chanted in unison “Yea, yea!”

Henry, Seventh of that name, never felt more jubilant. So did his mother, although her confessor John Fisher said that her tears were more from fear than of joy. Having lived through three kings, Margaret was afraid that her son would share the same fate.

If Henry was aware of this, he did not show it. Determined to enjoy his triumph, he returned to the Tower of London for the coronation banquet. His uncle Jasper took precedence over other nobles, riding ahead of them, a little far behind his nephew.
Once at the banquet, Henry and his honored guests enjoyed a variety of courses. After the first course, the king’s champion Sir Robert Dynmock came in, issuing the customary challenge, demanding who would challenge the King’s authority. There were more performances to be found that day, among them the iconic representation of the royal arms of England and France along with those of their new king emphasized his Welsh ancestry. But more prominent among them was the Tudor rose. Henry Tudor was a religious man, and as those that came before him, he chose a rose because of its religious significance. The red rose was a symbol of Christ’s passion, while the five petals corresponded to the  five wounds Christ had suffered on the cross. Roses were ones of the most notable symbols on the Abbey, and on the courtier’s clothing.

“Henry VII’s marriage to Elizabeth would stir attention away from this …” Dr. Lucy Worsley explains, pointing to the the roll that describes the lineage of Lancastrian and Yorkist Kings, and their ancestors, the Plantagenets as well as the Anglo-Saxon kings and queens before them. The scroll belonged to the de la Pole family who had Yorkist blood via one of Edward IV’s sisters. For obvious reasons they didn’t like Henry and were in cohort with Margaret of York, Duchess Dowager of Burgundy and others, to depose Henry VII. Henry VII did descend from a “servant grandfather” as Dr. Worsley put it, but he did have Lancastrian blood via his mother, Margaret Beaufort. The Beauforts got their last name after one of the castles that belonged to their forefather, John of Gaunt, 1st Duke of Lancaster. Because the Beauforts had been conceived and born before John of Gaunt married their mother, they were considered illegitimate. But they were legitimized by Richard II. After Richard II was deposed however, their half-brother, Henry IV (the first Lancaster monarch) added another clause that excluded them from the line of succession.

The white rose had become representative of the House of York as the red became representative of their opponents, the House of Lancaster which Henry was meant to embody. Henry had sworn to marry the beautiful Elizabeth of York after he became king, but with so many Yorkist heirs still abounding, he hesitated to marry her straight away. Instead, their union was postponed until January of the following year.

Elizabeth was widely loved in the North as the eldest Princess of York. And her marriage to Henry symbolized the union of the two warring branches of the Plantagenet House from which they both descended: Lancaster & York which was embodied in the Tudor rose. Roses were very popular symbols during the middle ages. They symbolized the Virgin Mary, in the case of the red rose as Leanda de Lisle explains:
“The simple five-petal design of the heraldic rose was inspired by the wild dog rose that grows in the English hedgerows. As a symbol it had a long associated with the Virgin Mary, who is sometimes called the Mystical Rose of Heaven. But Henry IV had once used red roses to decorate his pavilion at a joust, their use as a Lancastrian royal badge was not widespread before the advent of the Tudors.”

In the five hundred and eighteen years after his death, he remains a controversial figure. People associate him with the image that came in the last years of his reign -that of the miser and the Winter King, and of course the one that’s the product of secondary sources and latest novels: the true culprit behind the princes in the tower’s disappearance or an enabler who used his mother and her husband to dispose of them. This has a lot to do with how we think of Henry, a man who spend hours sitting behind his desk, overseeing every state affair and paying more attention to what was going on his kingdom than squandering his time and money on women and other vices that destroyed the reputations of previous kings.
Henry’s life story however is just as interesting as all of these other monarchs. And the fact of the matter is that regarding the princes’ disappearance, is something we will never know. But just as Richard’s defenders say that you cannot condemn him based on little evidence, you can use the same argument for Henry and his mother. There are ‘perhaps’ ‘could haves’ but never any certainties. Just as kings were known to be pious, they were also known to be cruel and Richard was no different. The facts don’t lie, to secure his power, he executed Lord Rivers (Elizabeth Woodville’s brother), Richard Woodville (hers on), and Hastings and imprisoned others that he considered were also a threat. His brother and father had been brutally killed when he was very young, and being exposed to violence at a very young era, no doubt, had an effect on him. The same can be said for Henry Tudor who saw from an early age the destruction of his mother’s house, the Beauforts, and his uncle’s, the Lancastrian. And when he became a target of Edward IV (who feared he would be perceived as the new hope for the lase Lancastrians) he and his uncle Jasper fled the country.

This alone makes him one of the most fascinating figures in European medieval history.

“The reality of Henry Tudor’s ascent to the throne –his narrow escapes from death, his failures and anxieties, complete with constant uncertainty of his situation, and the compromises that he had been forced to make, including the support from France and hiss former Yorkist enemies in gaining the crown- was a far less welcome tale. It remains nonetheless nonetheless just as remarkable; against all the odds, at Bosworth Henry achieved victory that he should have not on” (Skidmore)

As the royal procession reached Westminster Abbey on that fateful day, people could see the massive wax tapers weighing over twelve hundred pounds. As his coffin was lowered down to be placed next to his wife, the choir sang ‘Libera me’: “Deliver me, O Lord, from death eternal on that fearful day … When thou shalt come to judge the world by fire.”

Despite his miserly attitude after the death of his son and wife, he kept corresponding with his eldest daughter whose affection for her was clearly evident as he consoled her in one of their first letters when she told him that she was feeling homesick. On his deathbed, Henry had made provisions so 10,000 masses would be said to aid his soul’s journey into the afterlife, and the other half to religious gifts and charities. When his son ascended to the throne he posed an important question which perhaps still resonates today when we hear debates about which Tudor King (of the first two) mattered most. In the Dynasty portrait made in the last decade of his reign, Henry VIII has Holbein put him and his father on their right with their respective and favored wives, Elizabeth of York and Jane Seymour on the left. Separating them is this huge monument where it reads:

“The former often overcame his enemies and the fires of his country and finally gave peace to its citizens but the son, born indeed for greater tasks, drives the unworthy from the altars and brings in men of integrity. The presumption of popes has yielded to unerring virtue and with Henry VIII bearing, the scepter in his hand, religion has been restored.”

The message is clear, ‘my dad was great but I am greater.’

There is no doubt that Henry VIII did change the course of English history by separating from the Roman Catholic Church and commissioning a translation of the bible into English by Miles Coverdale; but his father was just as great if not more because he triumphed against all odds and unlike so many kings before him, he died in his bed with his mother ensuring a peaceful transition of power for his son, Henry VIII.

Unfortunately, unlike good wine, time has not been kind to Henry VII. While there have been some historians who want to restore the good old monarch’s reputations, it seems nearly impossible at this point when fiction has substituted the historical records.
Nevertheless, his legacy remains. The powerful symbols he’d use to rewrite history were once again evoked during his granddaughter, Elizabeth I’s reign. Henry’s triumph had taught his descendants that while brute force was necessary to subdue their enemies, their strongest tool was in how they presented themselves to the public. This way, they became immortal, and despite the bad press that Henry has received, he remains a legend and (still) a hero to some.

Sources:

• Chrimes, S.B. Henry VII. Yale University Press. 1999.
• de Lisle, Leanda. Passion. Manipulation. Murder: The Story of England’s Most Notorious Royal Family. Public Affairs. 2013.
• Porter, Linda. Tudors vs Stewarts: The Fatal Inheritance of Mary, Queen of Scots. Martin’s Press. 2014.
• Penn, Thomas. Winter King and the Dawn of Tudor England. Simon & Schuster. 2012.
• Skidmore, Chris. The Rise of the Tudors: The Family that Changed English History. Martin’s Press. 2014.
• The Henry Tudor Society
• Richard III society – Jane Austen: The History of England
• Britain’s Biggest Fibs presented by Lucy Worsley episode 1

Henry VII: The Man Behind the Legend

Henry Tudor was still young when he became King of England. His reign heralded a new era for the British Isles, including their troublesome neighbor to the North. While he loved to gamble, drink (moderately), and joke, he was a cautious man -something his granddaughter and last monarch of his dynasty, Elizabeth I, inherited.

This is due to his difficult upbringing. He became fatherless before he as born with his mother giving birth to him at the tender age of thirteen -something that wasn’t completely unusual, but advised against when a woman was not fully developed and her husband was older than her- leaving her unable to have any more children. He was quickly christened and handed over to his uncle. His mother visited him as often she could or was allowed to by her new male guardian, her second husband, Henry Stafford.

By the time that Edward IV became King, Henry became a ward of the notable Herbert family. The Herberts were up and comers in the English court with noble Welsh roots like the Tudors, but unlike them they happened to back a winning horse. In his biography of Henry VII, S.B. Chrimes, notes that it is highly possible that the new Earl of Pembroke (a title that once belonged to Henry’s uncle, Jasper Tudor) planned to marry him to his daughter and heiress.

Novelist Barbara Kyle wrote a brilliant article on this topic and how lucrative the wardship business was. What we would denounce as a sex crime or kidnapping or stepping over a parents’ rights, it was non-existent back then. It was very common for men to marry their female wards, especially if they were orphans and rich heiresses. Such was the case for men as well. Henry became a ward of William Herbert and his wife Anne, after the start of the Yorkist regime.

Henry’s time with the Herberts was idyllic but after Lord William was executed during the fiasco of Warwick’s rebellion, Henry temporarily went to his mother. Things seemed fine for the two when the dullard king, Henry VI, was reinstated as king of England in a period known as the “Lancastrian Readeption.” Unfortunately, this did not last and I say unfortunately because while many soon realized that the king was beyond redemption and had become a shadow of his former self, for the Beauforts and Tudors, including Henry, this was a major setback.

The first time that Edward IV had become king, he had presented himself as a noble, just and merciful leader but the time for pleasantries was over. He was done giving second chances. Following Warwick’s defeat at the battle of Barnet and the Henry VI’s son and his wife’s army at the battle of Tewkesbury, the Lancastrian royal and male Beaufort lines were wiped out.

All seemed well except for one thing … There was one young boy who could still posed a threat to the Yorkis regime. If left alive, he could grow up to become a figurehead, rallying men to his cause to usurp Edward or his descendants’ throne in the same manner as Edward and their ancestor, the first Norman king, William the Conqueror, had done.

Edward IV acted immediately and sent armies to get Jasper and Henry who had fled to Wales. They managed to hold them off for two months. But eventually Jasper realized that they wouldn’t for much longer. He and his nephew headed to France but powerful winds threw them off course, with them landing on Brittany instead.

The Duke of Brittany became Henry’s mentor and ironically, his protector. Initially, Francis II did not have Henry’s best interests at heart, he saw him and his uncle as two piggy banks he could cash in, demanding Edward IV grant him special favors or pay handsomely so he could have his prized possessions back. But time has a way of changing people and perhaps it was Henry’s character, something he saw in the boy, that made the Duke change his mind.

It’s too bad that wasn’t passed unto his courtiers. Intrigued by the youth’s clever wit and will to survive, they had to think about their duchy first. If Edward IV looked to France, then that could mean two powerful kingdoms against them and the last thing that Brittany wanted was to lose what was left of their sovereignty. Francis II’s advisers convinced him to hand him over.

It all seemed too easy. A young man about to be handed over to the Yorkist king who’d lock him up, place him under house arrest or marry him to a family deeply loyal to him, successfully neutralizing the last Lancastrian threat. But since when do things go according plan?

They didn’t factor in Henry’s acting skills or his quick thinking. As Henry was being led away from the Breton court, he probably pondered on these possibilities and before they made him board their ship, he feigned sickness and as quick as their backs were turned, he ran off to the nearest church and claimed sanctuary.

Henry lived to fight another day. This experience shaped Henry into the king he’d later become -a ruler who was suspicious of even his own shadow and left nothing to chance.

In her biography of the Tudors and Stewarts (Tudors vs Stewarts), Linda Porter says the following of the young man who had returned to England to claim the English throne after fourteen years of exile:

“At twenty-eight Henry Tudor was no longer a pretty land. In looks he was still personable, but an itinerant and uncertain youth had shaped a cautious personality. He was not a man who took anything for granted. The immense challenged of ruling the larger of the two realms that formed the island of Britain lay ahead of him. He had come by his crown in blood and battle.”

It is not hard to see why he had become this way, and why he looked more rugged than any youth.

Like him or hate him, Henry VII’s reign was a major game changer for the modern world. Prior to his reign, nobles could still muster armies at will, with kings struggling to keep control over them, leading to endless strife. Henry eliminated the last embers of a broken system that was also being abandoned in other parts of Europe. This system was feudalism and Henry recognized how useless it was becoming, and amending it would be like beating a dead horse.

There was also a new religious revival that was being experienced throughout Europe that put man at the center of everything. While Henry was not an enthusiast of this current like his contemporaries, Ferdinand II of Aragon, Isabella I of Castile, and his successors were (especially his son and granddaughters), he recognized that the times were changing and that if he was going to have a successful reign, England had to keep up.

He and his mother encouraged many religious thinkers, and after hearing of many sea-faring voyages that promised new discoveries, he founded some of them. This naval exploration would experience a revival during his granddaughter, Elizabeth I’s reign, who sponsored many of these voyages to compete and out-rival her Catholic enemies.

The sovereign had never been at the center of everything as when the Tudors became the new ruling House. This goes hand in hand with the new current of man being placed at the center of everything. Man is divine, man is the conduit between heaven and earth, and likewise, the king is more sacred than his subjects. Coins from his reign, show Henry, seated in the throne, holding the orb and scepter, wearing the crown of the confessor. He was the first English King to do this.

Tudor chronicler, Polydore Vergil, wrote the following of the first Tudor monarch in his mammoth work ‘Anglia Historia‘, a series of books chronicling the history of England:

“His body was slender but well built and strong; his height above the average. His appearance was remarkably attractive and his face was cheerful, especially when speaking; his eyes were small and blue, his teeth few, poor and blackish; his hair was thin and white; his complexion sallow. His spirit was distinguished, wise and prudent; his mind was brave and resolute and never, even at moments of the greatest danger, deserted him. He had a most pertinacious memory. Withal he was not devoid of scholarship. In government he was shrewd and prudent, so that no one dared to get the better of him through deceit or guile. He was gracious and kind and was as attentive to his visitors as he was easy of access. His hospitality was splendidly generous; he was fond of having foreigners at his court and he freely conferred favours of them. But those of his subjects who were indebted to him and who did not pay him due honour or who were generous only with promises, he treated with harsh severity. He well knew how to maintain his royal majesty and all which appertains to kingship at every time and in every place. He was most fortunate in war, although he was constitutionally more inclined to peace than to war. He cherished justice above all things; as a result he vigorously punished violence, manslaughter and every other kind of wickedness whatsoever. Consequently he was greatly regretted on that account by all his subjects, who had been able to conduct their lives peaceably, far removed from the assaults and evil doing of scoundrels. He was the most ardent supporter of our faith, and daily participated with great piety in religious services. To those whom he considered to be worthy priests, he often secretly gave alms so that they should pray for his salvation. He was particularly fond of those Franciscan friars whom they call Observants, for whom he founded many convents, so that with his help their rule should continually flourish in his kingdom, but all these virtues were obscured latterly only by avarice, from which…he suffered. This avarice is surely a bad enough vice in a private individual, whom it forever torments; in a monarch indeed it may be considered the worst vice, since it is harmful to everyone, and distorts those qualities of trustfulness, justice and integrity by which the state must be governed.”

It would be good to end this on a happy note but Henry’s life as his early struggles was anything but happy or peaceful. He faced many rebellions, dealt with one impostor and a pretender, and other personal struggles that worn him down, including the loss of his uncle, eldest son, wife and newborn daughter.

Almost everyone who had joined Henry in exile and marched with him to Bosworth, had died. The man who became like a father to him, his paternal uncle, died before the century was over. And then he lost his son, a young, handsome boy whom he had named after the mythical Welsh (and Anglicized) king who united all of the British Isles to fight the Saxon army, King Arthur. He represented his vision for the future, a future where the Tudor dynasty reigned supreme. When he lost Henry, his vision died with him.

Bernard Andre commented that the King was absolutely distraught. He and Elizabeth took comfort in each other’s presence, with his wife assuring him that they were still young and could still have more children. And while this is true, Elizabeth was young, the birth of her new daughter was too much for her. She died on her thirty seventh birthday with her newborn, princess Katherine, dying a day letter.

Henry was outlived by his daughters, Queen Margaret who had married James IV of Scotland in the North and whose descendants would rule England (and continue to rule England) after the death of the last Tudor monarch, his youngest, Princess Mary (whose descendants would be beset by tragedy), and his only surviving son, Henry VIII and of course, the woman who had always worked hard to ensure his survival, even from afar, his mother, Margaret Beaufort.

His reign is also a transitory period, representing the end of an era and a dawn of a new one, that space between the end of the medieval period and the beginning of the modern world.

Henry was buried at the lady Chapel next to his wife, Elizabeth of York. Their two effigies are a testament of their undying love, and his personal sacrifices.

Sources:

• Porter, Linda. Tudors vs Stewarts: The Fatal Inheritance of Mary, Queen of Scots. Martin’s Press. 2014.
• Skidmore, Chris. The Rise of the Tudors: The Family that Changed English History. Martin’s Press. 2014.
• de Lisle, Leanda. Passion. Manipulation. Murder: The Story of England’s Most Notorious Royal Family. Public Affairs. 2013.
• Chrimes, S.B. Henry VII. Yale University Press. 1999.
• Barbara Kyle’s ‘For Sale: Rich Orphans’

Book Review: Plantagenet Princess, Tudor Queen by Samantha Wilcoxson

Looking for a good historical fiction to read that is true to Elizabeth of York and the tumultuous era she lived in? Look no further, the Plantagenet Princess is all this and more!

It is very hard to find a good historical fiction that is appreciate of Elizabeth of York, without downplaying on her strengths or ignoring her weaknesses.

Many novelists think it’s better to alter their female subjects, the ones who aren’t deemed “interesting” or “strong” in order to sell more books, by marketing them as progressive or ahead of their times.

This wouldn’t be a problem if novelists were honest with their audience but as it happens, they are not. So you can imagine my sigh of relief when I read this book and found an author who honored Elizabeth by staying as true as possible to her silent -yet strong- demeanor.

There is strength in silence and that is something that Samantha Wilcoxson emphasized on every chapter where Elizabeth comes out as an observant, proud, and pragmatic young woman who is aware of her importance, and is determined to be treated with the respect she rightly deserves.

As the firstborn of Elizabeth Woodville and Edwar  IV, Elizabeth was well aware of her value. To quote from Susan Higginbotham in her biography on Elizabeth’s maternal family: “It is a truth universally acknowledged, that an unattached young king must be in search of a wife.”
And a man like Henry who’s claim to the throne was more tenuous than Elizabeth’s father, he needed a good marriage to keep himself in power.

Elizabeth is a caring young woman who is witty and at times outspoken, someone who has learned from her relatives’ mistake, has had to endure loss, but never feels sorry about herself. Her strength lies in knowing who to trust, her religious devotion and faith in herself. Sounds trite, but this is as close as you will get to time travel and meeting the real Elizabeth in historical fiction. The book is beautifully written, highly descriptive and character driven, with Elizabeth being not the only character that shines from this tale, but those are there with her at the end of her journey.

If you are a history buff who’s read plenty on the wars of the roses, and is fascinated by Elizabeth of York’s story, this is the book for you. If you are new to this era but wish to know more about the story behind the White Princess, this is the book for you too. Well researched, masterfully written, highly descriptive, Plantagenet Princess: Tudor Queen brings back the wars of the roses and the early Tudor era back to life, and gives justice to a figure who’s been easily discredited, altered, and her queenship dismissed.

They say that the good you do won’t do you any good. Sometimes this is true, but for a woman who had seen many kings deposed, murdered and killed in battle, and queens’ reputations dragged through the mud, sweetness and piety became her greatest strengths and her fertility a shield against anyone who’d think twice about her harming the new Tudor Dynasty.
Experiences shape us, and they certainly shaped Elizabeth but as I’ve previously pointed out, it is often our willingness to get back up despite how many times we’ve been brought down that makes all the difference. And Elizabeth never gave up. Although her weapons were invisible they were no less effective and as it happened, they guaranteed her success. She went down in history as one of the most successful English consorts, and gained a cult-like status.

Dead Men tell no Tales: The black legend of Henry VIII

It is easy to see why people have a hard time differentiating from the jolly old monarch, bluff king Hal/good king Hall, or the murderous, lecherous psychopath that came centuries later, to the real Henry VIII, who was as complex as everyone else during this era.

I have been guilty of viewing him through a twenty first century lens.

This is not going to be some excuse-making post about him, Henry VIII did a lot of things that were atrocious but when you want to have a serious discussion about him, you have to look at his reign in the proper context and the proper context is looking at it from a 16th century standpoint.

Henry VIII was no saint but neither was he a mustache-twirling villain, what he was, was a Humanist Prince whom everyone started to adore, ignoring the people he executed because they happened to be people they hated (Empson and Dudley) until one day he overstepped his boundaries, broke away from the church, threatened the livelihood of farmers and traders who relied on the monastic system that people went ‘okay this is going too far.’ The fat that he also wanted to annul his marriage to his wife of many years who was beloved by the English people, also played a part in people rising up against him. But even as they rebelled, they always made sure to point out that it wasn’t against him directly but their ministers.

The Forgotten Monarch:

Henry VIII as a young man (left) and later in his reign (right).

It is easy to see why Henry VIII is seen as a villain. From a twenty-first century standpoint he does seem amoral, but we forget that the past is a different country and the Tudor era can’t easily be divided into good and evil. History is not a morality tale and if we want to have a serious discussion about the infamous monarch, we have to get to the heart of the story and see how the black legend of lecherous, murdering bluff king hall came to be.

 In the following paragraph from The Wives of Henry VIII, Antonia Fraser says the following about Henry regarding the judicial arrest and later murder of Anne Boleyn:

“It is true that the workings of the King’s conscience followed the dictates of his heart amazingly conveniently. But this did not mean that he did not have a conscience. On the contrary, it was a likely and important part of his nature. The coincidence between passion and conscience was more apparent to outsiders than it was to him, a useful capacity for her self deception being another of his attributes … This is not to absolve Henry VIII of guilt concerning his second wife’s destruction, let alone the deaths of the innocent courtiers, some of them his close friends. On a rational level, the sovereign who agreed on 24 April to sign the commission of investigation into unknown treasonable conspiracies must have had a fair idea of what was going on. And even if that signing could be regarded as a purely routine administrative matter, the King went on a few days later to sign the documents necessary for summoning parliament … It is merely to observe that Henry VIII found it easy enough to absolve himself.”

Fraser and several other historians have pointed out, Henry wasn’t a dastardly being.

Deep down, to quote historian Robert Hutchinson, “he believed that what he wanted was what God wanted.” And it will be easy to point out his hypocrisy, but before doing that, his religiosity must be addressed.

“Most people have seen the famous painting of the bloated, middle-aged King, standing with his fists anchored pugnaciously to his hips, wearing sumptuous cloths covered in embroidery and jewels. The force of his personality can still be felt, even more a two-dimensional depiction in oil … His appearance thoroughly matches his reputation as a brutal thug who murdered women when he tired of them … Henry is popularly remembered as a fat, covetous, and womanizing lout, but this image is less than half the story.  The aged King, with his cruel disdain for others and his harsh authoritarianism, is very different from his younger self.  When Henry ascended to the throne, he strove to bring harmony and chivalry to his court; he was not to contentious and brutal man he was to become …  As a young man, Henry was a handsome, genial, and a rational ruler. The youthful King was described, in the private letters of more than one foreign ambassador or other court contemporary, as having incredible physical beauty. His hair was red, he had very fair skin, and his face was as lovely as that of “a pretty woman” (Scarisbrick, 1970:13) … In addition to his physical accomplishments, the King had a brilliant mind. Henry’s intellect impressed many of the most famous thinkers of his day.”

In her book, Blood Will Tell, medical historian Kyra Cornelius Kramer illustrates Henry’s youth and background before she talks about the possible illnesses that affected him.
She also spends a good deal dispelling myths surrounding Henry, starting with the notion that he was a lecher whose mood changes were the result of venereal diseases from countless sex partners.

“Had it been suspected that Henry had syphilis, word of his condition would doubtlessly have circulated in European courts. The fact that he was the English monarch would not have stopped the doctors from reporting his disease, any more than it stopped royal physicians from making the King of France’s condition common knowledge.”

In her book, Six Wives and the Many Mistresses of Henry VIII, women’s historian Amy Licence, contests this notion, saying that there might be a bit of truth in legends, although she also maintains that in comparison to other kings, Henry was far more discreet and a prude.

Young Henry: The Man that Time Forgot

Henry VIII by the Venetian Ambassador who was impressed with the young King’s physique and pursuit of knowledge: “The handsomest potentate Ii ever set eyes on; above the usual height, with n extremely fine call to his leg, his complexion very fair and bright, with auburn hair combed straight and short, in the French fashion, and a round face so very beautiful, that it would become a pretty woman.”

Henry VIII grew up in a strict environment. It was all fun and games until his brother died and his father, worrying about his last remaining male heir, was forced to do some adjustments to his schooling and outdoor activities. Basically, he wasn’t allowed to go out much. His father enjoyed playing cards, joking with friends when he was abroad and watching jousting tournaments. Naturally, his son wanted to do all that and more but his father didn’t let him. Henry was allowed to have friends but he wasn’t allowed to engage in any sort of sports that might hurt him.
In the twelfth century, Louis VI of the Capetian Dynasty, aka Louis “the Fat”, of France lost his eldest son due to horse riding. And jousting was far more dangerous, especially for a young boy, so that was out of the question.

Courtiers thought that Henry would grow up to be someone they could easily control but he surprised them when he told them he’d choose his bride, concocting a sentimental lie how it was what his father asked of him before he died. Rescuing Katharine of Aragon from near penury, Henry VIII saw himself as Sir Lancelot to her Guinevere. At times the two engaged in elaborate masques where they would each play different roles, with Katharine as the damsel in distress and Henry as her knight in shining armor. In her documentary series, the Secrets of the Six Wives (Six Wives in the UK), Lucy Worsley spent the first half hour of the first episode showing how deeply in love Henry and Katharine were and that they were equal in looks, stubbornness, and their educational backgrounds.

I am not going to spend to be discussing Katharine’s background, I have done that already in other posts which I’ve linked down below. I will say that when it comes to Henry, his background is often ignored to the point that all people can think of -when they think of Henry- is this disgusting gluttonous lecherous idiot. That was not always the case and this perception is a perfect example of how the shifting religious landscape affected people’s views on a man who was once hailed by the Venetian ambassador as the true embodiment of Humanist principle.

The origins of the Black Legend & the truth about his childhood

In his biography on Henry VIII, the late David Loades had this to say on the Good King Hal:

“Pro … defensione was the first round in the creation of that ‘black legend’ of Henry VIII which thereafter dominated all those records of English events which emanated either from Catholic Europe or from the English Catholic community. One of the most vitriolic was Nicholas Sander’s De origine ac progressu schismaticis Anglicani published at Cologne in 1585, which attributed Henry’s actions in the 1530s entirely to unbridled lust, both for Anne Boleyn and also for the wealth of the Church. This was a line also taken by Robert Parsons in his treatise of three conversions … which was issued at St Omer in 1603. Modern historians in the Catholic tradition have been far more judicious, not only because polemic no longer serves a useful purpose, but because the debate has broadened to embrace the King’s whole style of government. Cardinal Gasquet in 1888, while not abandoning the lust and greed interpretation, was more concerned to set the events in context and to admit that there might have been some justification for the King’s extreme reactions. In the twentieth century Philip Hughes, while pointing out that Henry had a tendency to alter the law to suit his own convenience, also proposed that there was much amiss with the late medieval Church, and particularly the monasteries, which invited the King’s intervention. This concession has been repudiated by more recent scholars, notably Jack Scarisbrick and Eamon Duffy, who have argued that the Church was in rude health and that Henry’s success was primarily the result of his exercise of crude force. It was by executing dissenters on both sides of the confessional divide that the King enforced his will, using fear and intimidation as his principal weapons. Meanwhile, for historians of a Protestant persuasion the reformation was a change waiting to happen. Without denying the importance of the King’s actions, they proposed a model of a Church corrupted from within by superstition and idolatry, a tottering edifice awaiting a decisive push. Unfortunately Henry’s push had been anything but decisive, as they admitted.
John Foxe, standing at the head of his tradition, was frankly puzzled by Henry, who seemed to blow both hot and cold on the reformers -often at the same time.”

David Loades’ assessment on the second Tudor monarch, is probably the fairest.

“Henry’s handwriting has always been a bit of a mystery. The ‘Y’s with that little back loop. The ‘R’s look much like ‘z’ in modern handwriting and the ‘H’s are quite unlike the handwriting of Henry’s known teachers. On the other hand, it is rather like this.’ David Starkey motions to show a book listing other primary sources that contains a letter written by none other than Henry’s mother, Elizabeth of York. ‘And this is one of the very few surviving specimens of the handwriting of Henry’s mother. ‘This book is mine. Elizabeth, the King’s daughter.’ It says. It is only eight words and thirty-nine letters. And yet it is characteristic enough in weight, rhythm and letter forms to prove conclusive (I think) that Elizabeth herself was the first teacher of her daughters and her second son, Henry. It’s a charming picture, Henry the little prince and a loving family.” He described this as unusual “for sixteenth century monarchs.” And it certainly is but I think that has to do with the simple fact that he was the second son, the “spare”. Given that Arthur was destined to be King and going to receive a top-notch education, Elizabeth of York probably felt her other children, including Henry, could be more carefree. It must have felt terrible for the young boy when he lost his mother and his father (with good reason) became paranoid. Henry VII felt he had to protect him at all cost and until his father died, there was little indication of what Henry wanted. What Henry VII said, his son did. When he became King, he realized the enormous power that he had and how quickly he could win the people over by showing them that he was the opposite of his father. Like his mother, he was amicable, surrounding himself with people of low and high stature. And like his maternal grandfather, he was eager to be loved.

In his documentary on Henry VIII, as well as in his biography on him, David Starkey stated that Henry had a deep connection with his mother. To prove his point, he showed viewers to copies, one of his mother and the other of Henry. The handwriting is similar and given that he was the spare, it makes sense why he and Elizabeth became close. Further proof of this lies in Henry’s words. He said to one of his colleagues that his mother’s death was one of the hardest moments of his life, and something he had never gotten over with.

But Henry’s idyllic childhood didn’t last. As previously stated, it ended when his brother died and his father became overprotective of him. In her recent biography on the Tudors, The Private Lives of the Tudors, Tracy Borman says that Henry VIII’s descent into madness can be traced back to his childhood. By the time he became King, he had grown into a “highly strung, impulsive and vain young man with a terrifying and unpredictable temper. Those who served him would soon learn how swiftly his favour could be lost.” She is referring to Empson and Dudley, his father’s dreaded tax-collectors whom he put in prison as soon as he came to the throne and less than a year later, had them executed. Some historians take this as proof that Henry was bloodthirsty from the beginning and people only turned against him when he attacked their privilege and their beloved church.

Henry VIII: The Politician & Trying to Solve the Puzzle

An older Henry VIII at the end of his reign. By this time, he had become obese, the ulcer in his leg had worsened and it is possible he was suffering from other illnesses. His over-eating and desire for glory, as well as his position as head of his church, wishing to secure his legacy, didn’t help. Yet, aware of the power of words and images, he made sure that he’d become immortal through them, especially with the latter. His pose is perfect and can be seen in other paintings where his expansive clothes help cover up his weight and give the impression that he is all-powerful. Portrait by Hans Holbein the Younger.

Certainly, Henry VIII was a good masker, but what monarch wasn’t a good liar. In his infamous book, The Prince, Machiavelli posed the question if it is better for a prince to be loved or feared. Machiavelli, like Henry VIII, gets taken out of context. He didn’t favor the monarchy and his other text on a Republican government better illustrates where he stood politically. Nevertheless, eager to win back the favor his masters, The Prince was a step-by-step manual on how to be an effective ruler. Machiavelli held that it was better for a monarch to be feared -since a good ruler had to be aware that he could never please everyone. But relying on fear alone, just as on love, didn’t work because eventually the people would rise up in anger and everything the ruler built -whether good or bad- could go down the drain. Therefore, he added another element to the equation: respect. Winning the people over was a good technique and for that a ruler had to be affable and seen as just -even when he wasn’t.
Henry was good at this.  And not just because he was an evil mastermind who relished in people’s suffering but because he truly believed that what he was doing, was in everyone’s best interest.

Call it delusion, or self-con, but that is how Henry’s mind worked -and how most monarchs’ minds worked, especially the ones the ones that are widely revered.

Of course, as Henry VIII’s behavior became erratic as he got older. If Kyra’s theory that he suffered from Kell Blood Positive syndrome, as well as Suzannah Lipscomb in her book, 1536, where she said that the fall from his joust in that year caused him head trauma that altered his personality, are true then this along with his leg ulcer, and his urgency to father another male heir to secure the Tudor Dynasty, can explain this.

Even though victors get to rewrite history -and Henry did rewrite many things about his reign- sometimes writers decide that the truth is not interesting enough and they spice things up. This is what has happened to Henry. Amidst the myths and legends, the real one gets pushed into the background in favor of a caricature.

It is true, dead men tell no tales, but facts do and even when firsthand accounts are bias, they paint a clearer picture of who this man was and what fueled his actions. While the puzzle will never be solve, the deeper we dig, the closer we come to discovering who the real Henry VIII was.

Sources:

• Borman, Tracy. The Private Lives of the Tudors: Uncovering the Secrets of England’s Greatest Dynasty. Hodder & Stoughton. 2016.
• Kramer, Kyra Cornelius. Blood Will Tell: A Medical Explanation of the Tyranny of Henry VIII. Ash Wood Press. 2012.
• Henry VIII: Mind of a Tyrant presented by David Starkey, directed by David Sington, BBC, 2009.
• Loades, David. Henry VIII. 2011.
• “Divorced.” Six Wives with Lucy Worsley, written by Chloe Moss, directed by Russell England, BBC, 2016.
• Katharine of Aragon’s education
• Katherine and Henry VIII’s marriage & their joint coronation

 

The Sweating Sickness & Greyscale

There is great book by Claire Ridgway that I recommend if you are new to the Tudor era or just new to some of the diseases that were plaguing the population during that time. The sweating sickness is by far one of the greatest mysteries of the Tudor era because no one knows exactly how it originated, although many scientists and medical historians have a good idea given some of the contemporary records.

“A remarkable form of disease, not known in England before, attracted attention at the very beginning of the reign of Henry VII.” (Encyclopedia Britannica)

“It was referred to by many different names, including the Sweat, the Sudor Anglicus or English Sweat, the Swat, Stup-Gallant, Stoupe Knave and Know thy Master, Sweating Sickness and the New Acquainance.”(Ridgway, Sweating Sickness in a Nutshell)

Claire Ridgway makes the distinction that she is not a doctor but has done a great deal of research on this topic (and she has also made a video on this topic which is a shorter version of the book) and has come to several conclusions, the main one being that this disease could have been the result of several things, including lack of hygiene in universities, homes and other places.

“Erasmus, in a letter to Francis, physician to the Cardinal of York, wrote of how English houses were not constructed to make a through-draft possible and that their rush floors were unhygienic because sometimes they were not renewed for around twenty years and so they allowed “spittle, vomit, dog’s urine and men’s too, dregs of beer and cast-off bits of fish, and other unspeakable kinds of filth” to fester.  Oothers blamed the damp, foggy English climate and Caius mentioned flooding: “rot in the groundes after great flouddes, in carions, & in dead men”, but these factors are unlikely to have caused such an epidemic.” (Ridgway, Sweating Sickness in a Nutshell)

She goes on to elaborate on other possible factors such as this being a new strain of influenza or a combination of various factors that made it possible for this to spread so fast and kill so effectively.

One thing she does dispel is that this was NOT brought over by Henry’s soldiers. This is something that is still perpetuated in some novels and while it makes for entertaining read, it is simply false. There are records of the disease before Henry and his army of mercenaries, disaffected Edwardian Yorkists and staunch Lancastrians landed on Milford Haven. In fact, one such account that she gives more details about in her book reads as follows:

“The disease was obviously known in England before the Battle of Bosworth because, according to the Croyland Chronicle, when Richard III called on Thomas Stanley to travel from his home in Lancashire to Nottingham, after news of Henry Tudor’s landing had broken, Stanley “made an excuse that he was suffering from an attack of the sweating sickness, and could not possibly come”. It appears therefore, that Henry Tudor and his forces cannot be blamed for its introduction.”

The Luminarium project website has an article on this subject that is straight from the Encyclopedia Britannica, third edition that dates back to 1910, leaving it clear that the disease hadn’t been brought to England by Henry’s soldiers but that it was already native to England.

“It was known indeed a few days after the landing of Henry at Milford Haven on the 7^th of August 1485, as there is clear evidence of its being spoken of before the battle of Bosworth on the 22^nd of August. Soon after the arrival of Henry in London on the 28^th of August it broke out in the capital, and caused great mortality. This alarming malady soon became known as the sweating-sickness.”

The symptoms according to Thomas Forrestier, a French physician, who lived in London and wrote a treatise on the disease, were the following:

1. “A great sweating and stinking.”
2. Redness of the face and body.
3. Unquenchable thirst
4. Headaches
5. High fever
6. Breathlessness

English physician John Caius was more detailed in his description of the disease, adding that the muscular pain would be accompanied by redness, abdominal pain, cardiac palpitations and dizziness.

Game of Thrones, being partly based on the wars of the roses and the era after it, has sided with many novelists by having Ser Jorah on the show and Young Griffin’s (fake Aegon –sorry guys but I don’t think he is the real deal) guardian in the books be the ones that bring a horrible disease back to Westeros.

The show and books could surprise us by having these two characters finding some sort of miracle cure that stops it from spreading –sort of like what happened to Shireen- but it is unlikely. And it might be that the Stonemen’s disease or Greyscale, be Martin’s version of the sweating sickness in Westeros.

This would certainly make things difficult for Dany. The sweating sickness certainly did for Henry as it prevented him from going to certain places, or traveling alongside his wife years afterward. The sweating sickness was more deadly on England, killing many people and making no distinction between rich and poor.

Henry VII’s surviving son and heir, Henry VIII, could have come this close never to marrying Anne Boleyn because she happened to be one of the victims of this sickness. Thankfully for her and her family, she recovered. Other members of the nobility and the royal family weren’t so lucky. Take the Brandons for example. Charles Brandon’s last wife, Catherine Willoughby gave him two sons who survived infancy but didn’t live beyond that. During the reign of Edward VI they died, leaving the poor Duchess devastated.

The sweating sickness would go on to hit again with the last recorded incident in 1652 in Leipzig. This new variant of the disease would also be seen in other parts of the globe such as in France, Spain in Holland during the nineteenth century.

There were many attempts to cure it or control it with Henry VIII, who like his paternal grandmother, had a fascination with the natural world, keeping a detailed journal where he came up with several tonics and remedies to combat this disease.

In Game of Thrones we aren’t given a full explanation as to how Shireen’s father managed to stop the disease from spreading. Season five just reveals that Stannis hired every physician and magician from across the known world to come to Dragonstone so they could stop the disease from taking over and transforming her into one of the hideous creatures we saw that reside in Old Valyria. Like lepers in the ancient and medieval world, Stannis was advised to send his daughter away to live the rest of her life among the other people infected but he chose not to because he was convinced that she could be saved. It could have been a combination of his obstinacy (because Stannis is a proud man) and his love for his daughter that prevented him from making a poor decision that would see his only heir being sent to live the rest of her days as an animal. (Unfortunately, he would go on to make a worse mistake when he listened to Melisandre, and sacrificed her, believing that Shireen’s death would bring him victory.)
Daenerys sends Jorah away to find a cure. Some fans believe that Jorah will find himself back to the Quaithe, the mysterious masked figure viewers were introduced to in season 2 and whom book readers have long speculated about since we were introduced to her in ‘A Clash of Kings’. The first trailer for season 7 shows us as a disgusting looking arm with ridges, dried up blood and stone looking skin which leads us to believe it is Jorah and that maybe (like Shireen) he has found a way to stop the disease from spreading or that he hasn’t and like the rumors surrounding Henry’s men bringing the sweating sickness to England, he will bring a deadlier strain of the disease to Westeros, causing more deaths and more additions to the army of the undead.

Sources:

• Ridgway, Claire. The Sweating Sickness: In a Nushell. Made Global. 2014.
• Lisle, Leanda. Tudor: Passion. Murder. Manipulation: The Story of England’s Most Notorious Royal Family. Public Affairs. 2013.
• “What was sweating sickness?” YouTube, uploaded by The Anne Boleyn Files, 5 May 2014, https://www.youtube.com/watch?v=qwSjvIixzP8
• “English Sweating Sickness.” Encyclopedia Britannica. 11^th, 1910

Henry VII & Daenerys: Two Dragons of the same scale who’ve broken the wheel

A Song of Ice and Fire is rich with detail and characters that are as complex as the world they live in, and the faith they practice. The war of the five kings which was based on the wars of the roses is over. We have come to the Tudor period with strings of the last stages of the wars of the roses.
Henry Tudor failed to invade England in his first attempt. Buckingham’s Rebellion was supposed to destabilize the government but it did nothing of the sort. Henry didn’t give up and in his darkest hour he vowed that once he won, he’d marry Elizabeth of York, uniting the two houses of York and Lancaster and bringing peace to England.
It is unclear if the book series or the TV adaption will follow history but given that the latest trailer has made the similarities between the two more obvious, it is safe to say that it will come close.
We don’t know what Dany’s exact reaction is when she finally arrives to Westeros, specifically to Dragonstone. Dragonstone is the equivalent to Wales in the world of ice and fire.
Rhaegar was Daenerys’ older brother and thus, the crown heir and Prince of Dragonstone. Like his historical counterparts, the Princes of Wales, he was tasked with carrying out the King’s justice and ensuring that his subjects’ would stay loyal to the crown. Crown heirs as young as twelve would be sent here and like the princes of Wales, they would have their own household with a governor and tutors which would help them with the task of ruling and administering their principality.
After Rhaegar died at the battle of the Trident, many people saw his siblings as the sole heirs of the Targaryen dynasty. Like Henry Tudor, Daenerys was forced to flee along with her brother and seek refuge across the narrow sea. Her claim to the throne has been described as slim because of her gender and her father’s reputation as a tyrant, not to mention her older brother’s actions with Lyanna. But Daenerys insists that she, and only she, is the rightful heir to the throne and there is nothing she won’t do to get what she wants.

The Ones who were Promised

Daenerys is also seen as a savior by the followers of the red god. Coupled with the myriad of sell-swords, former slaves, hordes of Dothraki and disenfranchised aristocrats from her homeland, it is no surprise why she’s become the biggest contender.
The way Dany looks up in the latest trailer of season 7 after she lands in Dragonstone (way to make it obvious who these people are based on, am I right?) in an almost reverential manner is so similar to Henry’s reaction when he arrived to England after fourteen years in exile.
Besides claiming descent from the legendary Welsh King, Cadwallder, Henry also claimed to be a descendant of King Arthur, through his father, Edmund Tudor, who claimed to descend from Welsh Princes that went all the way back to ancient times. Henry Tudor adopted the symbol of the red dragon of Wales as his main banner, and as soon as the Welsh heard of his arrival, they began to sing songs about him, claiming that he was the one who had been promised.
According to the chronicler Robert Fabyan, upon arriving to Milford Haven in Pembrokeshire, Wales, on the 7th of August 1485, Henry “kneeled down upon the earth, and with meek countenance and pure devotion began this psalm: judica me deus, and discern causmam.” (Psalm 43: Judge me, Oh God, and distinguish my cause.) Then Henry kissed “the ground meekly, and reverently made the sign of the cross upon him.”

Daenerys hasn’t shown herself to be pious but like her historical counterpart she has a strong sense of purpose. She believes that it is her right to rule because of her bloodline and her actions towards the slavers at the former slaver’s bay (now renamed Dragon’s Bay). But will that be enough to vanquish the forces of evil and more importantly convince the people to join her cause?
Only time, and in this case, shorter time (since the clock is ticking) will tell. Henry’s defeat of Richard III didn’t end the dynastic conflict, though he made it seem when he married EOY as if it did. And assuming that the theory of Dany marrying Jon Snow is correct, that won’t guarantee Westeros any peace as there will still be plenty of factions looking for ways to undermine their reign and gain the upper hand.

Fashion Statement

Another thing I noticed is Dany’s new look which mirrors Henry in his later years. Contrary to popular opinion, Henry didn’t always dress so dour. In her latest book, historian Tracy Borman talks about how he closely guarded his money and his possessions but he still spent a significant amount on clothing.

 

 

“… he had a more light-hearted side. His household accounts reveal that he was fond of playing cards, even though he regularly suffered heavy losses … Physically fit from his years of campaigning, he held regular jousts and liked to play tennis. The latter was a particular favourite with the king and was commended by a contemporary expert on courtly refinement as a “noble sport which is very suitable for the courtier to lay … for this shows how well he is built physically, how quick and agile he is in every member” … Miserly he may have been, but Henry Tudor was shrewd enough not to repeat this mistake. A man’s clothes –far more than those of a woman –were of great symbolic importance … Henry spent the greatest sums on his apparel during the early years of his reign, when he felt most insecure on his newly won throne.” (Borman, The Private Lives of the Tudors)

Dany’s latest appearance mirrors that of Henry during the last years of his reign after he’d lost nearly all of his loved ones, including his wife and son.
Daenerys has this rich apparel with jewels and expensive fabrics, and she is finally wearing her house colors, but in contrast to previous seasons and other contenders, she appears more reserved. Even Cersei boasts of more jewelry and outlandish headgear than her! It could be that as Dany attempts to make her final claim at the Iron Throne, she wants to be seen more as a protector than a bejeweled tyrant.

Game Changers & Altering History

So after everything that I’ve written, you might be asking: Does this mean that Daenerys will end up as Henry Tudor? Beloved savior turned miserly female king who loses nearly all of her loved ones? As I previously stated, given that this is Game of Thrones, it is hard to figure out what the outcome will be but one thing is certain and that is that Daenerys as Henry Tudor have changed the rules of the game. As she told Tyrion in season four, she isn’t determined to be another spoke in the wheel, she wants to break it.
“Lannister, Baratheon, Tyrell, Stark … they are all just spokes on a wheel … On and on it goes … I am not just going to change the wheel, I am going to break it.”

This is an allusion to the wheel of fortune. A medieval concept that can be simplified to good luck vs bad luck. Either you were favored by God, or you weren’t (in which case you were pushed to the bottom of the wheel). Henry’s candidacy as the last scion of the House of Lancaster changed all that. If we looked critically at this claim, and forget about the outlandish tales he and his descendants weaved about his dynasty, we see someone who rose to power thanks to the in-fighting that was going on at England at the time and the tragedy of the princes in the tower, and who through his wit and cunning, won many people over, and who in spite of living on the run for most of his teenage and young adult life, grew up to be a very determined and cautious individual.

Daenerys says that it is her destiny to rule. Henry swore before an audience of disaffected Edwardian Yorkists and staunch Lancastrian loyalists at Vannes Cathedral in Brittany that he would bring them victory and peace by defeating Richard III and marrying Elizabeth of York. The way he spoke and interacted with his new allies, convinced them that he was a man worthy to follow. Over a century later, William Shakespeare wrote the conclusion to his history plays on the wars of the roses, ‘Richard III’. Richard III is filled with Tudor propaganda where he drew from plenty of sources written during Henry’s reign and his successors, that painted Richard as a hunchback and a twisted individual. It is no different than what we see Tyrion or Cersei being depicted at. While Cersei borrows the worst qualities assigned to Queen Regents and Queen Regnants during the Tudor era, the role she is playing in Daenery’s story is similar to that of Richard III.

There have been many fan theories that speculate that while the book series are told from different characters’ point of view, and we see this being expanded on the show, the whole story might not be nothing more than a single person’s take on these events. Someone who has interpreted these events based on what his best friend has told him, or how he wishes them to be remembered. Of course, I am referring to Samwell Tarly. The season 6 finale closed the chapter on Samwell’s story with him and Gilly and her son arriving to Old Town where they meet one of the grand maesters. He is examining a document with a special lens and as he guides Sam to the main library, we see the astrolabe which is largely featured at the beginning of the credits. Could it be that this story is showing Jon Snow and Daenerys in such a light, because that is how Sam prefers the population to remember it?
Let’s recall what Varys told Tyrion in season 2: “A very small man can cast a big shadow.”

Indeed, he can. If there is one thing we have learned from history is that it is bias and whoever is victorious, gets to control the narrative. The pen is mightier than the sword, and it might be that Varys’ sermon about how power is nothing more than “a trick, a shadow in the wall” and the greatest trick of all is the one that changes people’s perception to the point that their view of the world is whatever you tell them.

This doesn’t undermine Daenerys and Henry VII’s respective rise to power. On the contrary, it only highlights their genius and their ambition. Henry’s claim rested on his mythical roots to King Arthur and Cadwallder, his right of conquest (which was valid and was also claimed by his and the Plantagenets’ ancestor, William the Conqueror), and finally from his mother who was a direct descendant from John of Gaunt, 1st. Duke of Lancaster, albeit from an illegitimate branch. While Richard II had legitimized John of Gaunt and his former mistress, Kathryn Swynford (who was his wife by then), his successor, John of Gaunt’s oldest son, had undermined their legitimacy by adding a new clause that barred them from the line of succession. Henry’s victory made many of his supporters forget this little detail, but not the Yorkist remnants who continued to wage war against the Tudors -a war that escalated when Henry VIII broke away from Rome and created his own church.

Without a doubt, Henry and Daenerys are two of the best examples that the people who start off as the most inconsequential can become the most important players of the game and through a number of misfortunes and strokes of luck, break the wheel, and true examples that destiny is what you make of it.

“The reality of Henry Tudor’s ascent to the throne –his narrow escapes from death, his failures and anxieties, complete with constant uncertainty of his situation and the compromises that he had been forced to make, including the support from France and his former Yorkist enemies in gaining the crown- was a far less welcome tale. It remains nonetheless just as remarkable; against all the odds, at Bosworth Henry achieved a victory that he should not have won.” (Skidmore, Rise of the Tudors)

Ironically, even when Henry VIII tried to outdo his father in the Tudor Dynasty Portrait that has him, Henry VII, leaning next to a monument while their respective wives, Elizabeth of York and Jane Seymour (who was dead at the time this was painted) are on the other side, claiming that his achievements were better than his father; he had to admit that without him, none of that would have been possible.

Decades later, during Elizabeth I’s coronation, Henry VII was featured once again, this time through the device he created after his union to Elizabeth, that symbolized the union of their two houses, the Tudor rose. Elizabeth I would often invoke the past to justify her actions and lend validity to her claim. Like her grandfather, she saw herself as the rightful heir to the throne, not just because of her father’s will, but because her mother had been an anointed queen and like her paternal grandmother and namesake, she viewed herself as a symbol of unity who was destined to pull England out of darkness and into the light.

“On Saturday, January 14, 1559, at about two o’clock, Henry VIII’s youngest daughter, Elizabeth, rode through London, from the Tower down to Westminster, on the eve of her coronation. As usual, a great series of pageants had been organized to illustrate the many ways in which the new queen’s majesty was righteous and worthy. At the corner of Fenchurch Street was Gracechurch Street a large stage was erected across the street, “vaulted with battlements” and built on three separated levels. The official record of the procession recorded that “on the lowest stage was made one seat royal, wherein were placed two personages representing king Henry the Seventh and Elizabeth his wife, daughter of king Edward the Fourth … [not] divided but that the one of them which was king Henry processing out of the house of Lancaster was enclosed in a red rose, and the other which was Queen Elizabeth being heir to the house of York enclosed with a white rose … Out of which two roses sprang two branches gathered into one, which were directed upward to the second stage … wherein was placed one, representing the valiant and noble prince king Henry [VIII].”
… Buildings were decorated with the Tudor roses and other associated emblems of the dynasty. Great stained glass windows installed in churches during the sixteenth century blazed with red and white petals. Anyone who had been lucky enough to brose the books of the royal library would have found the exquisite illustrations on the pages decorated with roses red, white and Tudor –in many cases these were added to books that had been inherited from earlier kings- particularly Edward IV. Other books, too, were emblazoned with the simplified dynastic story of the Wars of the Roses … By Elizabeth’s reign, the mere sight of red and white roses entwined was enough to evoke instantly the whole story of the fifteenth century: the Crown had been thrown into dispute and disarray by the Lancastrian deposition of Richard II in 1399; this had prompted nearly a century of warfare between two rival clans, which was a form of divine punishment for the overthrow of a rightful king; finally in 1485, the Tudors had reunited the families and saved the realm. It was that simple.” (Jones, Wars of the Roses: Fall of the Plantagenets and the Rise of the Tudors)

Perception is everything and it is more effective when the person twisting historical events is full of conviction and if there was one thing the Tudors had was plenty of conviction -something their founder’s fantasy counterpart also has.

“Now civil wounds are stopped peace lives again: That she may long live here, God say Amen!” ~The Tragedy of Richard III by  William Shakespeare (1592)

The last book in the series will be called ‘Dreams of Spring’ and given how Shakespeare’s Richard III ends with Henry Tudor being crowned and promising a new beginning for England, it can be inferred that the last book’s title refers to a bittersweet closure to the song of ice and fire, with the war ending, some form of peace being achieved but at a great cost. And perhaps it is revealed at the end, that this was nothing more than someone else’s view of these events, leaving many questions (as with the wars of the roses and the era after it) unanswered.

Sources:

• Martin, George, et. al. World of Ice and Fire: The Untold History of Westeros. Bantam. 2014.
• Lisle, Leanda. Tudor: Passion, Manipulation, Murder. The Story of England’s Most Notorious Royal Family. Public Affairs. 2013.
• Chrimes, S.B. Henry VII. Yale University Press. 1999.
• Skidmore, Chris. The Rise of the Tudors. St. Martin Press. 2014.
• Porter,  Linda. Tudors vs Stewarts: The Fatal Inheritance of Mary, Queen of Scots. St. Martin’s Press. 2014.
• Borman, Tracy. The Private Lives of the Tudors. Grove Press. 2016.
• Jones, Dan. The Wars of the Roses: The Fall of the Plantagenets and the Rise of the Tudors. Penguin. 2014.
• Shakespeare, William. The Tragedy of Richard III. 1592.
• Weiss, Daniel Brett and Benioff, David, creators. Game of Thrones. HBO. 2011-?

I also recommend all the other books in the Song of Ice and Fire saga, including the latest spin off “Dunk and Egg” which expands on this world.

Henry VII’s Coronation: The Beginning of the Tudor Dynasty

On the thirtieth of October 1485, two months after his unlikely triumph at Bosworth, Henry Tudor, formerly the Earl of Richmond, was crowned at Westminster Abbey. His uncle Jasper had the honor of holding the crown while his stepfather, Thomas Stanley, carried the sword of state. The two men had been amply rewarded days before when they’d been created duke of Bedford and Earl of Derby respectively.

The ceremony was performed by the John Shirwood (Bishop of Durham) and Robert Stillington (Bishop of Bath and Wells), supported by Courtenay (B. Exeter) and John Morton (B. Ely). Although the Archbishop of Canterbury didn’t play a prominent role, as the head of the church in England, it still fell on him to anoint the King and place the crown on his head.

Henry VII in the “White Queen” placing the bloody crown on his head.

As with every monarch, when he was formally proclaimed as King of England, the ministry asked the crowd if they accepted him as their new monarch, to which everyone chanted: “Yea, yea!”

It was an expensive ceremony fit for a king, especially one who was doing everything in his power to convince his new people that he, and no other, was chosen by God to rule England.

“Accounts of the coronation were drawn up by Sir Robert Willoughby, and they spoke of a flurry of activity among the goldsmith, cloth merchants, embroiders, silkwomen, tailors, laborers, boatmen and saddlers of London. Instruction went out for yards of velvet and silk in royal purple, crimson and black, which were then run up into beautiful jackets, hose, hats, robes, wall hangings, cushions and curtains. Henry’s henchmen were ordered hats plumed with ostrich feathers, boots made from fine Spanish leather and striking costumes of black and crimson.” (Jones)

As for the King himself, his mother was determined that he would outshone his Yorkist and Plantagenet predecessors. And he certainly did. Not only were the courtiers dressed for the occasion (as was their new King), but the Abbey itself was filled with splendor. Margaret’s confessor wrote that upon seeing her con crowned “she wept marvelously.” And she a lot to be happy for, but her tears weren’t of joy but of fear. Margaret had lived through a tumultuous time we now know as the wars of the roses. Kings and Queens were humiliated, deposed, and it had turn everyone against each other. Henry, for all she knew, could be just another passing King. Historians such as Norton and Lisle make a point, that Margaret did become a force to be reckoned with, in her son’s reign. “What power she would have” Lisle writes, “would be behind the throne.” But in the meantime, all their worries were left behind, as Henry enjoyed this moment of triumph.

Following the Mass, Henry returned to the Tower of London for the coronation banquet. Jasper took precedence over the other nobles, riding ahead of them, his horse trapped with cloth of gold trimmed ermine. After the first course, Henry’s champion, Sir Robert Dynmock came in, issuing the customary challenge, demanding who would challenge the King’s authority. There were more performances to be found that day, among them the iconic representation of the royal arms of England and France along with those of their new king emphasized his Welsh ancestry. But more prominent among them was the Tudor rose. Henry Tudor was a religious man, and as those that came before him, he chose a rose because of its religious significance. The red rose was a symbol of Christ’s passion, while the five petals corresponded to the  five wounds Christ had suffered on the cross. Roses were ones of the most notable symbols on the Abbey, and on the courtier’s clothing.

But it wasn’t just the red rose, it was the white one as well which became representative of the late House of York. The York dynasty had relied on other symbols to represent their dynasty. Although it was a preferred symbol of Edward IV, he had also used the Sun in Splendor, to commemorate one of his victories, and his youngest brother, Richard III had opted for the white boar. Henry used this because it was simple and because it represented a new era –one in which Lancaster and York would be united and were there would be no cause for war.

While this wasn’t entirely true, it still worked because for many people, centuries afterwards, the Tudors would come to represent the union of these two warring houses, and become one of the most famous dynasties in world history. Ironically, before Henry became King of England, when he was just a child, the bards sang songs in honor of his late father (Edmund Tudor) and predicted that great things awaited his son. When he landed on Milford Haven in Pembrokeshire, Wales, the bards sang louder, praising now his uncle as well, saying “Jasper will breed us a dragon” claiming that Henry was the chosen one, the prince that was promised, of an ancient Welsh prophecy. Never forgetting who was responsible for his rise, he rewarded many of his Welsh supporters with lands, titles and offices.

Henry VII would go on to reign twenty five years. On his death, he was succeeded by his son, Henry VIII whose reign would eclipse his father’s, and to prove his greatness, he commissioned one painting known as the ‘Dynasty portrait’ where he asks viewers an important question. Who was better, the son or the father? He acknowledges his father’s achievements but says they pale in comparison to his. While Henry VIII is the most famous of the three Tudor kings, it is unfair to leave Henry VII behind. As a kid, his future was always being negotiated by his mother, uncle, and his caretaker (William Herbert), and as a teenager, he spent his teenage years and most of his young adult life in hiding, fearing for his life. When he finally came back, the odds were stacked against him and still, he won. As King, he continued to fear for his life, and although he was a good husband and father, he became a shell of his former self after his son died, followed by his wife and baby daughter a year after that.

Buried at Westminster Abbey, next to his wife, at the chapel he constructed for him and his descendants, is a testament to the appeal this dynasty has had -and no doubt will continue to have in many years to have.

Sources:

• Henry VII by SB Chrismes
• Tudor. Passion. Manipulation. Murder: The Story of England’s Most Notorious Royal Family by Leanda de Lisle
• Margaret Beaufort by Elizabeth Norton
• Wars of the Roses: The Fall of the Plantagenets and the Rise of the Tudors by Dan Jones

Red and White it flows: The Birth of Prince Arthur

On the 20th of September 1486, Queen Elizabeth of York gave birth to the first prince of the Tudor dynasty, a baby boy named Arthur at St. Swithun’s Priory next to Winchester Cathedral. This was no coincidence as Henry wanted his crown heir to be born in the place where it was believed Camelot once stood.

Henry was proud of his Welsh roots and he wanted to exalt them, by naming his crown heir, Arthur after the legendary king who unified all Britain. From the start, Henry VII, was doing his best to solidify his place in English history and the rest of Europe. When he married Elizabeth of York that same year, their union was widely celebrated. A new emblem was a created.

“Henry had been born at Pembroke Castle in Wales and spent his early years at Raglan in Monmouthsire. His paternal grandfather, Owen Tudor claimed descent from Arthur and he had marched under the banner of a red dragon, the Pen Draig, or Pendragon, at Bosworth. Breton minstrels and early Welsh texts had been drawing on the legend long before the Tudors …The present round table in Winchester’s Great Hall has been carbon dated to 1250-90 … Even Elizabeth’s father, Edward IV, had been drawn to Arthurian ideals and produced genealogies to justify his wresting the throne from Henry VI.” (Licence)

Not surprisingly then, Henry VII felt even more drawn because of his Welsh roots. On the road to Bosworth, he chose for his main standard the dragon of Cadwalldr and thanks to his uncle Jasper’s popularity in that area, the bards sang songs about him being their prophesized savior.

Arthur was the embodiment of these myths, being born at the place where many believed Arthur’s fabled city of Camelot once stood, and where a replica of the round table was held at the ceiling of Winchester Cathedral, and of his father’s ambitions. He was a prince of both Lancaster and York.

For her part, Elizabeth had been preparing for the birth since Easter with the help of her mother-in-law, the indomitable Margaret Beaufort [Countess of Richmond]. Besides her, Elizabeth had the company of her mother and other female relatives. Birth in this period was exclusively a female thing and although doctors were present, they were not normally involved in childbirth. They were just there to act as consultants. It was up to Elizabeth’s women and the midwives to assist her during the birth.
When her labor began on the 19^th, natural creams would be applied on her abdomen. These would mostly consist of a mixture of distilled marjoram and saffron and brandy to “aid the contractions and help lessen the intensity” of these.

Although medical knowledge was limited, Alison Weir writes that the “practices employed by midwives” were fairly modern.

“Documentary evidence suggests that women were encouraged to give birth in a sitting or squatting position. They were encouraged to do breathing exercises for labor, much as they are today, but there was no pain relief beyond opiates and herbs.”

Weir adds that it is possible that Elizabeth of York might have had the protection of the Virgin Mary via her girdle which was held at Westminster Abbey and it “was sometimes lent to queens and high-ranking women, so that they could tie it around themselves in labor.”

When his birth was announced, the country rejoiced and many poems such as the following, illustrate this:
“I love the red rose
but red and white it flows
is that your pure appetite?
To hear talk of them
is my delight
loved may we be
our prince to see
and roses three.”

Arthur was christened four days later at Winchester Cathedral. His godparents were John de Vere, Earl of Oxford, his grandmother the Queen Dowager, Elizabeth Woodville, and his step-grandfather, Thomas Stanley, Earl of Derby. After the ceremonies were over, the Queen’s sister, lady Cecily returned the baby to his mother. Less than a year later, Elizabeth would be crowned.
Margaret Beaufort was not present at this event, but she was very present in the child’s life.

“She had ordered, for example, that a physician supervise the nurse breastfeeding Elizabeth’s baby, and a yeoman test the king’s mattress daily … She was furthermore always there, her tiny frame an almost inescapable presence.” (Lisle)

While the proud parents would boast of more children, only three would survive them. Margaret, Mary and Henry Tudor would go on to become Queens and King, while their crown heir would die before his time.

Sources:

• Elizabeth of York: A Tudor Queen & her World by Alison Weir
• Elizabeth of York: The Forgotten Tudor Queen by Amy Licence
• In bed with the Tudors by Amy Licence
• Blood Sisters by Sarah Gristwood
• Tudor by Leanda de Lisle